Archive for the Media Category

C.M.J. Go ‘Hit ‘Em’

Posted in Audio, Life Perspectives from T.S. Niebeling, Video with tags , , , , , , , , , , , , on Tuesday, April 15, 2014 by Terry Scott Niebeling

 

Sometimes I think things need to happen.  This needed to happen- I found a video today through a friend on Facebook, C.M.J himself, that made me act.  C.M.J is part of the local Minneapolis underground hip hop movement.  I met him a few times a few summers back, he threw me a dope CD.  This video is full of excitement, and I must admit the beat and flow leave me on the edge of my seat at the library (I am studying).  Smooth.

I must run to class (a more in depth post to come later).  This is worth a listen, don’t waste your time!  Get on it!

Make your day and this song happen.  Listen locally.

 

Hyphon Illuminates My Day, and Opens My Mind

Posted in Art, Life Perspectives from T.S. Niebeling, Local Love, News with tags , , , , , , , , , , , , , , , , , , , , , , , , , on Tuesday, August 20, 2013 by Terry Scott Niebeling

Blake Auler Hyphon Murphy

Waking up this morning, after the run and such, I was brought to a smile by something I so effortlessly had stumbled upon.  The smile was from understanding, and newly rediscovering what artistry and creativity had been harboring in my hometown area.  I found an artist I had been following for sometime, I had reintroduced my ears to Hyphon.

I was intrigued and pleasantly surprised.

I did something, just a click, and sat back to listen.  I found myself mesmerized for the next couple of minutes, and  in a better way, more open-minded to my surroundings.  I thought of Hyphon’s lyrics, I felt at a coffee shop, reading a book, I felt the general idea of expanding my mind, my situation, and my musical diversity.  I felt comforted at the sound of growth, at the use of imagination, and something even more, a piece of La Crosse, at an artist from my birth place stretching the boundaries and producing a unique sound that I could feel comfortable listening to anywhere.

I had been sitting on this song, and then we realize hesitation kills.  I had been forgetful when thinking about time I had spent perusing the ever interactive internet, the time we all had spent.  I found myself listening to a song by Hyphon, I found myself satisfied with the lyrics (use of words, vocab), sound, and production.  He is an acquaintance, an artist, and he has motivated me today, especially, to search for more.  To indulge in what we would normally pass up.  I invite you to click and listen.  You will be taken somewhere, and wherever it is, at least you went.  We all go learning something new along the way, learn today that there is artistry everywhere, especially in La Crosse.  All one has to do is open their ears-have a listen.

I have probably said enough, maybe not, but you do owe yourself a listen.  It is worth your time.

Hyphon-A Shapely Sign of Things to Come

Hyphon brings a bureau of words, ideas, and deep imagery, true underground, fresh…

Listen to this in the morning with coffee, and prepare to have your thoughts provoked.

Album Review: M.i & Tyler Keyes, Pushing Keyes

Posted in Album Review, Video with tags , , , , , , , on Thursday, June 27, 2013 by Tim Althaus

pushing-keyesWhen artists begin collaborating with each other online, there’s really no telling what’s going to happen. They might only collaborate on a few tracks through e-mail, or they could end up releasing volumes of vivacious music. Tyler Keyes & M.i collaborated copiously on the 2011 album Prep Time; this was done entirely through phone calls and e-mails. After visiting Austin, Texas for the South By Southwest Festival, Keyes left the Twin Cities to form a more proximal working relationship with M.i – a bold and wise choice.

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Father John Misty At First Avenue

Posted in Art, Life Perspectives from T.S. Niebeling, Mind Inversion Exclusive, Reviews, Video with tags , , , , , , , , , , , , , , , , , , , , , , , on Wednesday, May 22, 2013 by Terry Scott Niebeling

Last night I experienced something so unforgettable and so mind-blowing that I am just happy to share with the readers on Mindinversion.net.  I love music so much, yet I find it incredibly hard to write to an audience while being succinct, to the point, factual-in great depth, and at the same time remain fair, interesting, and unbiased. Like, this is what I truly listen to.  I am not just pushing this to promote someone I know. So when I come across an experience such as this I must share.  I am going to avoid the small details, not do a bio, and stick to what I know in this piece-I am going to stick to the subjective perspective of the audience member involved:  Me.

