Archive for Sunday, December 14, 2008

Merriweather Post Pavillion news

Posted in Music News with tags , , , , , , on Sunday, December 14, 2008 by Erik Burg

The Geologist, Avey Tarre, and Panda Bear

The Geologist, Panda Bear, and Avey Tarre

Big news from the Animal Collective camp this week, the release date for the Vinyl of Merriweather Post Pavilion has been pushed up two weeks to January 6th. The digital and cd release of the highly anticipated album will still be on January 20th, but the Vinyl comes equipped with a mp3/wav download of the album so you could essentially have the album two weeks early in any format. Since any mp3 or leak of this album is impossible to have, and sanctions by the “web sheriff” have already been handed down I don’t have any preview to lend, but I’ve heard a streamed version “My Girls” and I can surely say that it is an amazing, hard-hitting track that is in fashion with all the other Animal Collective material out there. Stay tuned for an album review as soon as it hits shelves.

Akron/Family sign deal with Dead Ocean for album release in 2009

Posted in Music News with tags , , , on Sunday, December 14, 2008 by Ryan Buege

Akron/Family plays some sweet music indeed, and now I can drink merrily this evening knowing that their fourth album will be coming early in 2009. Also, part of the good news this week is that the band as partnered with the very respectable and fan-friendly Texas-based Dead Oceans label for the release of new experimental, folk-influenced rock .

But the most interesting news is about the direction the band has taken on the new album. In a recent interview, member Miles Seaton referred to the album as organic; he also implied that although it is undeniably an “Akron/Family album”, they are very proud of a progression on their sound that expands their sound into uncharted territories. “It started out being really inspired by American soul and West African music,” he says. “We’re all still in love with American classic rock music, but [the new ablum] is inspired by many different directions […] There’s even one track that emphasizes our fondness for extreme noise and painful, almost guttural sounds — raw, primal noise. We’ve alluded to those things, but I think there are a few moments that are mashing all those sounds together, into hopefully, one seven-minute prog masterpiece.”

From the sounds of it, the next album may be their most ambitious yet – but while many bands might fall flat on their faces attempting this kind of thing, Akron/Family seems to actually have the depth to pull something like this off. Every song I’ve heard so far from the band has been unique, but they all have (nearly instantly) earned my long-lasting appreciation. While they definitely show a well-versed appreciation for folk of yesteryear and solid chops to match, they really seem at home when submerging the listener in subliminal background pyschedelia, noise rock, ambience, and engaging, soaring vocals. This band has a very interesting and beautiful approach to modern music. I’m hoping that this release will finally push them into the spotlight so that they can get the credit they deserve for the contributions they’ve made; either way, I’m psyched!

Talk About a Concept Album

Posted in Music News with tags , , , , on Sunday, December 14, 2008 by Erik Burg

CHECK OUT THE NEW ALBUM REVIEW OF BITTE ORCA! HERE

The Dirty Projectors, what is there to say about this band. Seemingly transforming from a one man act thanks to Dave Longstreth to a four piece band accompanied by his roommate from Yale and two rather beautiful women named Amber and Angel. Longstreth proclaims himself as the “musical director” on their myspace, but he is as active as ever in their musical performance. I saw them this summer at Pitchfork Music Festival and they played the tightest and most “studio-like” performance I saw all weekend, led front and center by Longstreth (and oh yeah, the beautiful girls too, haha). Last year the group released the critically praised “Rise Above” that turned the group from lo-fi one man act, to a band now designed around the entire group. Since then they have been quiet, but in the past week some information about a follow up album has been coming out. 

“The album is related to Plaxico Burress,” says Longstreth. Now there is a concept for an album, a man who shot himself in the leg. Do I have any suggestion as far as what the album will sound like? None at all, but I can only dream that it’ll sample some M.I.A. gunshots. In the past Dirty Projector albums have been based on The Black Flag, September 11th, and the Aztecs so what is next will hopefully come as a great surprise. Longstreth apparently wrote pages worth of words or phrases that had to do with his moods or thoughts and that’s what he started the album with. Most of what wrote deals with heartache, women, and loneliness, but how any of that relates to Plaxico Burress is beyond me. Obviously suggestive of pop-like lyrics hopefully the band will continue on its trend towards incorporating the women vocalists and creating a more pop sound compared to the older lo-fi rock that started with Longstreth. 

