Well, isn’t this interesting? As many people know, I haven’t been a huge fan of Kanye’s music in the past few years. I actually submitted an opinion editorial about him to the local newspaper a few years back, and although it didn’t get published, I still felt good about it. Don’t get me wrong, I really like College Dropout and Late Resgistration, but I really don’t like any of the material that he’s put out since Graduation. I was on Facebook yesterday, and this track popped up a few times, so I figured I would humor myself and check it out; I’m really glad that I gave it a chance.
This song is truly unbelievable, and it makes me want to see a full-length project between these two. I haven’t been too keen on Mr.West’s flow as of late, but this is the hungriest he has sounded in a while, and it takes me back to the College Dropout days:
“Hold up, I ain’t tryin’ to stunt man/but the Yeezys jumped over the Jumpman/went from the most hated to the champion god flow/I guess that’s a feelin’ only me and Lebron know”
Pusha T also has some subliminal words for person(s) remaining nameless:
“Step on they necks til’ they can’t breathe/claim they five stars but sell you dreams/they say death multiplies by threes/line them all up and let’s just see/Fuck em’ Ye/Fuck em’ Ye/ I wouldn’t piss on that ni**a with Grand Marnier/their shit is shoppin’ at Tarjay (Target)/my shit is luxury gourmet”
This is the type of track that I love to hear Kanye on, and if this is what I can come to expect for the future, then I will be definitely keeping closer tabs on his music. Don’t sleep on this one.
In honor of reaching over 1 million Facebook fans SOJA released a new video for the song “Not Done Yet” off of Strength to Survive. The video is directed by Marc Carlini and was shot in the breathtaking Pololu Valley on the Big Island of Hawaii. It features the beautiful Breanne Racano from HBO’s hit show Entourage.
Check out Mind Inversion’s other SOJA related articles:
Mike Skinner is one of my favorite artists hands down. Why? Basically, because Mike Skinner (The Streets) is unique, original, and you can follow his paper trail to where he is today. He started at the bottom and worked his way to the top of the food chain. Incredible. We can actually see an artist evolve from a garage type setup, to a studio, to a super-studio facilitated album.
Evolution of The Streets is apparent and refreshing.
The Streets have done 5 albums, all of which are different, all of which are excellent, and all of which are incredibly interesting, conceptually, and aesthetically. I prefer Original Pirate Material, A Grand Don’t Come For Free, and The Hardest Way To Make An Easy Living.
I now agree that Computer and Blues is up there with the best of their albums.
With only 3 days of non-stop listening, I prefer this album to the others. This album is fresh, relevant and very personal. The Streets’ last album is a sound-system banger and an artistic send off for Skinner. I feel he wants to end on a good note, and I appreciate the respect for fans and music. So many bands milk it to the very last drop and fizzle out while pumping out shit. I respect The Streets and Mike Skinner; however, I hope sometime soon he can pull a reunion tour so I can catch the music live.
Apparently, he wanted to do 5 albums, that’s what his contract was about, and that’s it. He has stated in interviews that he was satisfied with this decision because he wanted to find more time to spend with his family.
Dan gave me this album, mentioning that at first he did not dig it as much as the other albums. This seems to be the case with most of The Streets albums for me, there is definitely a first listen and blah. After a bit of thinking the album is thrown back into the mix and listened to over and over again. Always a cult classic and a heavy listen. Since Original Pirate Material I have been a Streets fan. Most all of their albums to date are inspiring, completely original and massively progressive.
One thing I take away from The Streets is they make music that sounds like The Streets, they are not ripping off, copy-catting to hit the charts up, or going trendy. The Streets just transpire and it comes out sounding amazing. I love The Streets and the music they make, and the inspiration they flood the speakers with.
***
For days I have been listening to this album on repeat and I was trying to get a perspective and give you something in detail, but after listening I feel this CD deserves a listen. Lyrics are spot on, the songwriting is out of this world. The beats are heavy when needed, also, soft and chill when necessary. I found my roommates awesome sound set up and took full advantage of it. This Streets album is worth a buy, and definitely a good listen. Streets fans won’t regret Computer and Blues and it is on par with, if not better than all his previous albums but Original Pirate Material. You deserve to listen to this album on a really good sounds system. The positive message is solid and the beats are innovative. Mike Skinner did create a sound system banger, and an artsy bon voyage. Cheers! This Streets album has me with a smile on my face.
This is what I’m talking about; I don’t think I could ever complain about hearing Vinnie Paz over some Beatnuts production. Vinnie and legendary Beatnuts member Psycho Les teamed up for the first single from Vinnie Paz’s forthcoming solo album God of the Serengeti; the track is called “Cheese Steaks”, and it goes hard on all fronts. Psycho Les lays down a haunting canvas that enables Vinnie to paint a perfect picture that encapsulates his demeanor. This is the type of track that I love to hear Vinnie Paz on; it always brings out the best in his rhyming ability.God of the Serengetiwill be releasing this fall on Enemy Soil Records.
Notable Quotable: “The only time beef is mentioned around me is for steak sauce/I work harder than ya’ll/it’s no days off/the knife work scratch and cut you up like Main Source“
Again, I am amazed at genre crossing artists like Beck, who chose to collaborate with one of my favorites: Jack White. I must say, had I not heard, “I Just Started Hating Some People Today” on 89.3 The Current, with DJ introduction, I would have hardly imagined it was created by Beck. With its country style guitar and cynical, but realistic message. I imagine beck as some cool kid making sick dance beats, or songs I can completely use my imagination on. These are good things, but this new song was also good, in a different way. I love blues. I could completely relate to the lyrics. And it was crisp sounding and very straightforward. We have all felt like killing someone at some point in our lives, yet this song is more on the Vonnegutesque dark humor, enjoyable, sort of, side of that feeling. I could almost hear a smile, but Beck’s gritty vocals did not come off with the Beck style I had come to appreciate. It was a bit different, but not different in a bad way, just different, and solid. Something I had not expected; unexpectedly sufficed by a random song on the radio. Beck has come into the realm of blues and he has successfully produced a single. I am looking forward to hearing more. These two artists (Beck and Jack White) are made for progressive blues/country rock.
