Archive for the Mind Inversion Exclusive Category

Sonny Knight at Lyn Lake Street Festival 2014

Posted in Concert Reviews, Culture, Life Perspectives from T.S. Niebeling, Local Love, Media, Mind Inversion Exclusive with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Thursday, June 12, 2014 by Terry Scott Liebchen

… Sonny Knight was, and is great. He came across as the kind of guy who comes from bygone era, while effectively staying relevant. His music has life. He utilized three backup singers and a full band, he was doing it right. At the peak of the numbers in the crowd, Sonny rocked the stage like a champion. The best song of the day was “Hey Girl”, naturally, but even less familiar songs moved those in attendance. From behind the performers looking out, one could see raw excitement, and the power which Sonny sustained. His set was charged and intimate, and precisely electric. It was a pleasant and unexpected surprise, having never seen him before.

Sonny played for some time, and then the show was over. The crowd was pleased. I exited the stage at about the same time in hopes of having a one-on-one conversation with the artist. I ran around back as he was being mobbed by fans and snapped at with cameras. He took time for the adoration and with a broad smile he vanished. Sonny was something; to me, he seemed like a classic soul singer from the distant past, yet he was thriving in 2014. I wondered where his time machine was parked. Searching, I found nothing…

For the full story coming soon, check:


Red Fang at Mill City Nights

Posted in Concert Reviews, Culture, Life Perspectives from T.S. Niebeling, Local Love, Mind Inversion Exclusive, News, Reviews, The Learned Man's Take with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Thursday, June 5, 2014 by Terry Scott Liebchen

Red Fang at Mill City Nights was great… Yeah, except for the fact that Mill City Nights doesn’t allow you to take cameras within the venue. Naturally, since I infrequently contribute to a music blog I enjoy catching a show featuring one of my favorite bands, and maybe taking photos. Red Fang is absolutely about the things I love; drinking beer, partying, being broke, living in Portland (well maybe not that), and being hyper-trendy by just being original. I thought for a moment that I could get into Mill City Nights and snap some photos for a write-up; I was wrong. That is why this post has no photo.

Wednesday, June 4th, hours before the show, I sit at work watching the clock and contemplating either (a) selling the extra tickets I purchased, or (b) begging my other friends to join me. When Red Fang announced their show in Minneapolis I scooped up 6 tickets (the limit), because when Alt-J came I couldn’t have purchased enough tickets. I thought Red Fang would sell out in a heartbeat. I was wrong. I had 6 tickets and no takers. 7 pm hits, Dan texted me to let me know he had made it, he was in. I told him no worries, biked home, and put on my rocking pants and downed a rum and coke. Dan, Ryan, and Caroline showed at my house at about 7:45 pm. I was about 5 ribs deep in dinner and 3 beers down and ready to go. Meanwhile my camera battery was charging in the living room. I was prepared to get some epic shots.

8:30 pm we bike to the venue- all 4 of us, about a 1.5 mile jaunt. I bring an extra lock, we lock our bikes to a tree, and this is where the problem begins; firstly, Dan has a 3 inch pocket knife, as do I, that security over zealously locates on his person, and they lose their shit. I sell my 2 extra tickets no problem, at face value, just before I step in line to get groped. Dan’s knife is about as threatening as safety scissors. He puts it by the bikes which are locked to a tree. The security lady finds my knife. I also hide my knife next to the tree. After all of this I get back in line and I reach the security lady again, and it’s, “open the bag…” In my bag is a Sony Alpha 390, and an extra lens. The lady gives me a quizzical look and I am confused. She says, “That can’t come in, you’ll have to put it in a car.” I tell her I biked, she says “too bad”. More security converges on me, they laugh and tell me they can take care of it, but I won’t get it back. I am completely baffled. I am not allowed to take photos? Why can a paying patron at a venue not bring a digital camera within the premise? I must ask… Apparently this is Mill City Nights’ policy, unless you are press. See

There was really no answer, just “those are the rules…”

I am totally blown away by this claim. I purchased my tickets, I brought in 5 other people who effectively spend money, which amplifies the business Mill City Nights generates, and I am not allowed to bring in my personal camera to document my experience. This is completely fucked. Worst service I have ever had…

Two security guards; the lady and another guy shake their heads and tell me it is impossible to get inside with my camera. Their meat-head manager is standing above them with arms crossed. He is looking on disparagingly- specifically at me, confirming a good find to his subordinates. He laughs in his salmon colored button up shirt, in his fake tan and straight teeth. He shakes his head too, and acknowledges the good work by his cronies.

I literally am confounded. I make suggestions. To everything I say the answer is “Nope.” “We just can’t do it.” The manager tells me I can request a “press pass”, “just go inside and ask for a press pass.” He says. I think: Okay, why can’t I just go inside with my camera? Surely I am not going to leave it out here with these unhelpful individuals, and my camera is not dangerous, or anything that would cause a problem. This was clearly a power trip in progress. Give some people an inch and they go a mile.

I am holding up the lines, my friends are waiting. I walk inside, I ask for a “press pass” which, of course, I am denied. I am told by the man behind the counter “sorry”. He puts his arms in the air as if that is a good enough excuse. I walk back with Dan to the security guards and their manager.

At this moment I realize there is no way I am bringing my camera in, at least in a functioning capacity. I suspect the “press pass” is for paying members of the media; I wonder what City Pages et al. pay to get the best photos. I think of how they take away competition by putting a price on it, a proper monopoly. It goes to show you who and what runs the city of Minneapolis, at least publication-wise, and I mean advertisements and currency.

