Archive for the Mind Inversion Exclusive Category

Sonny Knight at Lyn Lake Street Festival 2014

Posted in Concert Reviews, Culture, Life Perspectives from T.S. Niebeling, Local Love, Media, Mind Inversion Exclusive with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Thursday, June 12, 2014 by TSN

… Sonny Knight was, and is great. He came across as the kind of guy who comes from bygone era, while effectively staying relevant. His music has life. He utilized three backup singers and a full band, he was doing it right. At the peak of the numbers in the crowd, Sonny rocked the stage like a champion. The best song of the day was “Hey Girl”, naturally, but even less familiar songs moved those in attendance. From behind the performers looking out, one could see raw excitement, and the power which Sonny sustained. His set was charged and intimate, and precisely electric. It was a pleasant and unexpected surprise, having never seen him before.

Sonny played for some time, and then the show was over. The crowd was pleased. I exited the stage at about the same time in hopes of having a one-on-one conversation with the artist. I ran around back as he was being mobbed by fans and snapped at with cameras. He took time for the adoration and with a broad smile he vanished. Sonny was something; to me, he seemed like a classic soul singer from the distant past, yet he was thriving in 2014. I wondered where his time machine was parked. Searching, I found nothing…

For the full story coming soon, check:



The D.O.T.-How We All Lie

Posted in Life Perspectives from T.S. Niebeling, Mind Inversion Exclusive, Music News, News, Video with tags , , , , , , , , , , , , on Friday, April 12, 2013 by TSN

After Mike Skinner put The Streets to rest after 5 albums I didn’t think I would hear much from the bloke.  I waited for some time, and nothing…  I followed Skinner on his blog and watched for him to put out something new.  Nothing happened…  I mean, there were some new posts and interesting photos, and words, but no music.  And then-a few months back, I became aware that I was literally on Mike Skinner’s personal emailing list.  A message popped up from one of my favorite anti-mainstream mainstream artists.  I had received an email from the man as if he had risen from the grave.  I was bestowed upon some great and inspiring new sound.  Kaboom!

And here it is in video form incase you missed it.  (above)

This catchy tune takes a few listens to warm up to.  You know I am crazy, so I sat around all day banging this shit out on loud, macbook style.  My GF got a little mad, by the end I was singing along (out of tune of course) and getting scolded.  I felt I knew the song and the artist a little more, I felt there was promise in this new material.  May I say I am a bit excited for the full length album?  I felt the video was entertaining (I had heard about this filming technique in Boulder, CO).  After listening to this song, and viewing the innovative video, I realized that what The D.O.T. was doing was actually pretty good.  I felt the same emotion that I had gotten from a lot of The Streets’ albums after the first and second listen, “Cult classic, not bestseller”.  But sales don’t matter, the sound is important, and this song is very catchy and has an incredibly memorable melody.  I woke this morning singing the chorus.

Before this message from Mike Skinner, I had little knowledge of The D.O.T., I assumed Skinner produced the songs.  I had no idea who the singer was.  So let me fill you in:

The D.O.T. Official Website

They have some interesting videos, venue tickets, downloadable songs, and other merchandise.

The D.O.T. project’s site is visually appealing and artsy, while remaining easy to navigate.

In all honesty I love how abstract and collectively cool Skinner is overall; most (universally), if not all of The Streets’ material is exceptionally well made, as Chuck Klosterman wrote-he (Skinner) is ‘advanced’ as an artist.  The music he puts out is real and relatable, there is an essence of humanity within his lyrics and delivery.  Also, Rob Harvey, of The Music, sounds great on vocals, and harmonizes well with Skinner.  At times I feel that Skinner wants to put more vocals into the song; however, it sounds pleasant the way it is presented.

Happily I am intrigued and I want to hear more.  If you could hook it up with a free CD, Mr. Skinner, that would be excellent, pre-release if possible???  Thanks.

Watch out for The D.O.T.’s new album “Diary” due to drop May 6, 2013.

