… Sonny Knight was, and is great. He came across as the kind of guy who comes from bygone era, while effectively staying relevant. His music has life. He utilized three backup singers and a full band, he was doing it right. At the peak of the numbers in the crowd, Sonny rocked the stage like a champion. The best song of the day was “Hey Girl”, naturally, but even less familiar songs moved those in attendance. From behind the performers looking out, one could see raw excitement, and the power which Sonny sustained. His set was charged and intimate, and precisely electric. It was a pleasant and unexpected surprise, having never seen him before.
Sonny played for some time, and then the show was over. The crowd was pleased. I exited the stage at about the same time in hopes of having a one-on-one conversation with the artist. I ran around back as he was being mobbed by fans and snapped at with cameras. He took time for the adoration and with a broad smile he vanished. Sonny was something; to me, he seemed like a classic soul singer from the distant past, yet he was thriving in 2014. I wondered where his time machine was parked. Searching, I found nothing…
After Mike Skinner put The Streets to rest after 5 albums I didn’t think I would hear much from the bloke. I waited for some time, and nothing… I followed Skinner on his blog http://mikeskinner.so and watched for him to put out something new. Nothing happened… I mean, there were some new posts and interesting photos, and words, but no music. And then-a few months back, I became aware that I was literally on Mike Skinner’s personal emailing list. A message popped up from one of my favorite anti-mainstream mainstream artists. I had received an email from the man as if he had risen from the grave. I was bestowed upon some great and inspiring new sound. Kaboom!
And here it is in video form incase you missed it. (above)
This catchy tune takes a few listens to warm up to. You know I am crazy, so I sat around all day banging this shit out on loud, macbook style. My GF got a little mad, by the end I was singing along (out of tune of course) and getting scolded. I felt I knew the song and the artist a little more, I felt there was promise in this new material. May I say I am a bit excited for the full length album? I felt the video was entertaining (I had heard about this filming technique in Boulder, CO). After listening to this song, and viewing the innovative video, I realized that what The D.O.T. was doing was actually pretty good. I felt the same emotion that I had gotten from a lot of The Streets’ albums after the first and second listen, “Cult classic, not bestseller”. But sales don’t matter, the sound is important, and this song is very catchy and has an incredibly memorable melody. I woke this morning singing the chorus.
Before this message from Mike Skinner, I had little knowledge of The D.O.T., I assumed Skinner produced the songs. I had no idea who the singer was. So let me fill you in:
They have some interesting videos, venue tickets, downloadable songs, and other merchandise.
The D.O.T. project’s site is visually appealing and artsy, while remaining easy to navigate.
In all honesty I love how abstract and collectively cool Skinner is overall; most (universally), if not all of The Streets’ material is exceptionally well made, as Chuck Klosterman wrote-he (Skinner) is ‘advanced’ as an artist. The music he puts out is real and relatable, there is an essence of humanity within his lyrics and delivery. Also, Rob Harvey, of The Music, sounds great on vocals, and harmonizes well with Skinner. At times I feel that Skinner wants to put more vocals into the song; however, it sounds pleasant the way it is presented.
Happily I am intrigued and I want to hear more. If you could hook it up with a free CD, Mr. Skinner, that would be excellent, pre-release if possible??? Thanks.
Watch out for The D.O.T.’s new album “Diary” due to drop May 6, 2013.
Mike Skinner is one of my favorite artists hands down. Why? Basically, because Mike Skinner (The Streets) is unique, original, and you can follow his paper trail to where he is today. He started at the bottom and worked his way to the top of the food chain. Incredible. We can actually see an artist evolve from a garage type setup, to a studio, to a super-studio facilitated album.
Evolution of The Streets is apparent and refreshing.
The Streets have done 5 albums, all of which are different, all of which are excellent, and all of which are incredibly interesting, conceptually, and aesthetically. I prefer Original Pirate Material, A Grand Don’t Come For Free, and The Hardest Way To Make An Easy Living.
I now agree that Computer and Blues is up there with the best of their albums.