Dan tries to reason with all 3, and miraculously they ponder some alternative aside from me biking home to store the camera…

The guards tell me to take my camera out of the bag so they can inspect it. They tell me because I brought an extra lens I cannot bring it inside, certainly. However, they say maybe if I take the battery out and give it to them I can keep the camera, it’s that or give up my baby. I hand over the battery, they assure me that they are not responsible for it being lost or damaged (even with it in their possession). How convenient. The guard takes my battery rendering my camera useless and won’t guarantee its safe keeping- fuckin’ thanks. Mill City Nights at its best; the worst.

The show itself was a different story. The crowd was alive and ready to go. I saw some local punk types and some out-of-towners alike. The opening act was a treat- I forget the name because of the hubbub which took place upon entry. But they played their part well.

Now, we are front and center sipping on PBR’s, naturally, and waiting in anticipation. I look in front of the gate to see some preppy kid with a Canon snapping photos. He is wearing a multi-colored button-up that his mom probably ironed before the show. To my amazement, another cameraman wearing almost identical attire steps in front of the gate as well. They are snapping like their lives depend on it! They are even escorted by security, ha! Presently, I see why I wasn’t allowed to bring my camera. These guys had it covered, they must be important. The first act ends with some drum solo a cappella bit. It was interesting. I was ready for Red Fang.

Exit first band left stage pursued by a bear- in the darkness of the room and the lights of the stage. Sound check for Red Fang goes off without a hitch. I can see every member of Red Fang plain as day. They came to rock. Some guy with dreads asks me about the camera situation, I tell him I am not with any publication- I don’t work for City Pages or He is more inquisitive. I tell him I am a spy. I am here on a secret mission, almost foiled at the gate. I am sort of famous now at this show- kind of neat. He asks me about the make and model and scoots in front of me to get a better spot. He is completely confused about the camera situation. I don’t think he even cares.

Red Fang starts up. The whole show is a rush of energy. The smell of sweat and vomit creeps into my nose. They play most of my favorite songs from their first 2 records and some new ones. The crowd goes nuts. Red Fang is probably not used to seeing mosh pits, being from Portland and such. They asked the crowd if there is a problem, if we were mad at each other. The crowd settled a bit only up until the last few songs, which of course were the most noteworthy. “Wires” started the last 3 song stretch and everyone went crazy again.There was one mediocre song in the mix and then they brought it home with “Prehistoric Dog”. I was very satisfied with the performance, and the in-set banter. These guys are savvy and clever.

The set was great, both bands rocked the house. There was just enough quality music to leave satisfied. During the show I was scanning the stage watching the versatile artists, each contributing to the wall of sound. My head was sort of sideways waiting for another row of legs and bows to be thrown, but up until the final song it was subdued and comfortable.

The highlight of the night was definitely the douchiness of the staff at Mill City Nights, top-tier lameness. A one-star Yelp review is in store.

I would advise people not to bring a camera, even if they care to capture their experience (one they paid for). The staff members are not kind, not friendly, and strictly in the business to make money. Their rules are oppressive and somewhat demeaning. Not to mention it’s embarrassing to be subjected to adversities because of a camera, in front of others while the security people and manager get a boner. My camera by no means is anything super fancy. It is a point-and-shoot with a decent lens. Whatever the reason for the no-camera-policy, I think it is completely backward. As much as I want to believe it is for a logical reason the signs point to money and local publications influence of material output. I certainly can’t outdo them sans my battery. I suggest avoiding this venue outright if you believe in freedom of press, but if you must go to see a favorite act make sure you don’t bring anything for documentation purposes. Or, as they say, just get a “press pass”, especially if you want to snap some photos for fun on an amateur camera.

This snafu was on par with the T-shirt salesmen at the Converge show needing a break, I had money on hand. He was about to cry to the union. But that was another time, another story.

Father John Misty At First Avenue

Posted in Art, Life Perspectives from T.S. Niebeling, Mind Inversion Exclusive, Reviews, Video with tags , , , , , , , , , , , , , , , , , , , , , , , on Wednesday, May 22, 2013 by Terry Scott Liebchen

Last night I experienced something so unforgettable and so mind-blowing that I am just happy to share with the readers on  I love music so much, yet I find it incredibly hard to write to an audience while being succinct, to the point, factual-in great depth, and at the same time remain fair, interesting, and unbiased. Like, this is what I truly listen to.  I am not just pushing this to promote someone I know. So when I come across an experience such as this I must share.  I am going to avoid the small details, not do a bio, and stick to what I know in this piece-I am going to stick to the subjective perspective of the audience member involved:  Me.


Let me preface by saying, I had little knowledge of Father John Misty before the show itself.  In fact, I had only heard a few songs of his on The Current, and I had read a brief bio (forwarded through email by a friend), or intro, or something in a local magazine.  The point is not that I knew of Father John Misty before going to the show, or that I was a mega-fan, or to write an A&E biography of the guy, the point is that if you have the opportunity to see Father John Misty, or you haven’t heard of his music, you should.  He is the shit, and that is what’s happening.


Last night I attended a Father John Misty show at First Avenue, and I was stunned by the sound, the performance, the vulgarities, the honesty, the attraction, the allure, and the general idea of Father John Misty himself.  He is a simple paradox, a dichotomy of a human being, a split personality of oneself, a diversity of contrast, not to be oxymoronic or redundant.  He is the embodiment of a true performer, one of very very few existing on earth.


My significant other had purchased tickets a few months back and had expressed that I could join if I cared to.  I accepted the offer, thankfully.  As now I am writing about something amazing that happened in my life.


