Archive for August, 2012

Video: Brown Bag AllStars, “406 (Fat Beats Tribute)” (Prod. By The Audible Doctor)

Posted in Media, Video with tags , , , on Wednesday, August 29, 2012 by Tim Althaus

This video is just another excellent example of what I’ve come to expect from the Brown Bag AllStars. They always  great production and deep lyrics that go beyond concepts covered in mainstream rap music – soulful, real life Hip-Hop.

For those of you who were oblivious, all of the cats from Brown Bag used to work at Fat Beats Records in New York, and this song is a dedication to the place that they once called home. From the memories of in-store performances, to the nervousness of going through their job interviews, this song covers it all. The Audible Doctor built a beat that – even if it stood alone – evokes emotion and storytelling.  (Side Note: For all of my people in the Mid West, The Audible Doctor is actually originally from Madison, WI. So, I’d like to give him a shout.)

The beginning lines of Koncept’s verse do a great job of summing up the entire crew’s feelings:

“You ever have to say goodbye to your dearest friend/remembering the day he died, wishing he was here again”

Video: Skyzoo, “First Generation Rich” (Prod. By Jahlil Beats)

Posted in Album Update, Media, Video with tags , , , , , on Tuesday, August 28, 2012 by Tim Althaus

These last few weeks have been amazing because Skyzoo has been releasing a tidal wave of material for the masses. In a post that I put up a couple weeks ago, I mentioned that Sky was supposed to be dropping a mixtape entitled Theo Vs. JJ: Dreams Vs. Reality. I was apprehensive as to whether or not it was going to come out because A Dream Deferred is right around the corner. After I got home from classes yesterday, I decided to go through my usual routine of checking my social media outlets, and I was pleasantly surprised to see that Skyzoo dropped a new video for the track “First Generation Rich” – which will be featured on Theo Vs. JJ: Dreams Vs. Reality.

Jahlil Beats (of Roc Nation) lays down a melodically mellow masterpiece that enables Skyzoo to carve out his lane and conduct his craft. In all reality, there was no reason to doubt whether or not Skyzoo was going to put out Theo Vs. JJ because I don’t think he’s capable of disappointing his fans. Based on the quality of The Great Debater, Skzyoo very well could be releasing two album-quality projects in back-to-back months – clearly nothing to complain about.

Make sure you download Theo Vs. JJ: Dreams Vs. Reality when it drops later this week; rest assured, there will definitely be a post here at Mind Inversion.

Here’s what Skyzoo had to say about the concept behind “First Generation Rich”:

“The inspiration for “First Generation Rich” came from me watching an Oprah Winfrey special on the Miami Heat’s recent title win, and she asked Dwyane Wade about his life now, as opposed to when he was a kid in Chicago. He went on to talk about being the first one in his family to have any type of “real money”. In doing so, he used a slogan: “first generation rich”. Oprah acknowledged said slogan, thus signaling that she’d known of/used the term as well when describing what that new found life turns into, and just like that it hit me. FGR. First Generation Rich. The idea of being the first one in your family, the first generation on your side, to make it.”

“Produced by Roc Nation’s Jahlil Beats, the track said everything I needed it to before I even began to write to it. The idea behind the Theo Vs. JJ mixtape was to show the vast differences between highs and lows, living to win and winning to live, fortune and misfortune. FGR. So, shout out to #FGR and everyone who’s felt that feeling within them, this one’s for us.”

Album Update: Skyzoo, A Dream Deferred (Artwork & Tracklisting)

Posted in Album Update with tags , , , , , , , , on Tuesday, August 21, 2012 by Tim Althaus

Since the buzz keeps growing for A Dream Deferred, Skyzoo decided to leak the artwork and tracklisting for the album. I’m excited about the dope album cover, but I’m even more ecstatic to see the producer credits and guest features.