Okay so he’s probably fucking with all of us because the album was finished in September, well before any of this Plaxico Non-sense took place. So what to ultimately expect? I’m not quite sure, but I have high hopes because the Dirty Projectors have been evolving on each and every record, and in my opinion getting better and better. Look for the record in early to mid 2009, though no official date has been set (damnit).  Stay tuned for more news! 

Album Review: Air France – “No Way Down EP”

Posted in Music Reviews with tags , , , , , , , on Sunday, December 14, 2008 by Erik Burg

no-way-down-cover1Alright, so admittedly I am a little late (and by a little I mean like half a year) on this one, but Air France‘s newest release “No Way Down EP” is the perfect album for this time of year in the midwest and one of the better albums I have heard in a while. Finally available in the United States, the EP transcends dozens of musical genres, while creating their own style in the midsts of it all. 

Reading reviews of No Way Down you will be sure to find various suggestions to exactly what their music really should be classified as, but their Wiki page gives the perfect definition: “post-rave bliss, beach foam pop, and balearic disco.” So maybe not perfect in what it actually says, because I have no clue what the word “balearic” means at all, but perfect in the sense there isn’t one distinct pattern or idea throughout the three suggestions.

Upon first listen though you will be able to decide from yourself what Air France is really all about. Is about dreamy country-sides and sunny beaches, or is an empty and hollowing album full of laughter at the expense of the listener rather than for the benefit? This is one of the strong points of the albums, the horns, the laughter, the voices all combine for an experience that is like nothing else because at the end it’s still hard to decide if what you just listened left you feeling happy or sad. And its this basic premise that leaves a refreshing feeling, and makes you listen to the album over and over again (I’m currently on take 5 in 2 days). 

The opening track “Maundy Thursday” begins with and drones on with a deep mellotron and sounds reminiscent of a type-writer, before a stand up bass drum is beat over and over barreling down the listeners ear like a never ending wave. But just as it grows dreary, you’re met with “June Evenings.” “Spring has arrived early here” a quiet voice chimes in, “a time for lovers. and it is as if the season mocks my sadness” the narrator finishes. Soon after you hear horns blasting the background, quickly being brought the foreground and in full display around this masterpiece of a track. Distorted hand-clapping and echoing voices make this track roar like something off of a Panda Bear album. 

“Collapsing at your doorstep” the third track on this EP can be found on numerous year end lists for song of the year, and rightfully so. Beginning again with sampled voices that sound eerily familiar even though I can’t put my finger right on it of two young kids, one of asking “sort of like a dream?” while the other responds “no, better.” The two kids got it right, this whole album, exemplified on this track, is much like a dream; the way it sounds, the images it creates that you just cant explain, the way it ends when you don’t want it to. Air France brings back the horns form the last track, or at least something sounds vastly familiar, but this time adding in a repetitious narrator and some sparse samples in the middle to make the escalating and beautiful music sound even more dreamlike. “Collapsing at your doorstep” ends just as it begins, with the two kids, still exchanging words but this time after the expansive amount music played in between. The answer is still the same, “no, better” but now the listener agrees, Air France is more than a dream. 

Air France becomes an idea; It becomes the sunny beach, the expansive countryside, the virgin snow. Drifting in and out of musical genres, from pop to electronic to afro-beat and back again. “No Way Down” exemplifies what music is all about, it doesn’t have to follow any sort of script or central motif it just has to ooze emotion and care. It’s records like this that reinvigorate my love for music and make me beyond grateful for music as a medium for expression and passion. 

Recommended for people who enjoy: Panda Bear, Jens Lekman, Devendra Barnhardt, Sufjan Stevens.

You be the Judge mp3: Air France – “Collapsing At Your Doorstep” and “June Evenings”

9 out of 10