Because Geezers truly need excitement.

Introducing: Click Track

Posted in Local Love, Mind Inversion Exclusive, Video with tags , , , , , , , , , , , , , , , , , on Thursday, July 19, 2012 by TSN

For some time I had been anticipating a video from a local band, Click Track.  Straight out of La Crosse, WI.  Now that I have seen and heard, I realize this band hails with edgy creativity and promising tune.

I had no idea at how the video would go or how the new song would sound.  I was exposed to the above.  I am greatly surprised at the catchiness of the song and the quality of the video, I felt it necessary to share with you, my friends at

Local Love presents Click Track.

Click Track Facebook Page

Click Track Reverbnation

These are some place to check out more songs, tour dates, and news on Click Track.

Click Track frontman Ryan Conrad and drummer Nick Elstad have hit it right with Dangerous Children.  They have been writing songs and creating music for sometime, playing venues in La Crosse, and elsewhere in the Midwest.  Bars, like The Cavalier, places intimate and very up close and personal.  I have known Conrad to have been writing and creating music, at least, for the past 10 years, in various acts (One point I even had the pleasure of being in a band with Conrad).  Seen em’ (Click Track) live a few times and they put on a high energy, professionally done show, with some fun.  The live show is intense and memorable, and their sound is original, at times haunting.

The song Dangerous Children is pleasantly catchy and the video is done well.  It has a hint of low-budget underground artsy film, but it remains highly effective and the songwriting speaks to quality.  I can appreciate a sense of art in production, with the progression and listenability of big league acts.  A song I can relate to and listen to many times before coming to a conclusion.

For a bit Conrad had been telling me to give his music a listen, I have known him forever and decided to.  I had not expected it to sound so new, so crisp, and so realistic.  I was happily enthusiastic.  I was intrigued, the Dangerous Children video showcases Click Track and the city of La Crosse, and a library, these are 3 positives in my book.

La Crosse is a city with a lot of musical acts, but at times, sadly, with little progression and distinguishability within the ranks and genres.

However, that is not entirely true, thanks to Click Track.

If anything Click Track is a testament that the music scene in La Crosse is changing for the better-their video speaks to said change.  Click Track is a breakthrough Indie rock band coming out of La Crosse, something I consider great, and they are pointed in the right direction.  They deserve a listen, and for the creative video they deserve a share.

Okay, so they have a megaphone, they wear suits, and they are from La Crosse, WI.  Need I say more?

The retro feel of the video, and the simple yet catchy sound have me inspired, Click Track.  As Click Track shows, there is clear potential in the Midwest for indie garage rock.

Mind Inversion Exclusive Interview: Cage & Aviary

Posted in Audio, Interviews, Mind Inversion Exclusive with tags , , , , , , , , , , on Tuesday, June 16, 2009 by Erik Burg

cage and aviary interview picture

Part man, part machine, part cockatiel, Cage & Aviary take flights of fancy whenever they can.

Cage & Aviary, one part Jamie Paton and one part Nigel of Bermondsey, are busy people. They run a record label, they DJ, they produce, they jam. Their most recent release, the stellar Television Train/Suburban 12″ out now on DFA records (the euro version), has catapulted their success to a global scale. The two came stateside to play some of their first ever American DJ gigs in Los Angeles. So as their legend grows, and as their music continues to amaze, be sure to check them out. The two were nice enough to sit down and fill out a nice e-mail correspondence for Mind Inversion as well. Enjoy! (Nigel isn’t much for the talk)

Mind Inversion: So I’m barely 19 and have a limited knowledge, yet great appreciation and love of disco and house records from days gone by. I feel like all of your tracks draw upon very historic music, and music that most mainstream listeners don’t have an ear for. Elaborate on this idea, What from the past has influenced your music?
Jamie: I guess the short answer is lots of things, but that’s not much in the way of elaboration! We both bring lots of different influences to the mix, but our tastes also blend in some areas too – we both love the whole post-punk NY art-pop stuff like Talking Heads, and the Mancunian 80s new wave punk-funkers like A Certain Ratio and early New Order. We also have much love for the whole island records thing. A lot of this stuff when listened to now doesn’t sound mainstream but at the time, when the charts were made up of less formulaic production-line music, these oddball records made it into the upper reaches of the charts, I think it was an amazing time for popular music. Aside from all of that, I guess I bring more of a disco and house thing to the mix.
Nigel: I agree

