Archive for Folk

Terry Junior – It’s Been Too Long (Republic Hymn)

Posted in Art, Culture, Local Love, mainstream, Media, Music, Music News, News, Politics with tags , , , , , , , , , , , , , , on Saturday, February 15, 2020 by TSN

Album Review: Giant Panda Guerilla Dub Squad, Country

Posted in Music Reviews, Reviews with tags , , , , , , , , , , , , , on Wednesday, February 8, 2012 by Eric Gilardi

Wow, from the start of the new album Country by Giant Panda Guerilla Dub Squad I am amazed and I am astonished. I first heard of this band while attending a G-Love and the Special Sauce show at First Avenue in Minneapolis. Their live show was an unreal jam session filled with plenty of energy that got the crowd dancing. Country may get your foot tapping a bit while you are sipping a whiskey down at your local saloon.

Country is an album with an acoustic, slowed down blue grass sound with folk and reggae roots. They describe their music as folk and that the fans should know that there is just good music and there is just bad music. The band said they hear so many people when asked, “what kind of music they like?” reply with the answer, “everything but country.” GPGDS wanted to break the mold that all country music is not typical country and that folk is in all forms of music. It is funny because I am one who has said, “I am into everything but country.” I am also on the record saying that, “I like Johnny Cash but do not consider him to be country but more of a folk artist.” This means I understand fully what Giant Panda Guerilla Dub Squad is talking about.

Now, saying all that I can appreciate this album even though at times I am not sure that I am listening to GPGDS. At other times I am reminded of the elements that made me fall in love with this band. In the track “Kids in the Square” they pick up the tempo a bit and make for a blue grass jam that could get you dancing. Next, the song “Healing” which has a reggae feel in a blue grass song reminds you of GPGDS of past. “New Speedway Boogie” has the softest sound with the loudest vocals on the album and again reminds you of classic Giant Panda Guerilla Dub Squad. This little section of their new album is my favorite especially after the slow start with the first four songs.

I suggest you head over to the website and give the new album a listen before forming an opinion. It will help you decide if you want to support this new project for the group from Rochester, NY or if you want to take a break so the music is more refreshing when the next album comes out. I know I am going to support GPGDS and can appreciate the new sound off of Country.

Album Release Date: January 31, 2012

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Dan Auerbach has no reason to be “Heartbroken, In Disrepair”

Posted in Video with tags , , , , , , , , on Wednesday, May 27, 2009 by Ryan Buege

Vodpod videos no longer available.

With “Heartbroken, In Disrepair”, Dan Auerbach‘s got the grooviest tune I’m hearing so far this year on 89.3 The Current; it’s got a great combination of the soulful bluesy reverb-heavy guitar work that we heard all over Robert Plant and Alison Krauss’s Grammy-winning Raising Sand and some magical classic American sounding textures that I don’t think the guy has ever even touched with his main band (The Black Keys) yet. Based on what friends who saw him at First Avenue earlier in the year informed me, the live setting is the place to hear what he can really do with pipes and picking fingers, so I’m very intrigued to hear him play someday. However, I understand there are a lot of people that seem to love this guy already at this young point in his career, so I’m still not sure why he’s still so down in the dumps.. Either way, I dig what his achey heart makes..

VIDEO: Dan Auerbach, “Heart Broken, In Disrepair

via Culture Bully!

Northern Outpost Season 2, Episode 2: Lucy Michelle & the Velvet Lapelles

Posted in Video with tags , , , , , on Friday, May 22, 2009 by Ryan Buege

By this point in time, I’m pretty sure that anyone and everyone interested in the music made by Lucy Michelle and the Velvet Lapelles in this city should have caught wind of what they’re doing – so I won’t waste space trying to hook you in. Instead, just enjoy this clip of this super creative local art rock powerhouse in HD. It’s rare to witness a band like this captured so vividly in such intimate quarters, and this episode is solid proof that Maxwell Becker needs to be commended for creating such an amazing addition to the Minneapolis music and art community. As always, I’m waiting patiently to see what gems the Owl Recording Studio and Northern Outpost cherry pick out of the Minneapolis music community throughout the rest of the season.

William Elliot Whitmore debuts on UK tv with Jools Holland appearance

Posted in Video with tags , , , , , , , , , on Monday, May 11, 2009 by Ryan Buege

The Mississippi river basins modern folk vagabond William Elliot Whitmore recently made a trip over the pond to show his literary and musical vocal talents to the British population, and the results that were captured on film are stunning. Whitmore’s powerful, old-time oration skills are truly a wonder in this day-and-age, and in this video performance for his “Old Devils” he sounds spectacular.