We biked to First Ave. from NE Minneapolis, in the rain.  Arriving at around 9 PM, obviating the opening band, Solid Gold (for no apparent reason at all). We arrived wet and soaked to the bone.  After entering we promptly ordered whiskeys and gazed over the massive sold-out crowd of the main room floor.  Walking towards the stage we found a spot near the right side, just above the lower-level standing room area, and watched as the roadies set the stage for what was going to be a show.  After 15 minutes of waiting the band entered the room to a roar, the floor lights went dim and a spotlight hit the man at center stage. The show was on, and this is what transpired, in broken prose and obscure paragraphs:


Electric rock blues country indie psychedelic sound with 100% heart within the live performance.  Haunting, chilling, numbing, and genuinely real.  Sorrow was on display.  Realism was tangible.  A dark gospel was in session.


Father John Misty, the true performer.  Like Mercury and Morrison on stage; at times pure evil, at times sultan of seduction, at times almost bringing you to tears, or terror, and all at once, had you laughing moments later.


He performed the hits, some new material, and even for an encore (1 of the 3 songs) pleaser he did a rendition of The Beatles’, Happiness Is a Warm Gun.


His [Father John Misty] antics and ad-libs added to the amusement and brought humor and a human aspect to the set: pokes on Prince, America, and humanity rang true and effective.  I felt like I knew him by the end.  At the start I wasn’t sure if I was even a fan, at the conclusion I knew I had seen something amazing, and I needed to delve more into his musical catalog.  Fantastic.


Authentic, yet almost vulnerable on stage, something that garnered an emotional cord with the crowd; I was moved at his artistry and the way the lighting made the theatre on stage come alive; I was not just at a concert, I was on a journey. Father John Misty at the helm.


At one point, during Hollywood Forever Cemetery Sings, one of the best songs of the evening, I thought someone (Father John Misty himself) was going to choke on a mic cord; however, not to worry all was crescendo, breakdown, and lights after that.  There was an encore with 3 songs (as mentioned above) and that was it.  I stood in awe.  I was impressed.


End of What Transpired.


All that said, Father John Misty is a talented live performer.  The set he created delivered to someone who was an ignorant fan, even the backdrop was well-done.  His material has been on the radio for some time, I’ll be it more tame and polished than at the live show, but what the performance offered in dark and grit was a catalytic reflection of the manifestation of artist from album to live performance.  If you have a chance to see Father John Misty, or you haven’t purchased the album, I suggest you get on that.  Father John Misty has given us some very interesting and relatable art to listen to, however subtle and manipulated on the record, a great listen all around.


Father John Misty is a true performer, a real performer, someone who can put on a captivating show and not fret about reviews.  He may have shocked an awed, but he is a true artist from what I have seen.  Now, have a look for yourself.





The D.O.T.-How We All Lie

Posted in Life Perspectives from T.S. Niebeling, Mind Inversion Exclusive, Music News, News, Video with tags , , , , , , , , , , , , on Friday, April 12, 2013 by Terry Scott Liebchen

After Mike Skinner put The Streets to rest after 5 albums I didn’t think I would hear much from the bloke.  I waited for some time, and nothing…  I followed Skinner on his blog and watched for him to put out something new.  Nothing happened…  I mean, there were some new posts and interesting photos, and words, but no music.  And then-a few months back, I became aware that I was literally on Mike Skinner’s personal emailing list.  A message popped up from one of my favorite anti-mainstream mainstream artists.  I had received an email from the man as if he had risen from the grave.  I was bestowed upon some great and inspiring new sound.  Kaboom!

And here it is in video form incase you missed it.  (above)

This catchy tune takes a few listens to warm up to.  You know I am crazy, so I sat around all day banging this shit out on loud, macbook style.  My GF got a little mad, by the end I was singing along (out of tune of course) and getting scolded.  I felt I knew the song and the artist a little more, I felt there was promise in this new material.  May I say I am a bit excited for the full length album?  I felt the video was entertaining (I had heard about this filming technique in Boulder, CO).  After listening to this song, and viewing the innovative video, I realized that what The D.O.T. was doing was actually pretty good.  I felt the same emotion that I had gotten from a lot of The Streets’ albums after the first and second listen, “Cult classic, not bestseller”.  But sales don’t matter, the sound is important, and this song is very catchy and has an incredibly memorable melody.  I woke this morning singing the chorus.

Before this message from Mike Skinner, I had little knowledge of The D.O.T., I assumed Skinner produced the songs.  I had no idea who the singer was.  So let me fill you in:

The D.O.T. Official Website

They have some interesting videos, venue tickets, downloadable songs, and other merchandise.

The D.O.T. project’s site is visually appealing and artsy, while remaining easy to navigate.

In all honesty I love how abstract and collectively cool Skinner is overall; most (universally), if not all of The Streets’ material is exceptionally well made, as Chuck Klosterman wrote-he (Skinner) is ‘advanced’ as an artist.  The music he puts out is real and relatable, there is an essence of humanity within his lyrics and delivery.  Also, Rob Harvey, of The Music, sounds great on vocals, and harmonizes well with Skinner.  At times I feel that Skinner wants to put more vocals into the song; however, it sounds pleasant the way it is presented.

Happily I am intrigued and I want to hear more.  If you could hook it up with a free CD, Mr. Skinner, that would be excellent, pre-release if possible???  Thanks.

Watch out for The D.O.T.’s new album “Diary” due to drop May 6, 2013.

Because Geezers truly need excitement.

Introducing: Click Track

Posted in Local Love, Mind Inversion Exclusive, Video with tags , , , , , , , , , , , , , , , , , on Thursday, July 19, 2012 by Terry Scott Liebchen

For some time I had been anticipating a video from a local band, Click Track.  Straight out of La Crosse, WI.  Now that I have seen and heard, I realize this band hails with edgy creativity and promising tune.