MI: What is your model for creating music? I know you guys are involved in various other projects, so is the way you guys create started separately and then fused together at a different time, or is it more of the just sit down together with a plan and create tracks?
Jamie: We just sit down and jam really, see what comes out and take it from there. Recently we’ve been getting our live DJ set thing together, and the practice sessions for that have really produced some great new material, or at least starting points for them.
Nigel: I concur

Continue reading

Concert Recap: Soundset 2009, My Journey To Mecca

Posted in Concert Reviews, From The Rail with tags , , , , , , , , , , , , , , on Tuesday, May 26, 2009 by Tim Althaus

Me going nuts when Pharcyde dropped "Raise It Up" in tribute to Jay Dee

Me going nuts when Pharcyde dropped "Raise It Up" in tribute to Jay Dee

As you can see by the picture I look like I am in a great mood. That’s because I was outstandingly over-joyed all day on Saturday in Shakopee, MN at Soundset 2009. I really couldn’t have asked for much more the entire day. My camera died roughly an hour and a half into the show (thanks to Erik for the pictures as well as other people on Flickr) and I ended up looking like a lobster from sunburn, but it was all worth it to be at this show. Even though this show was on the first weekend of summer, I can guarantee that this show will be the highlight of my entire summer.

The first show of the day I went to was I Self Devine who I was not super familiar with, but knew some of his background. I have to admit that I was very impressed by his performance and I can’t wait until his new album drops on RSE later this year. He had a lot of energy on stage, which in my opinion is absolutely key when it comes to an all day Hip-Hop festival.

I Self Devine taking a quick breather during one of his songs

I Self Devine taking a quick breather during one of his songs

Blueprint was next, and boy was I in for one hell of a surprise. I am probably one of the biggest Soul Position fans there is, and when I found out Rjd2 wasn’t coming I was a little disappointed. Let me tell you that Rj not being there made no difference whatsoever. Blueprint went on stage at Soundset and completely ripped the microphone to shreds going through tracks like “1988” & “Tramp”. My favorite part of his set, though, was when he busted out “Drugs, Sex, Alcohol, Rock-N-Roll” from the Soul Position album Things Go Better With RJ & Al. After seeing Blueprint at Soundset, I look forward to seeing Print no matter who he performs with.

Print preaching to the crowd during his set

Print preaching to the crowd during his set

Blueprint 3

Print spitting his heart out on "1988"

"Drugs, Sex, Alcohol, Rock-N-Roll"

"Drugs, Sex, Alcohol, Rock-N-Roll"

The next show I saw was Abstract Rude (who brought along Aceyalone & Myka 9) who I’ve been trying to get into lately. He put on a pretty good show, and when Aceyalone & Myka 9 hit the stage the energy really started to rise. These 3 guys together are a great group and it shows they are all highly influenced by each other when they are together.

Abstract Rude, Photo Courtesy of Rhymesayers Entertainment:

Abstract Rude, Photo Courtesy of Rhymesayers Entertainment:

Haiku D'Etat, Photo Courtesy of Rhymesayers Entertainment:

Haiku D'Etat, Photo Courtesy of Rhymesayers Entertainment:

Before this show, I had been waiting about 4 years to see Eyedea & Abilities. I missed them at last year’s Soundset and hand’t been able to make it to Minneapolis for a show when there was another opportunity. I can’t tell you how much I was looking forward to this show. The dynamic between these two is absolutely amazing and seeing them play classic cuts like “Star Destroyer”, “E&A Day”, as well as cuts off of the upcoming album By The Throat was nothing short of fantastic. It was also great seeing Eyedea give the stage to DJ Abilities so that he could display his amazing techniques on the wheels of steel.