The last time I had the fortune to see Whitmore play live, he was sandwiched between the chaotic grind of local metal band Ambassador Gun and the expansive post-rock of Red Sparowes. Though the bill was quite an unlikely one for Whitmore, he handily won over any doubters with the passion of his exceptional performance and some sensibilities that could easily appeal to any fan of socially aware Midwestern music. It’s great that his career seems to be picking up steam on a global scale, because music this authentic, emotional, and beautiful needs to be honored the world over. Check out “Old Devils” live on Jools Holland below:

NPR listening session to Neko Case’s Middle Cyclone this week

Posted in Audio with tags , , , , , , , , , , , , , , , , , on Tuesday, February 24, 2009 by Ryan Buege

Neko Case, Middle Cyclone

Neko Case, Middle CycloneMany have been waiting and the moment is finally here! You can now listen to  what is sure to be (and deserves to be) the most prominent release from Neko Case yet, via NPR. Middle Cyclone will officially see a release on March 3rd, and this stream will be available until then!

Only a voice this seductive could’ve lured me to investigate more modern country music… I’ll have my review of Middle Cyclone coming next week!

LISTEN: Middle Cyclone (available in stores on March 3rd)

Video: Northern Outpost Ep. 4, featuring the Windmills

Posted in Video with tags , , , , , , , , , , , , on Monday, February 16, 2009 by Ryan Buege

Our favorite local web tv show, Northern Outpost, has just aired their fourth episode, and this week they’re at the Owl Recording Studio with Minneapolis-based acoustic crooners Windmills. As we said before, the quality of this fully independent, local music show is pretty impressive, and it’s greater proof of the extremely awesome, organic, and supportive scene that exists in the Twin Cities. On this week’s episode, Windmills compare playing in a band in Boston and Minneapolis, talk about the quality of the local music scene, and play some of their upbeat, relaxing, spacey electro folk rock in the Owl Studio. Visit Northern Outpost on NorthernOutpost.net to stay up-to-date on future shows, and watch Episode 4 below!

Live Audio: Conor Oberst, M. Ward, Jim James

Posted in Downloads with tags , , , , , , , on Friday, January 30, 2009 by Erik Burg

Just like the Pavement concert I linked to here a little while ago, Aquarium Drunkard delivers again with some bootleg live cuts. This time from the Pantages Theater in 2004. You kind of know what to expect from these guys, but the magic they create together is great, I’d definitely recommend checking these tracks out.

Download the whole show HERE.

jim-james-m-ward-oberst

Album Review: Bon Iver – “Blood Bank EP”

Posted in Music Reviews with tags , , , , , on Tuesday, January 20, 2009 by Erik Burg

blood-bak-coverBon Iver’s Sophmore effort, following the magnificent 2008 release “For Emma, Forever Ago” changes pace in certain spots, trading the beautiful vocals for Weezy-esque auto tuning. I know, a big step (forward or back?) for a guy who was so unbelievably harmonic and damn near perfect on his first album. As far as the auto tuning goes, and if those tracks are successful or not, it’s sort of a wash. The scratchy guitar and minimal backup instruments still amaze, despite being slightly repetitive of the first album, but the vocals bring down what would otherwise be an amazing EP. “Woods” and “Babys,” the two tracks the Justin Vernon goes lil wayne on your ass, are the low point of the album, like I mentioned, but the other two tracks, “Blood Bank” and “Beach Baby” pick up exactly where Emma left off. The title and lead track “Blood Bank” is arguably Vernon’s best track to date, drifting along with beautiful vocals, heart-wrenching lyrics, and the usual acoustic minimalism. “Beach Baby” sounds like something from an old Pet Sounds cut, and while it obviously isn’t, it again changes pace a little from the usual back-woods Wisconsin folk. Dropping the vocals and picking up the pace of the song a little bit, Bon Iver takes a short little trip down instrumental lane, if only for two and a half minutes. 

Not much else to this review, seeing as it’s just an EP. It’s definitely worth checking out though, for fans of his past material or for someone who’s never heard the greatest thing to come out of Eau Claire county since ever (maybe). If nothing else, at least give “Blood Bank” a spin, it’ll give any new fan the best idea of what Vernon is all about, and what made “For Emma, Forever Ago” one of the best albums of last year. 

6 abandoned wintry woods out of 10

mp3: Bon Iver – “Blood Bank” from the Blood Bank EP. Out 1/20 on Jagjaguwar records.

Dig Deeper: Bon Iver’s Myspace, Official Site, Wiki