Archive for album review

Album Review: Power of 2, Power of 2

Posted in Music Reviews with tags , , , , , , , , , on Thursday, June 4, 2009 by Ryan Buege

From my point of view, there are only two reasons why any instrumental rock band would choose to remain vox-less these days: 1) they are Power of 2frightened that vocals would destroy the aesthetic they’ve developed, or 2) they don’t have time for a fucking vocalist! ¶ Power of 2, a Minneapolis based prog-rock band featuring Max Becker on drums and Joe Clark on guitar, clearly falls into the latter school, as evidenced by the new self-titled album of driving, explosive, ball-bustin’ rock ‘n’ roller coaster rides they’ve nailed down for release on Friday.  It’s a guitar centric album (vocals finally make an extremely brief appearance on the final track, “Eight Chupacabras”)  that simply has no room for a third wheel to disrupt the charging energy that pulses between the two, one jperson seemingly acting as a anode and the other as a cathode . Continue reading

Album Review: Bassnectar, Art of Revolution EP

Posted in Music Reviews with tags , , , , , , , , , , on Monday, May 11, 2009 by Nicholas Blexrud

aorcover-smMesmerizing, transcendental, and hypnotic pulses of low frequencies and magnetic melodies ghostily grab my legs and make me move to the new single “Art of Revolution”; Bassnectar has done it once again.

Seated, I promptly pushed play on the single, “Art of Revolution”.  My heart slowly morphs from a lazy, bradycardiac beat to a rapid, tachycardiac pounding, as I soon found myself no longer in a seated position, but as a terpsichorean of mythical multitudes.

“Art of Revolution”, introduced with stick-beaten African drums and de-tuned Indian sitars, combusts into a cacophony of wobbly, intoxicated, insect-like buzzing of breaks and “slippery when wet” bass lines. This, paired with the unmatched voice of Jamaican Tapper Zukie, makes for a single that will soon take over every stereo and club. In addition to ‘Necters version of “Art of Revolution” and an instrumental mix, we are blessed with 4 other marvelous mash-ups of monolithic proportions. Remixes from Diplo, Chislain Poirier, 6 Blocc, and Product 01 all comprise an assortment of ingenuity and individualistic interpretations of this single.

I have to say, the wait for ‘Nectar’s new single to drop has felt eternal; similar to waiting in the doctor’s office. There you sit (highly anxious fan) with symptoms of melancholy-melodies, no-dance-ititus, and the bassnectar-blues, waiting for the doctor’s prognosis. The doc (Dr. Bassnectar) shows up just in time to tell you that everything is going to be fine, and serves you up a dose of “Art of Revolution”.  Ahhhh, you are better.

The Art of Revolution EP will be falling into digital music players through Beatport and everywhere else on May 12th (and turntables later on as a limited 12″ vinyl via Groove Distribution). However, if you cannot wait for this anthem to hit your eardrums, check it out a free download of Groove Armada’s Superstylin’ set to Bassnectar’s instrumental version of Art of Revolution” in Superstylin’ Smashup, here!

So by this point, you’re probably all asking yourself ‘what the hell does Bassnectar even mean?’ Well, according to bassnectar.net, it is: “A freeform project that merges music, art, new media, social involvement, and community values; dedicated to a constantly-evolving ethos of collaborative creation, self-reinvention, and boundary-pushing experimentation.”  This mission statement, however, does not do justice to the 150 + shows that Bassnectar perform on a yearly basis, and to truly understand this “project” you must be apart of it. You can catch Bassnectar at any one of these dates to experience and stitch yourself to the fabric of this majestic movement… Continue reading

Album Review: The Juan MacLean – “The Future Will Come”

Posted in Audio, Music Reviews, News with tags , , , , , , on Tuesday, April 7, 2009 by Erik Burg

thejuanmacleancover2DFA record’s heavy hitters have been on a role for the past couple of years. 2007 brought Sound of Silver, 2008 had Hercules and Love Affair, and this year the Juan MacLean return with their first full length album since under-rated 2005 sensation Less Than Human.