Eyedea 2

Eyedea adressing the crowd


Eyedea spitting on Star Destroyer, Courtesy of Erik Burg

DJ Abilities tearing up the tables, Courtesy of Erik Burg

DJ Abilities tearing up the tables, Courtesy of Erik Burg

Immortal Technique is another guy that I was really looking forward to seeing live. I had heard so many good things from people that had seen him. I would have to say that Immortal Technique probably emitted the most energy out of anybody on stage the entire day of Soundset. Hearing Tech spit songs like “Point Of No Return”, “Industrial Revolution”, “Obnoxious” & other classics was incredible, not to mention that his speeches to the crowd made me (and probably others) feel like fucking some shit up. I feel like chances are, everytime this guy performs, everyone in the crowd walks away moved by his highly emotional & energetic performances. Immortal Technique is someone that everyone should see once in their life.

Immortal Technique Spitting "Point of No Return", Courtesy of Rhymesayers Entertainment:

Immortal Technique Spitting "Point of No Return", Courtesy of Rhymesayers Entertainment:

Immortal Spitting "Obnoxious", Courtesy of Erik Burg

Immortal Spitting "Obnoxious", Courtesy of Erik Burg

With the bar already set very high, the show kept moving. Hometown hero P.O.S. was next to perform on the mic and he put on a great show with local DJ Plain Ole Bill (who if I do say so myself, is a great DJ). He performed some of the great cuts off of his new album Never Better such as “Let It Rattle”, “Goodbye”, “Savion Glover” & “Optimist”. He also performed one of my favorite tracks off of Audition, “P.O.S. Is Ruining My Life” while telling the crowd to sing as loud as they could for his mother. The highlight of Stef’s set however (as Erik mentioned in his post) was “Low Light Low Life” when he brought out Dessa & Sims of Doomtree to bring their verses to life onstage.

P.O.S. performing Savion Glover Courtesy of Erik Burg

P.O.S. performing "Savion Glover" Courtesy of Erik Burg

Plain Ole' Bill & P.O.S. rocking Soundset, Courtesy of Rhymesayers Entertainment:

Plain Ole' Bill & P.O.S. rocking Soundset, Courtesy of Rhymesayers Entertainment:

Sims, Dessa & Stef, Courtesy of Erik Burg

Sims, Dessa & Stef, Courtesy of Erik Burg

Since I missed most of Sage Francis due to the fact that my face was already hotter than the sun from sunburn, El-P (with TMQ & Mr. Dibbs) was the next show that I was able to catch. I’ve seen El-P once before already and I knew that he was going to put on a great show for the crowd, but I had no idea it would be this good. He started out his set with my favorite track “Tasmanian Pain Coaster” off of his most recent album I’ll Sleep When You’re Dead, which may have been the loudest performance of the day. He then continued through more of his catalogue: “Smithereens”, “Overly Dramatic Truth”, “Deep Space 9mm” & etc. At the end of his set he reminded us all of Camu Tao, who had passed away one year previously due to a fight with lung cancer. All I can say is Camu would have loved to have been there. The most amazing part, however, was when Mr. Dibbs took over on the turntables with his baby head routine that I had seen once previously. Dibbs stole the show with his turntable antics.

"Tasmanian Pain Coaster", Courtesy of Erik Burg

"Tasmanian Pain Coaster", Courtesy of Erik Burg

Mr. Dibbs & El-P, Courtesy of Rhymesayers Entertainment:

Mr. Dibbs & El-P, Courtesy of Rhymesayers Entertainment:

El hyping the crowd with "Smithereens"

El hyping the crowd with "Smithereens"

After El-P came Freeway & Jake One. I had a pretty good idea of what to expect from these guys, but I didn’t know it would be this good. Freeway went through some tracks from the Rocafella days as well as tracks he was featured on from Jake One’s White Van Music. They also decided to bust out some new material from their upcoming Rhymesayer’s release The Stimulus Package. Let me tell you right now, The Stimulus Package is an album you are not going to want to sleep on people. These two have some really fucking good chemistry.