I had no idea at how the video would go or how the new song would sound.  I was exposed to the above.  I am greatly surprised at the catchiness of the song and the quality of the video, I felt it necessary to share with you, my friends at

Local Love presents Click Track.

Click Track Facebook Page

Click Track Reverbnation

These are some place to check out more songs, tour dates, and news on Click Track.

Click Track frontman Ryan Conrad and drummer Nick Elstad have hit it right with Dangerous Children.  They have been writing songs and creating music for sometime, playing venues in La Crosse, and elsewhere in the Midwest.  Bars, like The Cavalier, places intimate and very up close and personal.  I have known Conrad to have been writing and creating music, at least, for the past 10 years, in various acts (One point I even had the pleasure of being in a band with Conrad).  Seen em’ (Click Track) live a few times and they put on a high energy, professionally done show, with some fun.  The live show is intense and memorable, and their sound is original, at times haunting.

The song Dangerous Children is pleasantly catchy and the video is done well.  It has a hint of low-budget underground artsy film, but it remains highly effective and the songwriting speaks to quality.  I can appreciate a sense of art in production, with the progression and listenability of big league acts.  A song I can relate to and listen to many times before coming to a conclusion.

For a bit Conrad had been telling me to give his music a listen, I have known him forever and decided to.  I had not expected it to sound so new, so crisp, and so realistic.  I was happily enthusiastic.  I was intrigued, the Dangerous Children video showcases Click Track and the city of La Crosse, and a library, these are 3 positives in my book.

La Crosse is a city with a lot of musical acts, but at times, sadly, with little progression and distinguishability within the ranks and genres.

However, that is not entirely true, thanks to Click Track.

If anything Click Track is a testament that the music scene in La Crosse is changing for the better-their video speaks to said change.  Click Track is a breakthrough Indie rock band coming out of La Crosse, something I consider great, and they are pointed in the right direction.  They deserve a listen, and for the creative video they deserve a share.

Okay, so they have a megaphone, they wear suits, and they are from La Crosse, WI.  Need I say more?

The retro feel of the video, and the simple yet catchy sound have me inspired, Click Track.  As Click Track shows, there is clear potential in the Midwest for indie garage rock.

Local Love with Lukeb.

Posted in Album Download, Album Premiere, Album Stream, Art, Audio, Downloads, Interviews, Life Perspectives from T.S. Niebeling, Local Love, Mind Inversion Exclusive, Music News, News, Reviews, Video on Wednesday, May 16, 2012 by Terry Scott Liebchen

Here at Mindinversion we like to show love to local up and comers in the music scene.  Some artists of our areal, even artists we might know and hang out with personally.  Cause we are so cool like that and we can.  Here is a chance for us to get out of the mainstream a bit and focus on the future, on things that interest us now, and to show you what’s up where we live.

In this edition of Local Love I have decided to do a little bit of a piece on my friend and almost neighbor Lukeb.

Lukeb. is a local Minneapolis transplant from La Crosse/La Crescent area (La Crosse Music Scene), as well as this guy, so there is empathy and recognition in his art and words that I can relate to.  He has been rocking his style for some time and he goes hard on the mic all the time.  His MC skills are authoritative, aggressive, and deep.  Northern Lightz live shows are always exciting.  He does his own production (“everything, Man.”) and he rages daily.  If you are looking for something local and homemade with a twist of great lyricism and humble humility then you are looking for Lukeb.  He has been doing shows for 10 plus years in the Midwest, he is a vet. go check out a show if one is near, also check the jukeboxes at your favorite bars, hit up Northern Lightz with a Z.

This video is good for a listen.  It makes a decent day start better.  These are beats made down the street.  I can enjoy that.  The video is artsy and made by Lukeb.  Well done, representing the neighborhood.

“We do all this shit ourselves.”  -Lukeb.

If you dig the video I advise you to check out more music from Lukeb.  Lukeb. also is part of the creative force surrounding Northern Lightz, and he does collaborations with numerous artists in and throughout the Midwest, specifically La Crosse, WI:  Motz, CASTaway, Sara Mae, Mysta J, YoursTruly, Cat Robey and the Whiiild Ones, MasterNate, and others.  Also, check out the above single and other songs on his soon to be dropped album The Midnight Zone.  

Check them at:

Soundcloud Link:  Northern Lightz Sound

ReverbNation Link:  Northern Lightz ReverbNation

Other Albums:  You Can’t get there from Here, Other Side of the Table, and others.  

An Interview With Tiger Vs.

Posted in Concert Dates, Interviews, Mind Inversion Exclusive, Music News, News with tags , , on Saturday, February 18, 2012 by Terry Scott Liebchen


Minneapolis is a treasure trove for great music.  Fortunately I have been going out and experiencing some of it first hand.  At the end of 2011 and at the beginning of 2012 I was invited to a show by a friend and I experienced Tiger Vs.  I have seen a lot of local talent over the past few years, but Tiger Vs. stuck out to me.  They had something different and interesting about them.  Their sound radiated on a different level; the concept of their music was deep to my ears, it did not sound thrown together, but put together carefully piece-by-piece.  This was a multi-layered band with a multi-layered sound.  At first they reminded me of a Radiohead-esque type band (with a touch of sound from The Beatles), but then I was hit with thing I hadn’t heard before, classical sound in a present setting.  The vocals were deep and the sound was of quality and thought provoking.  Their sound was new and interesting.  They didn’t sound like a one off band, all of their songs were solid.  I completely enjoyed my experience, and at the end of the set I wanted more.