 

Let me preface by saying, I had little knowledge of Father John Misty before the show itself.  In fact, I had only heard a few songs of his on The Current, and I had read a brief bio (forwarded through email by a friend), or intro, or something in a local magazine.  The point is not that I knew of Father John Misty before going to the show, or that I was a mega-fan, or to write an A&E biography of the guy, the point is that if you have the opportunity to see Father John Misty, or you haven’t heard of his music, you should.  He is the shit, and that is what’s happening.

 

Last night I attended a Father John Misty show at First Avenue, and I was stunned by the sound, the performance, the vulgarities, the honesty, the attraction, the allure, and the general idea of Father John Misty himself.  He is a simple paradox, a dichotomy of a human being, a split personality of oneself, a diversity of contrast, not to be oxymoronic or redundant.  He is the embodiment of a true performer, one of very very few existing on earth.

 

My significant other had purchased tickets a few months back and had expressed that I could join if I cared to.  I accepted the offer, thankfully.  As now I am writing about something amazing that happened in my life.

 

We biked to First Ave. from NE Minneapolis, in the rain.  Arriving at around 9 PM, obviating the opening band, Solid Gold (for no apparent reason at all). We arrived wet and soaked to the bone.  After entering we promptly ordered whiskeys and gazed over the massive sold-out crowd of the main room floor.  Walking towards the stage we found a spot near the right side, just above the lower-level standing room area, and watched as the roadies set the stage for what was going to be a show.  After 15 minutes of waiting the band entered the room to a roar, the floor lights went dim and a spotlight hit the man at center stage. The show was on, and this is what transpired, in broken prose and obscure paragraphs:

 

Electric rock blues country indie psychedelic sound with 100% heart within the live performance.  Haunting, chilling, numbing, and genuinely real.  Sorrow was on display.  Realism was tangible.  A dark gospel was in session.

 

Father John Misty, the true performer.  Like Mercury and Morrison on stage; at times pure evil, at times sultan of seduction, at times almost bringing you to tears, or terror, and all at once, had you laughing moments later.

 

He performed the hits, some new material, and even for an encore (1 of the 3 songs) pleaser he did a rendition of The Beatles’, Happiness Is a Warm Gun.

 

His [Father John Misty] antics and ad-libs added to the amusement and brought humor and a human aspect to the set: pokes on Prince, America, and humanity rang true and effective.  I felt like I knew him by the end.  At the start I wasn’t sure if I was even a fan, at the conclusion I knew I had seen something amazing, and I needed to delve more into his musical catalog.  Fantastic.

 

Authentic, yet almost vulnerable on stage, something that garnered an emotional cord with the crowd; I was moved at his artistry and the way the lighting made the theatre on stage come alive; I was not just at a concert, I was on a journey. Father John Misty at the helm.

 

At one point, during Hollywood Forever Cemetery Sings, one of the best songs of the evening, I thought someone (Father John Misty himself) was going to choke on a mic cord; however, not to worry all was crescendo, breakdown, and lights after that.  There was an encore with 3 songs (as mentioned above) and that was it.  I stood in awe.  I was impressed.

 

End of What Transpired.

 

All that said, Father John Misty is a talented live performer.  The set he created delivered to someone who was an ignorant fan, even the backdrop was well-done.  His material has been on the radio for some time, I’ll be it more tame and polished than at the live show, but what the performance offered in dark and grit was a catalytic reflection of the manifestation of artist from album to live performance.  If you have a chance to see Father John Misty, or you haven’t purchased the album, I suggest you get on that.  Father John Misty has given us some very interesting and relatable art to listen to, however subtle and manipulated on the record, a great listen all around.

 

Father John Misty is a true performer, a real performer, someone who can put on a captivating show and not fret about reviews.  He may have shocked an awed, but he is a true artist from what I have seen.  Now, have a look for yourself.