Freeway getting ready to go onstage, Courtesy of Rhymesayers Entertainment:

Freeway getting ready to go onstage, Courtesy of Rhymesayers Entertainment:

Freeway on "Line em' Up", Courtesy of Erik Burg

Freeway on "Line em' Up", Courtesy of Erik Burg

We actually left this set a little bit early so we could catch Southern favorites, CunninLynguists. We got over to the Fifth Element Stage to catch Cunnin’, and immediately I get a message from Erik saying “DOOM is a no show”. I started laughing hysterically and blazed what seemed like my third or fourth joint of the day because I knew I was about to see one of the best shows of the entire day. I was right in every aspect because Kno, Natti & Deacon fucking tore up the Fifth Element stage. All three of them have so much energy with the stage, and at the same time they are so interactive with the crowd. They went through a diverse set from their catalog: “Old School”, “KKKY”, “The South” and more. I can tell you that I honestly didn’t want the show to end at all. I look forward to seeing these guys many times in the future.

Kno, Deacon & SOS rocking the crowd, Courtesy of Kyle Konczal

Kno, Natti & Deacon rocking the crowd, Courtesy of Kyle Konczal

CunninLynguists going "Old School", Courtesy of Kyle Konczal

CunninLynguists going "Old School", Courtesy of Kyle Konczal

Cunnin 1

CunninLynguists bringing "The South" to Soundset, Courtesy of Kyle Konczal

After the CunninLynguists set, we were actually able to catch about half of the Brother Ali/BK One set because they got pushed up. I’ve seen Brother Ali a few times and I know that he puts on an amazing show. I was able to catch the tracks “Good Lord” & “Forest Whitiker” and Ali was on top form with these tracks. Ali is one of those guys that just has a persona about him, his aura just emanates off of the stage and everyone absorbs it. He really puts on a great show no matter when you see him.

Brother Ali & Slug performing "The Believers", Courtesy of Erik Burg

Brother Ali & Slug performing "The Believers", Courtesy of Erik Burg

Brother Ali spitting "Good Lord", Courtesy of Erik Burg

Brother Ali spitting "Good Lord", Courtesy of Erik Burg

While I was watching Brother Ali, I got a tweet from Rhymesayers that DOOM was in the house. I was a bit apprehensive at first because of all of the bullshit that this guy has pulled in the past. It literally took (the first) DOOM what seemed like 30 minutes to take the stage. I was literally getting pissed, but then I heard the “Benzie Box” beat and my head started to nod immediately. After the first track there was some typical bullshit going down on stage, making it look like DOOM had to leave the show. Just when you though it was over… the real DOOM took the stage and went through a decent amount of his catalog. “Gazillion Ear” in my opinion was definitely the highlight for me, nothing like hearing DOOM over a Dilla beat, especially live. I have to say though, I agree with my man Aaron & the homie Blueprint… DOOM’s show kinda blows, I’d rather hear him on an album. I understand that DOOM has a certain nostalgia about him and that’s what a lot of people love about him, I just don’t buy into it. PLEASE do not take this as me dissing DOOM, he makes incredible music, he’s just an average performer.

"Gazillion Ear", Courtesy of Erik Burg

"Gazillion Ear", Courtesy of Erik Burg

SUPER!, Courtesy of Erik Burg

SUPER!, Courtesy of Erik Burg

The Pharcyde was something that I was definitely looking forward to a great deal. They were insanely pivotal to the West Coast scene and they re-united for this show. I’m not up on their catalog as much as I should be, but they rocked the shit out of the main stage. I would say they were definitely one of the top acts of the day. It seemed like everyone in the crowd was feeling them. They started things off with the classic “Runnin'” and continued down the line with classics one every song they performed. They even broke down into the classic Slum Village track “Raise It Up” in memory of their late friend J Dilla. As mentioned in the top picture of my post, I went absolutely nuts because I fucking love Jay Dee.