So after a bit of contemplation I searched out Tiger Vs., I wanted to know more about them.  I figured I would sit down and write to the band and collect some information.  As I see this band has something to offer musically.  Tiger Vs. intrigued and delighted at the Triple Rock.  They were the opening act, but I feel they had the ability and talent to be the headliner.  They did an excellent job and I feel they deserve a shout out on Mindinversion.  So here is my second attempt at an interview.  I hope it is as interesting and revealing as possible.  Check out Tiger Vs. they are down to earth and their sound is deep and moving.  Introducing Tiger Vs., here it is, the interview:

TS:  Members of Tiger Vs. and their roles:

Tiger Vs.:  Ranelle Johnson- singer/songwriter, keyboards

Addison Wasson- electric cello

John Accaregui- drums

 TS:  Where are you all originally from?

Tiger Vs.:  Ranelle- Spicer, MN

John & Addy- Iowa City, IA

TS:  How long have you been performing together?

Tiger Vs.:  1 year

TS:  What do you think the Minneapolis music scene brings to the table for local bands, and how has that benefited you (Tiger Vs.)?

Tiger Vs.:  Everyone in the local music scene is very welcoming and supportive. Bands help each other out with booking shows and promoting each other’s music. The Minneapolis scene is also really eclectic and provides a place for music of diverse styles.

TS:  Who is Tiger Vs. most influenced by musically and what is in your boombox right now?

Tiger Vs.:  We all grew up in very different backgrounds. We also all are influenced by and listen to a variety of genres. (Rock, pop, hip-hop, indie, jazz, electronic, punk, funk, classical).

Influences: Beach House, The Books, Portishead, Sufjan Stevens, CocoRosie, Battles, Don Caballero, The Beatles, Bjork

Boombox Right Now:  Ranelle-  Dvorak (Symphony No. 9 in E minor), The Beastie Boys (Hello Nasty)

Addy- J Dilla (Donuts), St. Vincent (Strange Mercy)

John- Beach Boys (The Smile Sessions), Dr. Dre (The Chronic 2001)

TS:  After rocking a show describe the type of after party Tiger Vs. has.

Tiger Vs.:  We go home and let out the dog.

TS:  I noticed at the show you all played musical instruments, such as the electric cello, and the piano (it seems to make the listening experience more involved) as an artist how does having a classic instrument like that on stage make your performance different?

Tiger Vs.:  We use modern spins on our classical instruments. We are able to express the classical sound in our music, but are still able to provide that rock edge in our live performances.

TS:  What is the direction of your band, is there a sound you are trying to emulate?

Tiger Vs.:  There is not a specific sound that we are trying to emulate, for we have a lot of different influences. We are about to release our first EP. After this, we are looking forward to writing new material and expanding our sound.

TS:  Where does your inspiration come from when writing songs?

 Tiger Vs.:  Thought bubbles, freedom, Addy’s fear of birds, breakfast, coffee, and vigilante justice.

 TS:  Where do you see Tiger Vs. in a year?

Tiger Vs.:  Writing new music, releasing another album, playing shows outside of Minneapolis.

 TS:  Dream venue?

 Tiger Vs.:  Aboard the Battlestar Galactica…or

 TS:  Pepsi or Coke?

 Tiger Vs.:  Coke for whiskey, Fuck Pepsi.

 TS:  If there is one thing that you would want your audience to know about, or take away from you (Tiger Vs.), what would it be?

Tiger Vs.:  We are passionate about writing music, and are grateful for the opportunity to share and perform. We just want people to have fun and enjoy themselves at our shows. If they can relate to the music or take away something more from it, that is awesome.

TS:  I asked for a CD at the concert at the Triple Rock and you all said you didn’t have one.  If I want to get a CD of yours now where would I look?

Tiger Vs.:  We have not pressed/released our first EP yet. We do have a website where you can listen to some of our tunes that will be on the upcoming EP.

We are currently working on designing our own website, which should be up by March!

TS:  Also, can I get a shirt or CD or something?  Tiger Vs. shirts would be awesome by the way.

 Tiger Vs.:  We will be releasing our first EP this Spring 2012. We will keep everyone updated on dates and more info on our websites. It is going to be real soon! We just need to master our tracks and find an artist for our album art.

 TS:  Lastly, If you could hang out anywhere in Minneapolis what side would it be on, and what bar?  a.)  Downtown, b.)NE c.) South d.) Uptown e.) North f.) Loring Park.

 Tiger Vs.:  WEST BANK!

Favorite Bar: Triple Rock

Bowling at Memory Lanes

DP! (dog park)

End of Interview.


I would like to give a big thanks to Tiger Vs. for taking the time to answer my questions.  I would also like to say if you have the opportunity to catch Tiger Vs. live do it.  They are a locally performing band and they are very talented.

Mind Inversion Exclusive Interview: Cage & Aviary

Posted in Audio, Interviews, Mind Inversion Exclusive with tags , , , , , , , , , , on Tuesday, June 16, 2009 by Erik Burg

cage and aviary interview picture

Part man, part machine, part cockatiel, Cage & Aviary take flights of fancy whenever they can.