 

 

 

 

The D.O.T.-How We All Lie

Posted in Life Perspectives from T.S. Niebeling, Mind Inversion Exclusive, Music News, News, Video with tags , , , , , , , , , , , , on Friday, April 12, 2013 by Terry Scott Niebeling

After Mike Skinner put The Streets to rest after 5 albums I didn’t think I would hear much from the bloke.  I waited for some time, and nothing…  I followed Skinner on his blog http://mikeskinner.so and watched for him to put out something new.  Nothing happened…  I mean, there were some new posts and interesting photos, and words, but no music.  And then-a few months back, I became aware that I was literally on Mike Skinner’s personal emailing list.  A message popped up from one of my favorite anti-mainstream mainstream artists.  I had received an email from the man as if he had risen from the grave.  I was bestowed upon some great and inspiring new sound.  Kaboom!

And here it is in video form incase you missed it.  (above)

This catchy tune takes a few listens to warm up to.  You know I am crazy, so I sat around all day banging this shit out on loud, macbook style.  My GF got a little mad, by the end I was singing along (out of tune of course) and getting scolded.  I felt I knew the song and the artist a little more, I felt there was promise in this new material.  May I say I am a bit excited for the full length album?  I felt the video was entertaining (I had heard about this filming technique in Boulder, CO).  After listening to this song, and viewing the innovative video, I realized that what The D.O.T. was doing was actually pretty good.  I felt the same emotion that I had gotten from a lot of The Streets’ albums after the first and second listen, “Cult classic, not bestseller”.  But sales don’t matter, the sound is important, and this song is very catchy and has an incredibly memorable melody.  I woke this morning singing the chorus.

Before this message from Mike Skinner, I had little knowledge of The D.O.T., I assumed Skinner produced the songs.  I had no idea who the singer was.  So let me fill you in:

The D.O.T. Official Website

They have some interesting videos, venue tickets, downloadable songs, and other merchandise.

The D.O.T. project’s site is visually appealing and artsy, while remaining easy to navigate.

In all honesty I love how abstract and collectively cool Skinner is overall; most (universally), if not all of The Streets’ material is exceptionally well made, as Chuck Klosterman wrote-he (Skinner) is ‘advanced’ as an artist.  The music he puts out is real and relatable, there is an essence of humanity within his lyrics and delivery.  Also, Rob Harvey, of The Music, sounds great on vocals, and harmonizes well with Skinner.  At times I feel that Skinner wants to put more vocals into the song; however, it sounds pleasant the way it is presented.

Happily I am intrigued and I want to hear more.  If you could hook it up with a free CD, Mr. Skinner, that would be excellent, pre-release if possible???  Thanks.

Watch out for The D.O.T.’s new album “Diary” due to drop May 6, 2013.

Because Geezers truly need excitement.

Step Brothers (Evidence x Alchemist) Will Release Lord Steppington in 2013

Posted in Album Update, Video with tags , , , , on Friday, January 4, 2013 by Tim Althaus

First off, let me say that I can’t believe I’m writing this post; this project had almost reached Detox status for me.I realize that both of these dudes have been extremely busy over the last couple of years, but damn…

I feel as though all of my Hip-Hop prayers have been answered. I just peeped this video the other day on Ev’s twitter, and it got my super excited. I’ve been waiting for an Evidence and Alchemist full-length since they mentioned their Step Brothers project back in 2009. What makes this project even more special? It’s being released through Rhymesayers Entertainment – talk about dope. There are a few assumptions that I can make about Lord Steppington: First, the beats are going to be raw;  the equivalent of having your skin scraped off after a fall on the pavement. Second, the album is going to be chocked full of humor; we all know that Evidence and Alchemist are hilarious dudes.