The Pharcyde "Runnin" shit on the main stage

The Pharcyde "Runnin" shit on the main stage

"RAISE IT UP!", Courtesy of Rhymesayers Entertainment:

"RAISE IT UP!", Courtesy of Rhymesayers Entertainment:

It seemed like the day was about over, but no Soundset would be complete without hometown favorites Slug & Ant. These two were arguably the crowds favorite, and I would put money on over half of the people being there just to see them. They went through your pretty typical array of Atmosphere songs, “Godlovesugly”, “Shoulda Known”, “Trying To Find a Balance”, “Sunshine” & etc. They finished with the fan-favorite-karaoke-jam “Always Coming Back Home To You” with the vast majority of the crowd singing along with Slug. These two really know how to put on a show for a hometown crowd with no disappointment what so ever.

Slug is "Trying to Find a Balance", Courtesy of Erik Burg

Slug is "Trying to Find a Balance", Courtesy of Erik Burg

Ant on the wheels of steel, Courtesy of Erik Burg

Ant on the wheels of steel, Courtesy of Erik Burg

Slug rocking the hometown crowd

Slug rocking the hometown crowd, Courtesy of Rhymesayers Entertainment:

Soundset 2009 is one of the best musical experiences I have ever had. It was everything I could have asked for and more. Rhymesayers Entertainment knows how to throw one hell of a Hip-Hop festival, and I can guarantee you I will be on tickets right away for the next Soundset. Make sure you watch out the rest of this year, Rhymesayers has some big things coming up and I know you won’t want to miss them. I know you are probably sick of me rambling on about this show so I will end the post now, hopefully you enjoyed reading about my experience half as much I enjoyed writing about it.

From The Rail: Soundset ’09 Part 2 (Videos)

Posted in From The Rail, Mind Inversion Exclusive, Video with tags , , , , , , , , , on Tuesday, May 26, 2009 by Erik Burg

crowd1A weekend that’s already been heralded by me once, Soundset 2009 brought some of the best hip-hop talent in the nation together in one spot, in our own quaint little Minnesota non-the-less. Yesterday I brought you some amazing pictures I caught from my usual front row spot, and today I’m back to give you some videos from the festival (Part 1 if you missed it). The audio on them isn’t amazing simply due to the sheer volume of the stage, but bear with and enjoy!

I had been waiting years to see El-P, and when he took the stage with DJ Mr. Dibbs Sunday at Canterbury I knew that something amazing was about to happen. Opening with “Tasmanian Pain Coaster” was stunning, but when El-P played “Up All Night” and Dibbs cut on the tables for a good six minutes during it my jaw nearly hit the floor. Check out the couple verses El get through and then watch the madness ensue as Dibbs proves once again why he is one of the best DJs out there. Feast on this sampling!

As I mentioned in Part 1 of my column, P.O.S. has been making tons of headlines for Rhymesayers this year, dropping the spectacular Never Better this winter and tearing it up on tour with Atmosphere all year. When the man of many instruments took the stage Sunday afternoon he unleashed a furry within the crowd that had been unmatched to that point. The high point of his set came when he brought both Dessa and Cecil Otter on stage to perform “Low Light Low Life” off of the aforementioned Never Better. It’s my personal favorite off of the album, and was everything I expected it to be live. There are some great shots of the crowd going crazy during the video as well, so hit play and watch one of the better tracks all day at the main stage of Soundset.

Naysayers aside, I thought that seeing MF Doom play was the highlight of the festival. It’s such a rarity these days, and the elaborate and sometimes comical nature of it all made his appearance and performance well worth the entire ticket price. After the real Villain finally took to the mic I got video of nearly every one of his tracks, seeing as I never wanted to forget what the masked man brought to the un-expecting crowd. The reception of Doom was terrible, and I’m slightly bitter at the crowd for that, but whatever, his new tracks were awesome live. Check out both “Ballskin” and “Gazzillion Ear” below. You’ll notice a slightly different view on the second video, as it was at that time that I jumped the fence and ended up going backstage to later meet Metal Fingers. At any rate though, Enjoy!