This time around though, the amazing Nancy Whang has been platooned to help transform The Juan’s sound into the more vocally driven and pop (ish) sounding realm. It’s an addition that was welcome by fans salivating at the chance to hear anything new from a guy that released one of the most stearling singles of last year, “Happy House.” That track ended up being the closer to The Future Will Come, making the euphoria at the end of this album more amazing than any other record I’ve heard this year. 

But let’s jump back to the beginning. “The Simple Life” sets the pace for the album, at an almost exhausting eight minute length, Nancy’s presence on the album is made clear from the first verse. She’s been featured on tracks throughout the DFa catalogue, but here she is finally the center of attention, and like I said, it’s a welcome addition as her voice complements the relaxed minimal house that The Juan is so famous for producing. 

But the most interesting aspect of the new album might be Juan MacLean himself actually getting some good time on the mic. On past albums he was simply an afterthought, focussing the music much more on the music. Even when vocals were used in the past, like on the single “Give Me Every Little Thing” they were from outside personas, not himself. So jump to track two, the title track, and thirty seconds in “The Future Will Come” gets a nice break down, filled in by Juan getting nasty on the vocals. I have to say, he’s probably a terrible singer, but his half spoken and omnipotent voice jumps off the record, “The future will come I’ve had a vision, your popularity is a deep revision.” 

It was like hearing Antony Hegarty or Kim Ann overtop of Andy Butler’s production last year. The vocals slapped me in the face, and the music itself didn’t lose a beat. When it’s all boiled down, the album will be praised for its production and not he lyrics or the vocalization, despite that being the biggest change on the the album. The notable singles off the album, the previously mentioned “Happy House” and Simple Life” along with the ten minute long “Tonight” which falls right in the middle of The Future Will Come, reminding fans of older Juan MacLean material that he can still put together sprawling and layered house music that makes tap your toe and drop your jaw with the same dub pattern. 

The Future Will Come will undoubtedly be remembered for its slight revision in the formula that made the man a legend. Whether it’s for better or worse is yet to be decided, I personally love it though. Die hards might point to songs like “No Time” that last a mere three and a half minutes, pulsating with dancy synths and littered with both Whang and Juan’s vocals. “Just because you body’s human, you don’t have that much to offer. When I’m deep inside of you I feel like there’s not much to do to satisfy your petty yearning” Mr. MacLean opens the track stating. Nancy counters with “tomorrow when then morning comes, I’ll be ready to get home. Thank you for the lovelyup-juan evening, everybody needs some loving.” So the two partners play off each other very well, both in character and in the production. 

Ultimately it all comes back to “Happy House.” The epic, yes epic, twelve and a half minute ramp through classic disco production mixed perfectly with the new vocal contribution is set to get more playing time than it already got last year. The track never loses touch with what it is, maintaining a steady bpm and a perfect rhythm throughout. Nancy jumps in at the three minute mark, with beautiful keyboard rotating in the foreground she captures the listener, “You came to me from my history.” Skip to the eight minute mark, highlighted by an amazing break down that features an awesome bass hook revolving Nancy yelling “Launch me into space!” And the last few minutes do that too, adding much more heavy synth layers to the already funky beat that is carried throughout the entire song. It builds and builds to a euphoric ending, capping what is not only the best track of 2009 next to “My Girls” but what is one of the top albums of ’09 as well. 

If you haven’t heard the Juan MacLean before now might be your chance. The vocals add a fun perspective to the music, now a lot more than just house production and airy synths the Juan offers some of the greatest minimal electro has to offer. Another notch in the belt for DFA The Future Will Come simply can’t be over looked, if not just for “Happy House.”

The Juan Maclean – The Future Will Come    9 out of 10

MP3: The Juan MacLean – “No Time”

Album Review: DM Stith, Heavy Ghost

Posted in Music Reviews with tags , , , , , , , , on Friday, March 13, 2009 by Erik Burg

Entrenched with a musical background, DM Stith had shut music out of his like for some 20 years. Refusing to sing at age of 8 for the next two decades, Stith instead tried focusing on visual arts and writing. An attempted novel in college, along with a children’s book written and illustrated by himself, had failed. Leaving Stith with few options other than to return to the life he seems almost destined for.

