Archive for the Album Review Category

Album Review: Sleigh Bells, Reign of Terror

Posted in Album Review, Reviews with tags , , , , , , , , , , , , , , , on Wednesday, March 14, 2012 by Eric Gilardi

To tell every one the honest truth I had been putting off listening to the new album by Sleigh Bells. This is because of my fear that I wouldn’t like the new album upon the first listen. With already getting a taste of the first 3 singles off of the record before listening to the entirety of the album I had mixed reviews. Upon first listen I forgot why I was scared to listen and wondered why I was so scared? Although, I recommend proceeding with caution and if at first you do not like the new album give it a second listen. The second listen is the most important because you will realize if an album is growing on you or if you just simply do not like it.

From the start with “True Shred Guitar” it feels like you are at a stadium rock show. With all of the crowd noise and Alexis Krauss screaming “What the fuck’s up?” it gets you going and ready for a live show or the album. The new album Reign of Terror plays out like a live performance and before long Derek Edward Miller is coming in with his high-powered machine. His guitar and stack of amps smack you in the face while Alexis gets you ready for the show. The album continues on with back-to-back singles that have already been released. “Born to Lose” is my least favorite of the 3 that they released but it is starting to grow on me. Especially when combined with the first song on the album.

Up next, they go to the track “Crush” and this song is my favorite single that they have released from this album. It features again a live crowd helping along with the chorus and chanting in the background of the entire song. It has a good ring to it and it is very cool how the duo from New York City used an original strategy in creating these almost melodic cult rock chant songs. They slow it up with the next to tracks on the album but this is a style that I haven’t heard too much of by Sleigh Bells. “End of the Line” is another great track that shows the softer side of the Sleigh Bells. This song may even be my favorite on the entire album and I could see it being the next single released off the album. Alexis has such a sweet voice in the song and talks so beautifully over the top of the track. I am absolutely in love.

“Comeback Kid” follows the two softer songs and comes back at you with a classic Sleigh Bells sound. Heavy bass, in your face guitar and Alexis’s sweet voice greet your ears with a glimpse into the past while showing you the band still has a bright future. Again, “Demons” is a heavy rock anthem that reminds you of the good old days. The duo follows up the two classic style songs by slowing it down with “Road to Hell”. Once again I am brought in by the slower more passionate Sleigh Bells. Although, she is saying “Road to Hell” it sounds like such a blissful place to be going.

“You Lost Me” is another slow, dreamy song that features Alexis’s voice and at the 3:20 mark it there is a great guitar rift by Derek. These new songs are so well put together and thought out. With more slow songs that feature her voice this album surpasses the first on quality work. I like these slow songs that inspire dream sequences that allow you to go somwhere else. “Never Say Die” is a song that seems to brainwash you with it’s sound. It is like Sleigh Bells is saying this sound is our religion and we are going to drive this message into your head. They finish up the album with the track “D.O.A.” and by this point you aren’t ready for the end.

The new album is more “dreamy” than their previous album. I think overall it is a better listen front to back. For a sophomore album I am very impressed and think that the sound of this album would translate to a live show very well. Even though, they do a great job making it seem like you are already at a live show. Reign of Terror is a must if you enjoyed the first album by Sleigh Bells. If you were scared like me to listen to the album in the entirety, all I can say is don’t be. Overcoming the fear of failure for the band is the first step in realizing how good the second album is. Now, when does their third album come out?

Album Release Date: February 21, 2012

Album Review: Digitalism, I Love You, Dude

Posted in Album Review, Reviews with tags , , , , , , , , , , , , , , , , , on Monday, February 27, 2012 by Eric Gilardi

In my mind, there are electronic dance music albums that are just that and then there are music albums that are electronic dance music. I Love You, Dude by Digitalism is definitely the latter. Digitalism is an electronic house duo from the city of Hamburg, Germany consisting of members, Jens Moelle and İsmail Tüfekçi. I Love You, Dude is their follow-up album to their idealistic debut, Idealism. Sophomore albums have a tendency to make me worry. Especially, when following a successful debut album and as in succesful, I mean a great listen for me.

Probably one reason I really like this album and what Digitalism is doing is because there is more to their electronic music. They bring more of a punk element to the table and use lyrics in a lot of the tracks on I Love You, Dude. The album starts with the classic heavy drones of Digitalism in “Stratoshpere.” The song is a perfect instrumental build up into what is to come. They follow it with “2 Hearts” which showcases the duos talent to sing and well, talk together through a portion of the track.

The third song on the album is definitely gaining popularity throughout the gaming community of the world as it is featured on EA Sports’ Fifa Soccer ’12. “Circles” is the name of the song and it has a way of making you want to play it again and again. This goes for the game, the song and the album. After two songs with lyrics they come back with “Blitz” another head bobbing instrumental track that gives your mind a break from having to digest too much information. Once you listen to the next song, “Forrest Gump,” you will understand just why it is called that.

Once the sixth track hits, you are wondering what kind of album you are listening to for a second? “Reeperbahn” is an in-your-face heavy electronic metal rendition. It gears you up for the home-stretch of the album. In the back portion of the album it makes you feel more like Digitalism made the soundtrack for Tron: Legacy instead of Daft Punk. “Antibiotics” is an upbeat funky rendition that makes you feel like you are participating on “The Grid.”

On “Just Gazin’” they do a great job of making you feel as if you are gazing off into a sunrise that causes you an ultimate euphoria. After you are placed in that peaceful state of well being the talented German electronic duo come back at you with the heavy hitting “Miami Showdown.” The second to last track, “Encore”, is another fun instrumental track on the album. It picks up momentum and at a point a couple of minutes in you get a picture in your mind of a crowd somewhere getting off of their feet. They close the album with ”Harrison Fjord,” enough said.

Release Date: June 20, 2011

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