That’s all I got folks, I hope that you had as much fun at the fest as I did, and I hope you enjoyed these two columns as much as I enjoyed putting them together. 

Your friends @ Mind Inversion will be live tweetin’ from Soundset ’09 all day today

Posted in Mind Inversion Exclusive with tags , , , on Sunday, May 24, 2009 by Ryan Buege

Hello devoted Mind Inversion hip-hop heads! Our day has finnnnnnallly arrived!!!!! Soundset ’09 begins in only a few hours, motherfuckers!!!!!!

It’s only two AM on May 24th, and I’m probably too drunk to make this post right now (that’s up for debate, right??….), but nevertheless, that’s no reason to hold off. This is the day that the most noteworthy live music festival in Minnesota returns for its second year (..of hopefully many, many more to come..), and over 2/3rds of our staff will be there in Canterbury Park with VIP tickets to be direct witnesses and integral participants of the whole celebration of brilliant modern hip-hop art going on throughout the day…

For better or worse, we’re biting on to the Twitter hype that finally consumed the U.S. in ’09 and will be live tweetin’ the whole show tomorrow. If you wish you join Timmy, Erik, and all of their friends for the hour-by-hour updates from THE must-see underground hip-hop festival in the country this year, join us HERE.

Hope to see ya’ll there, and if not, stay tuned to the madness tomorrow and hold on for what promises to be the most epic concert recap of our first year on the web.



From The Rail: Sights and Sounds of Animal Collective Live @ First Ave. 5/20/09

Posted in Audio, Concert Reviews, From The Rail, Video with tags , , , , , , , , on Thursday, May 21, 2009 by Erik Burg

AC Avey tall close      It’s been a long wait since the release of Merriweather Post Pavillion, since this show was announced, since the tickets went on sale. May the 20th seemed like it would never arrive, and as I spun everything from Spirit They Came to their newest live tracks, the prospect of seeing Animal Collective live seemed more myth than reality. 

      But enough of the deification. The show has obviously come and gone, but the hype surrounding these guys both as a live act and on record is sure to stay. I got the chance to see the trio last year at the Pitchfork music festival, and they were good. But the set was very short and the band seemed a little passive with their enthusiasm of actually headlining the festival. Last night though, Animal Collective took the stage and commanded an energy from start to finish like few bands can. It was captivating and jaw-dropping while at the same time extremely fun and enjoyable. 

      The set list was great as well. Obviously playing plenty of tracks from Merriweather, the band also managed to open with the older “Chocolate Girl”, played “Chores” and “Fireworks” from Strawberry Jam, and also knocked out “Who Could Win a Rabbit” from Sung Tongs. Highlights of the night include the comparatively stripped down yet overly amazing version of “My Girls” and the five minute breakdown in the middle of “Fireworks” that came as close to a guitar or drum solo that you could ever see from Animal Collective. 

      Stage set-up was even stunning. The lighting for the show was spectacular, that is unless you get seizures easily. For the rest of us though, we were treated to strobing color almost constantly, making the sight of Panda Bear singing on “Guys Eyes” even more beautiful than I ever imagined. The giant ball that hung above the stage, along with the giant optical illusion, err, album cover in the background made sure that stage was completely utilized.

      It’s a tour and concert I want to be proud to tell my kids about someday. You saw Woodstock? You saw Hendrix? You saw Ringo? I saw Animal Collective, one of the most influential and boundary pushing bands of my age. Describing how important they are to music might be cliche, but Animal Collective might be one of the only bands from this entire subculture worth talking about years down the line.

      So there’s plenty of video and photos for you to check out of course. Please excuse my terrible half-singing half-yelling along to some of the songs, I apologize. Enjoy! 