I was subtly surprised with the dark vocals and country twang, but I must admit I was satisfied with the sound and think it progressive. I would enjoy hearing other new material.
Furthermore, what I thought was just as amazing as the song was the collaboration with Jack White. I could tell immediately that Jack White was on the track; with guitar slides, moderately heavy and catchy riffs. The slide guitar solos were a plenty but not excessive, I could listen to any of The White Stripes’ albums for days, specifically because of the guitar solos and garage rock aspect.
I had no idea that Jack White and Beck had collaborated in the past, but with a little research I became learned. Earlier collaboration on Guero’s ‘Go It Alone’ between Beck and White were drastically apparent by the sound. Happy to know that real musicians are still making real music.
Unique and relevant artists creating gems together has me in high hopes about the music to come. Third Man Records seems innovative and growing. Beck’s new musical sound and approach appeal to me especially with Jack White at the Helm, and because it sounds excellent on the radio. Jack White is a guitar virtuoso to say the least, and is one of the most innovative artists of our time, the latter goes for Beck as well. I am satisfied with the exposure of sound while driving around with the station dialed in.
Get yourself a listen.
Details on the release of the special edition single and anything Beck: Official Beck Site
It appears as though Brother Ali is back folks. You may recall that he dropped a free EP earlier this year called The Bite Marked Heart, and on August 21st, the Good Brother will be releasing his latest full length album Mourning in America and Dreaming in Color. The effort will be produced entirely by Seattle beat smith Jake One; I’ve been a huge fan of everything that these guys have done together, and I can’t wait to hear what they’ve cooked up on this project. This is Ali’s first full length album since Us back in 2009.
“Stop The Press” is the lead single off of Mourning in America and Dreaming in Color, and at first I wasn’t to keen on the track, but it is definitely growing on me after a few listens. Jake’s silky smooth beat provides the perfect canvas for Brother Ali to inform the people about what he’s been up to since his last major release. A lot of fans might be slightly apprehensive because Ant isn’t producing the entirety of the album like he has in the past, but I can assure you that this album is going to be special; Brother Ali and Jake One have a great deal of chemistry, and it’s going to shine through on this album.
Slaughterhouse have let go of the first single off of their forthcoming Shady Records debut, Welcome to Our House. “Hammer Dance” is a certified banger that features none other than araabMUZIK on the boards. I’ve been waiting to hear this single for quite some time, and without a doubt, I can say I’m impressed. Even though I was a huge fan of araabMUZIK’s solo album Electronic Dream, I’m glad to hear that he’s back behind the boards in the Hip-Hop realm. All four emcees absolutely decimate araab’s incredible instrumental that features a nice little hard rock sample that some of you may be familiar with (*cough* Korn *cough*). Tracks like this are going to make me very irritable while waiting for May 15th to get here.
It’s always a good day when music that pertains to Pete Rock comes out. As many of you may recall, The Soul Brother #1 put out the album Monumentalwith Smif-N-Wessun last year; the album was stellar, and it featured array of guest appearances including Styles P, Sean Price, Raekwon, Buckshot and Bun B. “Top of the World” is the third track off of the album to get the visual treatment (I believe), and it features the crafty veteran Memphis Bleek. Pete Rock has some of those beats that just have a very relaxing vibe to them, and “Top of the World” is definitely one of them. It’s interesting to hear Memphis Bleek spit some bars because I had no idea what happened to that guy. Either way, the track and video are both very nice, and you should probably press play. If you haven’t picked upMonumental, I would do so as soon as possible. Check the video for “That’s Hard” (Feat. Sean Price) down below.
Will February 21st just get here already please? M.i dropped another heat rock off of the Coldplay Sessions that is sure to caress your ear drums in the most pleasant manner. He builds his beautiful beat around serenading strings and perfectly placed drum hits, and the outcome is momentous. M.i is one of those guys that impresses me more and more every time I hear something new from him. Even though he’s cooking up this Coldplay Sessions project by himself, I know he’s been in the lab cooking up some ridiculous material with Tyler Keyes, and I’m dying to hear that stuff as well. Stay tuned, and make sure you keep your eyes peeled because you are going to be hearing a lot more about M.i in the future. You can grab the track download and check the video for “Paradise” (also off of The Coldplay Sessions) after the jump. Continue reading →
I totally forgot that this video got released last week, and frankly I’m baffled it slipped my mind because I love Phonte. “The Good Fight” is a smooth soulful jam produced by 9th Wonder that was featured on Phonte’s spectacular debut solo album Charity Starts at Home. I’ve been a huge fan of Phontigga ever since the days of Little Brother (sheds a tear), and Charity Starts at Home is exactly what Phonte’s fans had been waiting for: a debut album showcasing Phonte’s ability to seamlessly rhyme and sing at the same top tier level. Charity Starts at Home was arguably one of the best releases of 2011, and every fan of great music should own it. Below you can view the video that Te dropped for the track “Dance in the Reign”, which was also on Charity Starts at Home. Continue reading →