Here’s a little taste of what to expect:

Jellyfish Brigade: The Art of Being Pulled Apart 

Posted in Album Update, Media with tags , , , , on Thursday, December 6, 2012 by Tim Althaus

The Art of Being Pulled Apart

Let me tell you, it’s been one hell of a hectic day filled with slightly overwhelming obstacles, but I’ve come out victorious, and now I get to listen to Jellyfish Brigade’s new EP – The Art of Being Pulled Apart. I posted the lead single – “The Character is Me” – last week, and now we’re getting the full three track EP.

Here’s what the guys had to say about The Art of Being Pulled Apart:

“The Art of Being Pulled Apart is a short story about the heart, mind, body and soul drifting in separate directions and how we must inevitably pull our different selves back together. By intertwining tales from the river, love notes from distant cities, and fears of the unknown, we created a project that explores the breakdown process and the beauty in getting a chance to reassemble one’s self after a life changing experience. This collection of songs is influenced as much by campfire folk tunes and early 90’s R&B as it is story telling hip hop and melodic electronic beats. Its setting is somewhere in the Columbia River Gorge on a highway during a Sunday evening sunset. It touches on recognizing each person’s individuality while also realizing our tiny place in the collective. It jovially compares our fate to that of the salmon, who spend the autumn traveling back home to their demise. I guess, in short, we make honest, heartfelt songs about love, life and nature, all of which we enjoy deeply.”

I am completely blown away by all three of the tracks on this project, and it’s making me crave a full-length effort from these guys. As I mentioned in my post about “The Character is Me”, Lucas Dix is showing a great deal of vocal dexterity on Jellyfish Brigade’s new material, and it’s fascinating to watch him grow as he realizes his full potential as an artist. With every release the water becomes a little bit clearer for Jellyfish Brigade; however, something else becomes evident: The smack is growing, and it’s only gaining more momentum.

You can jump over to Jellyfish Brigade’s website and download the EP for free.99 here.

Jellyfish Brigade, “The Character is Me”

Posted in Audio, Media with tags , , , , , on Thursday, November 29, 2012 by Tim Althaus

jellyfish brigade photo by Amanda Barber

I woke up knowing that today was going to be a special day for one reason in particular: it’s Jellyfish season. You definitely heard me right, the smack is back, and they’ve got a lead single from their forthcoming project The Art of Being Pulled Apart – which drops on December 6th.

I’ve been craving new material from Mr. Dix & Mr. Acciaioli since they dropped Gills and a Helmet and Sunflowers last year, and “The Character is Me” is exactly what I’ve been waiting for.

Propelled by The Great Mundane’s mesmerizing melodies, Dix spits an eye opening retrospective and philosophical narrative about his life experiences in the Midwest and how they’ve shaped him into the man that he is today living in Portland:

” I think that I’ve learned the simplest things last/every situation ain’t a riddle or ink splat/As a teacher I can spot the shittiest mishaps/and know just what to say to make a miserable kid laugh/a warrior/a worrier/performing like a mourning bird chirping to the chords of a Wurlitzer”

If you know Lucas Dix, then you know he loves Andre 3000 because he’s such a versatile emcee. When I listen to “The Character is Me”, the influence of Three Stacks is ubiquitous; not only does Dix deliver vivid verses, but he boldly steps out of his comfort zone and defiantly delivers the track’s hook. In doing so, he expands his vocal dexterity as an artist – something that even Andre 3000 could definitely respect.

Pac Div feat. Blu & Kendrick Lamar – “Cross Trainers”

Posted in Audio with tags , , , , on Wednesday, November 7, 2012 by Dylan Isensee

Pac Div keeps it West Coast with Blu and Kendrick for this Swiff D produced track, which will be on their November 27 release “GMB.”

Video: Danny Brown “Witit”

Posted in News, Video with tags , , , , on Friday, November 2, 2012 by Dylan Isensee

Okay, I know I’m a bit late on this post. This video came out last week, but I wanted to post it just in case you haven’t seen it yet. If you know anything about Danny Brown, you know he can get pretty wild, and this video is no exception. I saw him with A$AP Rocky and Schoolboy Q a few weeks back and it was one of the best shows I have ever been to. I’m definitely looking forward to his album “ODB,” which is going to drop in 2013.

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