Cage & Aviary, one part Jamie Paton and one part Nigel of Bermondsey, are busy people. They run a record label, they DJ, they produce, they jam. Their most recent release, the stellar Television Train/Suburban 12″ out now on DFA records (the euro version), has catapulted their success to a global scale. The two came stateside to play some of their first ever American DJ gigs in Los Angeles. So as their legend grows, and as their music continues to amaze, be sure to check them out. The two were nice enough to sit down and fill out a nice e-mail correspondence for Mind Inversion as well. Enjoy! (Nigel isn’t much for the talk)

Mind Inversion: So I’m barely 19 and have a limited knowledge, yet great appreciation and love of disco and house records from days gone by. I feel like all of your tracks draw upon very historic music, and music that most mainstream listeners don’t have an ear for. Elaborate on this idea, What from the past has influenced your music?
Jamie: I guess the short answer is lots of things, but that’s not much in the way of elaboration! We both bring lots of different influences to the mix, but our tastes also blend in some areas too – we both love the whole post-punk NY art-pop stuff like Talking Heads, and the Mancunian 80s new wave punk-funkers like A Certain Ratio and early New Order. We also have much love for the whole island records thing. A lot of this stuff when listened to now doesn’t sound mainstream but at the time, when the charts were made up of less formulaic production-line music, these oddball records made it into the upper reaches of the charts, I think it was an amazing time for popular music. Aside from all of that, I guess I bring more of a disco and house thing to the mix.
Nigel: I agree

MI: What is your model for creating music? I know you guys are involved in various other projects, so is the way you guys create started separately and then fused together at a different time, or is it more of the just sit down together with a plan and create tracks?
Jamie: We just sit down and jam really, see what comes out and take it from there. Recently we’ve been getting our live DJ set thing together, and the practice sessions for that have really produced some great new material, or at least starting points for them.
Nigel: I concur

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Concert Recap: Soundset 2009, My Journey To Mecca

Posted in Concert Reviews, From The Rail with tags , , , , , , , , , , , , , , on Tuesday, May 26, 2009 by Tim Althaus

Me going nuts when Pharcyde dropped "Raise It Up" in tribute to Jay Dee

Me going nuts when Pharcyde dropped "Raise It Up" in tribute to Jay Dee

As you can see by the picture I look like I am in a great mood. That’s because I was outstandingly over-joyed all day on Saturday in Shakopee, MN at Soundset 2009. I really couldn’t have asked for much more the entire day. My camera died roughly an hour and a half into the show (thanks to Erik for the pictures as well as other people on Flickr) and I ended up looking like a lobster from sunburn, but it was all worth it to be at this show. Even though this show was on the first weekend of summer, I can guarantee that this show will be the highlight of my entire summer.

The first show of the day I went to was I Self Devine who I was not super familiar with, but knew some of his background. I have to admit that I was very impressed by his performance and I can’t wait until his new album drops on RSE later this year. He had a lot of energy on stage, which in my opinion is absolutely key when it comes to an all day Hip-Hop festival.

I Self Devine taking a quick breather during one of his songs

I Self Devine taking a quick breather during one of his songs

Blueprint was next, and boy was I in for one hell of a surprise. I am probably one of the biggest Soul Position fans there is, and when I found out Rjd2 wasn’t coming I was a little disappointed. Let me tell you that Rj not being there made no difference whatsoever. Blueprint went on stage at Soundset and completely ripped the microphone to shreds going through tracks like “1988” & “Tramp”. My favorite part of his set, though, was when he busted out “Drugs, Sex, Alcohol, Rock-N-Roll” from the Soul Position album Things Go Better With RJ & Al. After seeing Blueprint at Soundset, I look forward to seeing Print no matter who he performs with.

Print preaching to the crowd during his set

Print preaching to the crowd during his set

Blueprint 3

Print spitting his heart out on "1988"

"Drugs, Sex, Alcohol, Rock-N-Roll"

"Drugs, Sex, Alcohol, Rock-N-Roll"

The next show I saw was Abstract Rude (who brought along Aceyalone & Myka 9) who I’ve been trying to get into lately. He put on a pretty good show, and when Aceyalone & Myka 9 hit the stage the energy really started to rise. These 3 guys together are a great group and it shows they are all highly influenced by each other when they are together.

Abstract Rude, Photo Courtesy of Rhymesayers Entertainment:

Abstract Rude, Photo Courtesy of Rhymesayers Entertainment:

Haiku D'Etat, Photo Courtesy of Rhymesayers Entertainment:

Haiku D'Etat, Photo Courtesy of Rhymesayers Entertainment:

Before this show, I had been waiting about 4 years to see Eyedea & Abilities. I missed them at last year’s Soundset and hand’t been able to make it to Minneapolis for a show when there was another opportunity. I can’t tell you how much I was looking forward to this show. The dynamic between these two is absolutely amazing and seeing them play classic cuts like “Star Destroyer”, “E&A Day”, as well as cuts off of the upcoming album By The Throat was nothing short of fantastic. It was also great seeing Eyedea give the stage to DJ Abilities so that he could display his amazing techniques on the wheels of steel.

Eyedea 2

Eyedea adressing the crowd


Eyedea spitting on Star Destroyer, Courtesy of Erik Burg

DJ Abilities tearing up the tables, Courtesy of Erik Burg

DJ Abilities tearing up the tables, Courtesy of Erik Burg

Immortal Technique is another guy that I was really looking forward to seeing live. I had heard so many good things from people that had seen him. I would have to say that Immortal Technique probably emitted the most energy out of anybody on stage the entire day of Soundset. Hearing Tech spit songs like “Point Of No Return”, “Industrial Revolution”, “Obnoxious” & other classics was incredible, not to mention that his speeches to the crowd made me (and probably others) feel like fucking some shit up. I feel like chances are, everytime this guy performs, everyone in the crowd walks away moved by his highly emotional & energetic performances. Immortal Technique is someone that everyone should see once in their life.