With only 3 days of non-stop listening, I prefer this album to the others. This album is fresh, relevant and very personal. The Streets’ last album is a sound-system banger and an artistic send off for Skinner. I feel he wants to end on a good note, and I appreciate the respect for fans and music. So many bands milk it to the very last drop and fizzle out while pumping out shit. I respect The Streets and Mike Skinner; however, I hope sometime soon he can pull a reunion tour so I can catch the music live.
Apparently, he wanted to do 5 albums, that’s what his contract was about, and that’s it. He has stated in interviews that he was satisfied with this decision because he wanted to find more time to spend with his family.
Dan gave me this album, mentioning that at first he did not dig it as much as the other albums. This seems to be the case with most of The Streets albums for me, there is definitely a first listen and blah. After a bit of thinking the album is thrown back into the mix and listened to over and over again. Always a cult classic and a heavy listen. Since Original Pirate Material I have been a Streets fan. Most all of their albums to date are inspiring, completely original and massively progressive.
One thing I take away from The Streets is they make music that sounds like The Streets, they are not ripping off, copy-catting to hit the charts up, or going trendy. The Streets just transpire and it comes out sounding amazing. I love The Streets and the music they make, and the inspiration they flood the speakers with.
***
For days I have been listening to this album on repeat and I was trying to get a perspective and give you something in detail, but after listening I feel this CD deserves a listen. Lyrics are spot on, the songwriting is out of this world. The beats are heavy when needed, also, soft and chill when necessary. I found my roommates awesome sound set up and took full advantage of it. This Streets album is worth a buy, and definitely a good listen. Streets fans won’t regret Computer and Blues and it is on par with, if not better than all his previous albums but Original Pirate Material. You deserve to listen to this album on a really good sounds system. The positive message is solid and the beats are innovative. Mike Skinner did create a sound system banger, and an artsy bon voyage. Cheers! This Streets album has me with a smile on my face.
Again, I am amazed at genre crossing artists like Beck, who chose to collaborate with one of my favorites: Jack White. I must say, had I not heard, “I Just Started Hating Some People Today” on 89.3 The Current, with DJ introduction, I would have hardly imagined it was created by Beck. With its country style guitar and cynical, but realistic message. I imagine beck as some cool kid making sick dance beats, or songs I can completely use my imagination on. These are good things, but this new song was also good, in a different way. I love blues. I could completely relate to the lyrics. And it was crisp sounding and very straightforward. We have all felt like killing someone at some point in our lives, yet this song is more on the Vonnegutesque dark humor, enjoyable, sort of, side of that feeling. I could almost hear a smile, but Beck’s gritty vocals did not come off with the Beck style I had come to appreciate. It was a bit different, but not different in a bad way, just different, and solid. Something I had not expected; unexpectedly sufficed by a random song on the radio. Beck has come into the realm of blues and he has successfully produced a single. I am looking forward to hearing more. These two artists (Beck and Jack White) are made for progressive blues/country rock.
I was subtly surprised with the dark vocals and country twang, but I must admit I was satisfied with the sound and think it progressive. I would enjoy hearing other new material.
Furthermore, what I thought was just as amazing as the song was the collaboration with Jack White. I could tell immediately that Jack White was on the track; with guitar slides, moderately heavy and catchy riffs. The slide guitar solos were a plenty but not excessive, I could listen to any of The White Stripes’ albums for days, specifically because of the guitar solos and garage rock aspect.
I had no idea that Jack White and Beck had collaborated in the past, but with a little research I became learned. Earlier collaboration on Guero’s ‘Go It Alone’ between Beck and White were drastically apparent by the sound. Happy to know that real musicians are still making real music.
Unique and relevant artists creating gems together has me in high hopes about the music to come. Third Man Records seems innovative and growing. Beck’s new musical sound and approach appeal to me especially with Jack White at the Helm, and because it sounds excellent on the radio. Jack White is a guitar virtuoso to say the least, and is one of the most innovative artists of our time, the latter goes for Beck as well. I am satisfied with the exposure of sound while driving around with the station dialed in.
Get yourself a listen.
Details on the release of the special edition single and anything Beck: Official Beck Site
MIND INVERSION 