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Here is some behind the scenes action with Evidence, Phonte, and Will.I.Am behind the scenes of the “For Whom the Bell Tolls” music video shoot. If you decided to get one of the best releases of last year (The LAyover EP) then you know that this was one of the only videos not featured on the DVD. To be honest I laughed my ass off when Evidence was talking to Phonte about exfoliation, that shit is downright hilarious. Check out this video because it provides some great laughs. I can’t wait to see the video when it’s done, you know for sure that I will have it up as soon as it premiers.
Bon Iver’s Sophmore effort, following the magnificent 2008 release “For Emma, Forever Ago” changes pace in certain spots, trading the beautiful vocals for Weezy-esque auto tuning. I know, a big step (forward or back?) for a guy who was so unbelievably harmonic and damn near perfect on his first album. As far as the auto tuning goes, and if those tracks are successful or not, it’s sort of a wash. The scratchy guitar and minimal backup instruments still amaze, despite being slightly repetitive of the first album, but the vocals bring down what would otherwise be an amazing EP. “Woods” and “Babys,” the two tracks the Justin Vernon goes lil wayne on your ass, are the low point of the album, like I mentioned, but the other two tracks, “Blood Bank” and “Beach Baby” pick up exactly where Emma left off. The title and lead track “Blood Bank” is arguably Vernon’s best track to date, drifting along with beautiful vocals, heart-wrenching lyrics, and the usual acoustic minimalism. “Beach Baby” sounds like something from an old Pet Sounds cut, and while it obviously isn’t, it again changes pace a little from the usual back-woods Wisconsin folk. Dropping the vocals and picking up the pace of the song a little bit, Bon Iver takes a short little trip down instrumental lane, if only for two and a half minutes. 
MIND INVERSION 