Immortal Technique Spitting "Point of No Return", Courtesy of Rhymesayers Entertainment:

Immortal Technique Spitting "Point of No Return", Courtesy of Rhymesayers Entertainment:

Immortal Spitting "Obnoxious", Courtesy of Erik Burg

Immortal Spitting "Obnoxious", Courtesy of Erik Burg

With the bar already set very high, the show kept moving. Hometown hero P.O.S. was next to perform on the mic and he put on a great show with local DJ Plain Ole Bill (who if I do say so myself, is a great DJ). He performed some of the great cuts off of his new album Never Better such as “Let It Rattle”, “Goodbye”, “Savion Glover” & “Optimist”. He also performed one of my favorite tracks off of Audition, “P.O.S. Is Ruining My Life” while telling the crowd to sing as loud as they could for his mother. The highlight of Stef’s set however (as Erik mentioned in his post) was “Low Light Low Life” when he brought out Dessa & Sims of Doomtree to bring their verses to life onstage.

P.O.S. performing Savion Glover Courtesy of Erik Burg

P.O.S. performing "Savion Glover" Courtesy of Erik Burg

Plain Ole' Bill & P.O.S. rocking Soundset, Courtesy of Rhymesayers Entertainment:

Plain Ole' Bill & P.O.S. rocking Soundset, Courtesy of Rhymesayers Entertainment:

Sims, Dessa & Stef, Courtesy of Erik Burg

Sims, Dessa & Stef, Courtesy of Erik Burg

Since I missed most of Sage Francis due to the fact that my face was already hotter than the sun from sunburn, El-P (with TMQ & Mr. Dibbs) was the next show that I was able to catch. I’ve seen El-P once before already and I knew that he was going to put on a great show for the crowd, but I had no idea it would be this good. He started out his set with my favorite track “Tasmanian Pain Coaster” off of his most recent album I’ll Sleep When You’re Dead, which may have been the loudest performance of the day. He then continued through more of his catalogue: “Smithereens”, “Overly Dramatic Truth”, “Deep Space 9mm” & etc. At the end of his set he reminded us all of Camu Tao, who had passed away one year previously due to a fight with lung cancer. All I can say is Camu would have loved to have been there. The most amazing part, however, was when Mr. Dibbs took over on the turntables with his baby head routine that I had seen once previously. Dibbs stole the show with his turntable antics.

"Tasmanian Pain Coaster", Courtesy of Erik Burg

"Tasmanian Pain Coaster", Courtesy of Erik Burg

Mr. Dibbs & El-P, Courtesy of Rhymesayers Entertainment:

Mr. Dibbs & El-P, Courtesy of Rhymesayers Entertainment:

El hyping the crowd with "Smithereens"

El hyping the crowd with "Smithereens"

After El-P came Freeway & Jake One. I had a pretty good idea of what to expect from these guys, but I didn’t know it would be this good. Freeway went through some tracks from the Rocafella days as well as tracks he was featured on from Jake One’s White Van Music. They also decided to bust out some new material from their upcoming Rhymesayer’s release The Stimulus Package. Let me tell you right now, The Stimulus Package is an album you are not going to want to sleep on people. These two have some really fucking good chemistry.

Freeway getting ready to go onstage, Courtesy of Rhymesayers Entertainment:

Freeway getting ready to go onstage, Courtesy of Rhymesayers Entertainment:

Freeway on "Line em' Up", Courtesy of Erik Burg

Freeway on "Line em' Up", Courtesy of Erik Burg

We actually left this set a little bit early so we could catch Southern favorites, CunninLynguists. We got over to the Fifth Element Stage to catch Cunnin’, and immediately I get a message from Erik saying “DOOM is a no show”. I started laughing hysterically and blazed what seemed like my third or fourth joint of the day because I knew I was about to see one of the best shows of the entire day. I was right in every aspect because Kno, Natti & Deacon fucking tore up the Fifth Element stage. All three of them have so much energy with the stage, and at the same time they are so interactive with the crowd. They went through a diverse set from their catalog: “Old School”, “KKKY”, “The South” and more. I can tell you that I honestly didn’t want the show to end at all. I look forward to seeing these guys many times in the future.

Kno, Deacon & SOS rocking the crowd, Courtesy of Kyle Konczal

Kno, Natti & Deacon rocking the crowd, Courtesy of Kyle Konczal

CunninLynguists going "Old School", Courtesy of Kyle Konczal

CunninLynguists going "Old School", Courtesy of Kyle Konczal

Cunnin 1

CunninLynguists bringing "The South" to Soundset, Courtesy of Kyle Konczal

After the CunninLynguists set, we were actually able to catch about half of the Brother Ali/BK One set because they got pushed up. I’ve seen Brother Ali a few times and I know that he puts on an amazing show. I was able to catch the tracks “Good Lord” & “Forest Whitiker” and Ali was on top form with these tracks. Ali is one of those guys that just has a persona about him, his aura just emanates off of the stage and everyone absorbs it. He really puts on a great show no matter when you see him.

Brother Ali & Slug performing "The Believers", Courtesy of Erik Burg

Brother Ali & Slug performing "The Believers", Courtesy of Erik Burg

Brother Ali spitting "Good Lord", Courtesy of Erik Burg

Brother Ali spitting "Good Lord", Courtesy of Erik Burg

While I was watching Brother Ali, I got a tweet from Rhymesayers that DOOM was in the house. I was a bit apprehensive at first because of all of the bullshit that this guy has pulled in the past. It literally took (the first) DOOM what seemed like 30 minutes to take the stage. I was literally getting pissed, but then I heard the “Benzie Box” beat and my head started to nod immediately. After the first track there was some typical bullshit going down on stage, making it look like DOOM had to leave the show. Just when you though it was over… the real DOOM took the stage and went through a decent amount of his catalog. “Gazillion Ear” in my opinion was definitely the highlight for me, nothing like hearing DOOM over a Dilla beat, especially live. I have to say though, I agree with my man Aaron & the homie Blueprint… DOOM’s show kinda blows, I’d rather hear him on an album. I understand that DOOM has a certain nostalgia about him and that’s what a lot of people love about him, I just don’t buy into it. PLEASE do not take this as me dissing DOOM, he makes incredible music, he’s just an average performer.