AC Panda singing

AC Avey bubble


AC Geologist

AC Panda red

AC Panda and Avey flash

AC Avey side

AC Avery and Panda Green

AC Avey B and W


Concert Review: Junior Boys, Max Tundra, & Lookbook @ First Avenue

Posted in Concert Reviews, Mind Inversion Exclusive with tags , , , , , , , , on Saturday, April 4, 2009 by Erik Burg

Though the show may have been over-shadowed by the apparent pop culture phenomenon Britney Spears playing next door at the Target Center, the electro-pop world right across the street at First Avenue made up for what it was lacking in pre-teen girls in mini-skirts with awesome jams and a crowd ripe with energy. 

Duo Lookbook took the stage first, starting the evening with a wide variety of electronically infused pop and slightly slower tracks. Their faster songs got tons of people in gear for the rest of the night, but they cruised through a set so fast I swear some of their song were literally :45 seconds long. At any rate though, it was a good start, and they certainly played to the theme of the evening very well. 

Then came Max Tundra, the obvious pick to steal the show for the night. Did he live up to the surrounding hype? I’d say so. Withmax-tundra-guitarhis overly boyish dance moves, insanely paced tracking, and random plethora of instruments, Max Tundra was just as much the headliner of Friday night as Junior Boys were. Opening with the fresh “Which Song” which I had mentioned a few days back, Tundra got the floor grooving and laughing, the perfect opening act. 

By the time Junior Boys were ready to take the stage the crowd was overly-anxious, and thanks to a minor audio problem during their first song, we all had to wait a little bit longer. It was all worth the wait of course, as Junior Boys took to the stage for a second time, playing fan favorites and a few tracks off their upcoming album. Jeremy Greenspan, lead singer of the Boys, has to be the most lovable and affable lead man I’ve ever seen in concert. All I wanted to do was run up and give him a big hug, but that’s not the point, was is is Junior Boys absolutely killed it. Sorry if you missed it everyone, but don’t fret, I got some photos for you (even a Max Tundra video too!)

junior-boys-drummer2(Junior Boys)

junior-boys-guitar(Junior Boys)

junior-boys-blue-synths(Junior Boys)

max-tundra-vest(Max Tundra)

max-tundra-red(Max Tundra)

max-tundra-keyboard1(Max Tundra)

max-tundra-book(Max Tundra)



Check out this awesome video I shot of Max Tundra as well, it was simply an awesome time Friday night, and hopefully this will take you right there if you had to miss it:

Tim’s Top 10 Albums of All-Time (At Least To This Point)

Posted in Mind Inversion Exclusive, The Learned Man's Take with tags , , , , , , , , , , , , on Wednesday, March 18, 2009 by Tim Althaus

Tim's Top 10 Albums of All-Time (At Least To This Point)

I have to tell you all that this list was one of the hardest things I’ve had to get myself to do, because I knew it wasn’t going to be anywhere near easy. Even while going through this list I had to constantly change things because I felt something was missing. This list (to the best of my abilities) contains the quintessential list of albums that shaped my taste in music. To be put another way, I don’t know where I would be without these albums. I can also say that I feel that each one of these albums is timeless as well a masterpiece. So without further ado…

Top 10 Albums of All-Time (In Order from 10-1)

live-at-leedsThe Who – Live At Leeds (Deluxe Edition): Honestly I don’t even know where to begin when it comes to this album. I remember buying it in the store years ago, and it cost me just about thirty-five dollars. It may be the best money I’ve ever spent on an album. This album truly shows the pure rock fury of The Who. If you have ever had a doubt in your life as to the legitimacy of The Who, please listen to this album. The original album was released with just 35 minutes of the 120, and this album has all of it. This is one of the greatest live albums of all time, no doubt in my mind. Every single member of The Who sounds precise and musically sound. This also might be the heaviest material you will ever here from The Who. From the rapid fire boulder crashing drums of Keith Moon to the lion roaring vocals of Roger Daltrey this album is everything a live album should be and more… Continue reading