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With the release of his first full length album, which he began writing and recording while helping friend Shara Worden of My Brightest Diamond record Bring Me the Workhorse, Stith attempts to accomplish through song what he has been wrestling with for years: “I’ve been really fascinated by some ideas about the functioning dichotomies of the mind, The crux of this idea… is that these different selves, these voices that influence the way we behave, these bundles of memory and self-protection, are things we can’t rid ourselves of.” This idea shows through in his music as well, undoubtedly so. The twelve track LP, entitled Heavy Ghost, clearly illustrates the kind of beauty and unexpectedness that Stith seeks in life. The album is littered with eclectic instrumentals, yet is grounded in the piano and strings. His vocals create stunning landscapes that match the almost ebb and flow that the album has. Flooding the listeners with tense strings, tribal percussion, and nervous piano, DM Stith is able to captivate the listeners each and every song.

It’s admittedly hard for me to try and write a solid review for this album because it’s so tightly knit. The instruments are bound to the vocals, and vice versa. Each track remains its own, but the album actually feels like an album. The patterns and repetition used throughout keeps the listener in the moment, never allowing you to become lazy or bored. Though Stith remarks about the album title that “Ghost, for me was a metaphor, not mysticism,” the piano keys seem to be a way for Stith to release his inner ghosts. It’s truly an amazing album. Heavy Ghost never lets up either, all the way through its final track “Wig,” DM Stith is able to make his formula work.

And lucky for you, if you haven’t heard any of DM Stith’s album yet, you can stream the entire thing over at Muxtape right now, I’ll post the link below. Interested in some of his other works as well? Two brilliant EPs were released before Heavy Ghost and you can find them on his website as well, below is an mp3 of the breathtaking “Just Once” off of the Curtain Speech EP. Check out his Flickr account as well.

DM Stith – Heavy Ghost 8.5 out of 10

STREAM HEAVY GHOST FOR FREE

MP3: DM Stith – “Just Once” off of the Curtain Speech EP

Album Review: Zombi, Spirit Animal

Posted in Audio, Music Reviews with tags , , , , , , , , , , , , on Monday, February 23, 2009 by Erik Burg

spirit-animalIf there was ever an album to be described as epic, and in the actual definition of the word, not “epic” as in “cool”, this is that album. Hands down. Whether it’s a good or a bad thing, I can’t truly decide yet. Far and away the most sprawling and expansive album I’ve nearly ever heard, Spirit Animal is a rare treat for all those instrumentalist fans out there. It’s like a modern day Phish or Grateful Dead, minus the drugs and bad music, and with more synthesizers and keyboards. The shortest track runs seven minutes, three of them over 11 minutes, and plenty of tunage in between.

And I can’t tell, for the life of me, whether I like it or not. I mean sure, I can appreciate it musically and acknowledge the fact that the two guys are greatly talented, but I feel like if I was playing this in my room alone I’d rather not be caught doing so. Spirit Animal while at times mesmerizing, can get quote cheesy at time… there I said it. It’s just so, like I said, epic, that you just want to laugh at it and tell Zombi to stop taking themselves so seriously. But hey, maybe that’s it’s charm, that nothing else like this has existed on a mainstream level in a long time.

Another problem that I have with this album is that it become extremely repetitive, whether it’s in the structure of each song, or repetitive as a song itself. What Zombi does well it does very well. Heavy synth that matches the electro guitar, dark bass line, and drums that never stop, often breaking into few minute long jams that astound the listener. And all of that is great, it really is, but Spirit Animal kills it for me, sorry. I would probably be in love with this as a five track 24 minute long EP instead of this hour long five track whirlwind of an album. It’s all crazy stuff, maybe it’s over my head, I don’t know really. But what I so know is that Zombi can jam and put together some impressive material, it’s just that they do it for too long, and in an almost embarrassing fashion. I can be over kill, and it can be genius.

Lucky for you, Zombi is streaming the entire album. Or you can be lazy and grab on of the tracks below. I’d encourage checking out all of their stuff I’ve got posted here. I think you’ll definitely see what I mean about these guys. It’s worth your time.

6.5 never-ending drum solos and synth pedals out of 10

Stream: the entire “Spirit Animal” HERE

MP3: Zombi – “Spirit Animal”

Zombi live @ the Empty Bottle in Chicago 4/28/07