"Gazillion Ear", Courtesy of Erik Burg

"Gazillion Ear", Courtesy of Erik Burg

SUPER!, Courtesy of Erik Burg

SUPER!, Courtesy of Erik Burg

The Pharcyde was something that I was definitely looking forward to a great deal. They were insanely pivotal to the West Coast scene and they re-united for this show. I’m not up on their catalog as much as I should be, but they rocked the shit out of the main stage. I would say they were definitely one of the top acts of the day. It seemed like everyone in the crowd was feeling them. They started things off with the classic “Runnin'” and continued down the line with classics one every song they performed. They even broke down into the classic Slum Village track “Raise It Up” in memory of their late friend J Dilla. As mentioned in the top picture of my post, I went absolutely nuts because I fucking love Jay Dee.

The Pharcyde "Runnin" shit on the main stage

The Pharcyde "Runnin" shit on the main stage

"RAISE IT UP!", Courtesy of Rhymesayers Entertainment:

"RAISE IT UP!", Courtesy of Rhymesayers Entertainment:

It seemed like the day was about over, but no Soundset would be complete without hometown favorites Slug & Ant. These two were arguably the crowds favorite, and I would put money on over half of the people being there just to see them. They went through your pretty typical array of Atmosphere songs, “Godlovesugly”, “Shoulda Known”, “Trying To Find a Balance”, “Sunshine” & etc. They finished with the fan-favorite-karaoke-jam “Always Coming Back Home To You” with the vast majority of the crowd singing along with Slug. These two really know how to put on a show for a hometown crowd with no disappointment what so ever.

Slug is "Trying to Find a Balance", Courtesy of Erik Burg

Slug is "Trying to Find a Balance", Courtesy of Erik Burg

Ant on the wheels of steel, Courtesy of Erik Burg

Ant on the wheels of steel, Courtesy of Erik Burg

Slug rocking the hometown crowd

Slug rocking the hometown crowd, Courtesy of Rhymesayers Entertainment:

Soundset 2009 is one of the best musical experiences I have ever had. It was everything I could have asked for and more. Rhymesayers Entertainment knows how to throw one hell of a Hip-Hop festival, and I can guarantee you I will be on tickets right away for the next Soundset. Make sure you watch out the rest of this year, Rhymesayers has some big things coming up and I know you won’t want to miss them. I know you are probably sick of me rambling on about this show so I will end the post now, hopefully you enjoyed reading about my experience half as much I enjoyed writing about it.

From The Rail: Soundset ’09 Part 2 (Videos)

Posted in From The Rail, Mind Inversion Exclusive, Video with tags , , , , , , , , , on Tuesday, May 26, 2009 by Erik Burg

crowd1A weekend that’s already been heralded by me once, Soundset 2009 brought some of the best hip-hop talent in the nation together in one spot, in our own quaint little Minnesota non-the-less. Yesterday I brought you some amazing pictures I caught from my usual front row spot, and today I’m back to give you some videos from the festival (Part 1 if you missed it). The audio on them isn’t amazing simply due to the sheer volume of the stage, but bear with and enjoy!

I had been waiting years to see El-P, and when he took the stage with DJ Mr. Dibbs Sunday at Canterbury I knew that something amazing was about to happen. Opening with “Tasmanian Pain Coaster” was stunning, but when El-P played “Up All Night” and Dibbs cut on the tables for a good six minutes during it my jaw nearly hit the floor. Check out the couple verses El get through and then watch the madness ensue as Dibbs proves once again why he is one of the best DJs out there. Feast on this sampling!

As I mentioned in Part 1 of my column, P.O.S. has been making tons of headlines for Rhymesayers this year, dropping the spectacular Never Better this winter and tearing it up on tour with Atmosphere all year. When the man of many instruments took the stage Sunday afternoon he unleashed a furry within the crowd that had been unmatched to that point. The high point of his set came when he brought both Dessa and Cecil Otter on stage to perform “Low Light Low Life” off of the aforementioned Never Better. It’s my personal favorite off of the album, and was everything I expected it to be live. There are some great shots of the crowd going crazy during the video as well, so hit play and watch one of the better tracks all day at the main stage of Soundset.

Naysayers aside, I thought that seeing MF Doom play was the highlight of the festival. It’s such a rarity these days, and the elaborate and sometimes comical nature of it all made his appearance and performance well worth the entire ticket price. After the real Villain finally took to the mic I got video of nearly every one of his tracks, seeing as I never wanted to forget what the masked man brought to the un-expecting crowd. The reception of Doom was terrible, and I’m slightly bitter at the crowd for that, but whatever, his new tracks were awesome live. Check out both “Ballskin” and “Gazzillion Ear” below. You’ll notice a slightly different view on the second video, as it was at that time that I jumped the fence and ended up going backstage to later meet Metal Fingers. At any rate though, Enjoy!

That’s all I got folks, I hope that you had as much fun at the fest as I did, and I hope you enjoyed these two columns as much as I enjoyed putting them together. 


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