Terry Junior – It’s Been Too Long (Republic Hymn)

Posted in Art, Culture, Local Love, mainstream, Media, Music, Music News, News, Politics with tags , , , , , , , , , , , , , , on Saturday, February 15, 2020 by tsn_

A Crow’s Mile – “Me Too”

Posted in News with tags , , , , , , , , , , , , , , , , , , on Tuesday, September 30, 2014 by tsn_

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Album Review: Jellyfish Brigade, Diving Lessons

Posted in Album Review, Music Reviews with tags , , , , on Saturday, June 28, 2014 by Tim Althaus

a2597729900_10Aldous Huxley once said, “Experience is not what happens to you; it’s what you do with what happens to you.” I know this statement very well – mainly because it was my senior quote back in 2005. After listening to Jellyfish Brigade‘s new album Diving Lessons in great detail, it’s apparent that Lucas Dix also knows this statement; in fact, based on his lyrical content, it seems as though he’s beginning to master the philosophy. Lucas has been through more in the last two years than most people have in two decades; he lost his best friend and long-time music partner Gavin “Theory” Soens to a battle with terminal cancer, and the love of his life relocated to the opposite side of the country to be closer to her family. Saturated with real-life stories and relatable metaphors, Diving Lessons is one of the most profound and honest records of 2014.

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Sonny Knight at Lyn Lake Street Festival 2014

Posted in Concert Reviews, Culture, Life Perspectives from T.S. Niebeling, Local Love, Media, Mind Inversion Exclusive with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Thursday, June 12, 2014 by tsn_

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… Sonny Knight was, and is great. He came across as the kind of guy who comes from bygone era, while effectively staying relevant. His music has life. He utilized three backup singers and a full band, he was doing it right. At the peak of the numbers in the crowd, Sonny rocked the stage like a champion. The best song of the day was “Hey Girl”, naturally, but even less familiar songs moved those in attendance. From behind the performers looking out, one could see raw excitement, and the power which Sonny sustained. His set was charged and intimate, and precisely electric. It was a pleasant and unexpected surprise, having never seen him before.

Sonny played for some time, and then the show was over. The crowd was pleased. I exited the stage at about the same time in hopes of having a one-on-one conversation with the artist. I ran around back as he was being mobbed by fans and snapped at with cameras. He took time for the adoration and with a broad smile he vanished. Sonny was something; to me, he seemed like a classic soul singer from the distant past, yet he was thriving in 2014. I wondered where his time machine was parked. Searching, I found nothing…

For the full story coming soon, check: www.dirtyterry.com

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Timoteo’s 2013 Year in Review

Posted in Year in Review with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Tuesday, January 7, 2014 by Tim Althaus

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As I give my creaking knuckles calisthenics, I’m reminded of how great 2013 was for music. There were a lot of great releases, and I think that a few of my selections might shock a few people this year, but it’s necessary to give credit where it’s due. Leave your comments in the C-Section below, and let me know how you feel.

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Alt-J First Ave Sept 7,2013; An Awesome Wave

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , on Sunday, September 8, 2013 by tsn_

Alt-J, By Terry Scott Niebeling

Alt-J, By Terry Scott Niebeling

Alt-J blew people away at the First Ave venue last night, expectedly.  So what I will tell you is, if you can see them live, and you don’t take the opportunity, you are missing out.  Not to be presumptuous, but it’s factual-sorry.  

And that is about all I can say.  I mean I could tell you it was spiritual, it was enlightening, and it was something of a great act to witness, but you already know that.  I could really, but who is going to believe me?  It was all of those things and more.  They simply put on a great show, there is no doubt in my mind as to the reason why Alt-J sold out the Main Room both nights; not to mention the latter added date of Sept. 8th, it’s because they are truly amazing artists.  They take a simple yet classical sound and make it new, heavy, complex, and refreshing.  Seeing Alt-J makes me think of, if it were somehow possible, seeing Led Zeppelin, or Radiohead, maybe even Pink Floyd, before they became über famous/timeless, and impossible to see live. The crowd at First Ave got a stand up treat from this band on the rise.  Take the time to listen, and check them out in person.  It is something I won’t soon forget.

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(Take in my words and the mediocre photos my Windows Phone could afford, and enjoy. That’s all you need to know.  There are more amateur camera phone photos and words below about time leading up to the show, thoughts, and lucky people getting in.)