As per usual, Sky will be spitting over beats by !llmind, Black Milk, 9th Wonder, Best Kept Secret & Eric G, but he threw two tracks by DJ Khalil into the mix, and this really excites me: I’ve been saying for a long time that DJ Khalil is one of the best producers in the game, and Skyzoo is my favorite emcee, so naturally my anticipation is off the radar. On the vocal side, listeners can expect to hear collaborations from Talib Kweli, Jill Scott, Freeway, Jared Evans and Raheem Devaughn.

I know I talk about this man quite a bit, but I believe in his music so strongly; if liking top-tier lyricism was considered a crime, then I would definitely be guilty of a hard felony. Make sure you go out to your local record store and grab A Dream Deferred on October 2nd.

Track Listing:
1) Dreams In A Basement featuring Jill Scott (produced by !llmind)
2) Jansport Strings (One Time for Chi-Ali) (produced by 9th Wonder)
3) Pockets Full feat. Freeway (produced by !llmind)
4) Give It Up feat. DJ Prince (produced by !llmind)
5) Glass Ceilings (produced by !llmind)
6) Range Rover Rhythm (produced by Jahlil Beats)
7) The Knowing feat. Jessy Wilson (produced by Eric G)
8) Drew & Derwin feat. Raheem Devaughn (produced by Focus)
9) Realization feat. Jared Evan (produced by DJ Khalil)
10) The Rage of Roemello (produced by DJ Khalil)
11) How to Make it Through Hysteria (produced by Best Kept Secret)
12) Steel’s Apartment (produced by Black Milk)
13) Spike Lee Was My Hero feat. Talib Kweli (produced by Tall Black Guy)
14) The Cost of Sleep (produced by Tall Black Guy)

Reaction Editorial: Did Jay Electronica Ghostwrite for Nasty Nas?

Posted in News, Opinion Editorial with tags , , , , , , on Monday, August 20, 2012 by Tim Althaus

Obviously, I’m a little late with this post because this whole whirlwind of speculations started last week. According to most of the articles that I’ve read, Jay Electronica was supposedly responsible for ghostwriting duties on Nas’s Untitled album; even more revealing, renowned Hip-Hop journalist Dream Hampton claims that Mr. Elec-Hanukkah could be responsible for more than meets the eye – at least 6 tracks. Of course, Mr. Elec-Yarmulke came out and publicly admitted (via Twitter) that the accusations were absolutely false, and Stic Man of Dead Prez followed suit. It’s hard to be clear if the rumor is true or not, but it definitely raises some valid questions in the Hip-Hop community.

The whole Hip-Hop universe seemed to be in a daze from dismay, but I’m still not sure how I feel about the news. Believe it or not, ghostwriting is a fairly common practice in Hip-Hop, and it really shouldn’t surprise anyone. Artists like Royce Da 5’9″ and Skillz have been writing for other rappers like P-Diddy and Dr. Dre for years. It had even been rumored that Gillie Da Kid wrote the vast majority of Lil’ Wayne’s hit album, Tha Carter

With that being said, let me pose this question: Why are people making a such a big deal of this particular issue?

The reasons – at least to me – are pretty clear.

Rappers that use ghostwriters aren’t usually considered by many as great lyricists. We all know that Dr. Dre, P-Diddy & Lil’ Wayne have sold millions of records worldwide, but the word “lyricist” doesn’t come to mind when thinking about their talents – performer is more applicable. If anything, ghost writers made their music more tolerable.

Nas is credited for writing one of Hip-Hop’s most magnificent manifestos – Illmatic. Even though the ghostwriting accusations don’t stem from Illmatic, it rubs me the wrong way to think that Nasty Nas had another emcee write his rhymes. Imagine if the scientific community found out that someone else wrote part of Aristotle’s work: all hell would break loose, and pandemonium would ensue. Nas is considered one of the foremost founders in the East Coast Hip-Hop scene, so this rumor holds a great deal of significance. Any way that you look at it, this whole issue is just a hard thought to stomach.