Lord Huron opened to much delight.  Starting slow and eventually garnering enough energy to bring the lion’s share of the crowd into their set, and possibly into their loins.  I tweeted, before LH started getting a bit flashy, the tweet read something along the lines of “opening bands are like commercials while you wait for your favorite show to start.”  I could give a shit less about an opener band, especially at an Alt-J show; however, I was almost eating my words 10 minute later.  Hit me up at on Twitter:  @sirterryscott.  

How I came to love Alt-J:  

The story goes I went to smoke some with a friend after work and she would play An Awesome Wave over and over again.  One night I caught on, I said, “Play that song again.”  She did, then I inquired as to who and what they were.  I was amazed.  She had ripped the song from a torrent and sent me a downloaded copy.  I never actually used what she had sent me, I was occupied with pressing play and repeat play on Youtube, of Breezeblocks.  In turn I had found out the meaning to the song, and I had become entranced by the harmony, wave of sound, and sonic power of Alt-J.  89.3 The Current started playing one, then two, then three of their songs.  Now they play most of the album.  A friend later Facebook messaged me and gave me the scoop on the First Ave show.  Knowing they would sellout the venue I waited til the moment they became available, and then I made my purchase.  I should have bought 6, the limit, but I bought 3 instead.  I could have doubled my money.  I didn’t have enough dough that day though.  A few hours later all of the tickets were gone and I sat in satisfaction at my quick choice.  And that is how I got into the show.

By Terry Scott Niebeling

Putting up the Triangles, By Terry Scott Niebeling

Standing outside in line people came up to me asking for tickets.  The interesting thing was there weren’t really any scalpers, but there were people asking for tickets.  A show so coveted that people bought the tickets for themselves and actually went to see good music.  Wow, some tickets online were as much as $200.  It must have been 5 people walked up and inquired.  By this time I had already bummed two cigarettes and a RedBull from some complete strangers ahead of me in line.  I was feeling great waiting in line at 7:30 pm, plenty of time to take in the hot night.  At home earlier while indulging in homework and horror films I sat on the couch sweating in our AC lacking one bedroom apt.  The fan blew its best, but it didn’t really help.  Sweat beaded and crawled down my face.  I changed my shirt a few times.  I took a shower and brushed my teeth.  I spoke German.  And then I went to wait in line.

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With the extra two tickets I felt almost over prepared, which by my standards is almost impossible.  I waited until the day before to start the bidding.  Three people in all contacted me.  The tickets went to the most passionate.  Also, a few people whom I spoke with were too intimidated to bid on them, so I figured they must not have wanted to go really.

The lucky guests I brought drove two hours to get here on word of a promise to get tickets.  I thought of them as I waited in line.  I asked those who inquired about extra tickets how much they would pay.  They wouldn’t say, I am not sure if they got in.  I was about 15ft from the door when my guests arrived.  They were in disbelief, literally exalted at the idea they would see a band they loved.  Having been burned twice before T. was so happy.  I think as we came closer to actually getting in her spirits piqued.  She handed me the money the moment she arrived.  I enjoyed this.  The sky was pink, the line was long, and the day was cooling off.  Heat became a friend of every nook, cranny, and crevasse throughout the city proper.  The bike ride and the light material of my black button up were comforting.  The sunset stood aglow over the Hennepin Ave Bridge as I crossed 3rd Ave, over the Mississippi, past pedestrians, and aside cars.  A glacier like cloud hung over the sun; a sort of arrowhead array of bright lights contrasting with deep purple clouds shadowing certain parts for quiet a large puppet show etched across the darkening horizon.  A line of clouds, directly above, shown soft and full, as they slipped through the sky.  Planes took off going in two different directions.  I biked South-ish to First Ave. to wait in line.  I watched the ground below slide past; rocks and broken glass reflected on how they had come to where they lie.  They watched all appreciatively as I went by.  

Alt-j set list. Talk to your boy.

 

I was just biking to see a band I had wanted to see since I first heard a song.  

Album Review: M.i & Tyler Keyes, Pushing Keyes

Posted in Album Review, Music Reviews, Video with tags , , , , , , , on Thursday, June 27, 2013 by Tim Althaus

pushing-keyesWhen artists begin collaborating with each other online, there’s really no telling what’s going to happen. They might only collaborate on a few tracks through e-mail, or they could end up releasing volumes of vivacious music. Tyler Keyes & M.i collaborated copiously on the 2011 album Prep Time; this was done entirely through phone calls and e-mails. After visiting Austin, Texas for the South By Southwest Festival, Keyes left the Twin Cities to form a more proximal working relationship with M.i – a bold and wise choice.

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