Nas is an artist that has withstood the test of time; even though a lot of people would consider some of his releases sub-par compared to Illmatic, he’s still considered one of the greatest lyricists of all-time – without question. If the ghostwriting rumors are true about Untitled, I can’t help but wonder if ghostwriting was prevalent in his previous releases. This whole controversy could end up becoming a slippery slope with no foreseeable end.

Even though Jay Elec’s good friend FWMJ verified that Jay wrote on Untitled, I still don’t know what to believe. This is what it all boils down to in my eyes: Back in 2006, Nas was bold enough to name his album Hip Hop is Dead; if he is guilty of using ghostwritten rhymes, then he might also be guilty of killing the very art form that personified his career.

5 Good Reasons to Avoid a Bassnectar Show

Posted in Off Topic, Random with tags , , , on Friday, August 17, 2012 by Eric Gilardi

5. His fan base consists of a lot of middle school aged kids.

There seems to be an influx of young kids at Bassnectar shows. I have nothing against young kids as long as they can be responsible and not cause a scene; however, it is never a good time when I have to look at a girl who is far too young to be that far gone.

4. His music is ground shaking but not ground breaking.

The consistency of his sound consists of a lot of heavy bass. I guess if you like to listen to a repetitive heavy bass line then it is a show for you. That is why I say his music is ground shaking but not ground breaking. He isn’t creating electronic music that is trend setting or new to the industry. This heavy bass seems to work for him even though I do not understand how or why?

3.  Slow vibe dancing is just not as fun.

When attending a Bassnectar show get ready to vibe slow. His display of powerful bass is great if you are into dancing slow but if you are looking for a dance party, you will not find one at his show. I prefer a dance party over a crowd who is methodically moving to the beat.

2. Throws in the change of pace too late in his set.

When I saw him recently at Lollapalooza, he changed it up towards the end of his set with some hopped up punk rock. This was a lot of fun and got the crowd going – an easy thing to do after putting everyone to sleep for an hour. If he would have mixed some of this in to break up the monotonous first hour, or brought in a few upbeat dance songs to change the pace a bit,  his show would be more enjoyable.

1. His music is fit for the bedroom not a music venue.

This slow vibe dancing I was talking of earlier can make you look to this music as a way to make babies. There’s a name for this style of electronic music: baby making music. That is why when you look around at one of his shows you see a bunch of people “getting it on” in the crowd. That is cool if you like to see that display of public affection, but it’s not my number one priority when attending a show. To the people who like to do that, put a subwoofer under your bed and turn the bass up if you cannot give your women a proper orgasm.

*Take note for every reason I just listed could be the very reason you want to attend a Bassnectar show. If you are a really big fan of his music, then I would definitely suggest going. Keep in mind, the opinions of this article are from a person who was totally impartial before going to the show at Lollapalooza.

Heatbeat, my life could use a little “Extra Bacon”; how about yours?

Posted in Music Discovery, Music News, News with tags , , , , , , , on Thursday, August 16, 2012 by Eric Gilardi

Heatbeat was first introduced to me earlier this year. The Argentinean duo’s “Rocker Monster” came at me through my car speakers with an aggressive edge. Matias Faint, 26, and Agustin Servente, 25, are the masterminds behind this DJ/Producer combo from Buenos Aires. In hearing this first single they started to peak my interest.

Then they gave my life a little “Extra Bacon”. This EDM banger has been stuck in my head like the thought of bacon is every morning when I get up. Any track that is named “Extra Bacon” better live up to all the hype because everybody could use some more bacon in their life to make it complete. The very thought of bacon is making me hungry for bacon and I need more… Bacon.

So check out their track “Extra Bacon” and continue to watch this unbelievable duo rise to electronic greatness.

Album Update: P.O.S., We Don’t Even Live Here

Posted in Album Update, Media, Video with tags , , , , , , , , on Thursday, August 16, 2012 by Tim Althaus

Good music keeps oozing from the pores of the Hip-Hop Heavyweights over at Rhymesayers Entertainment. Aesop Rock just released another stellar album last month; Brother Ali is releasing his new album in September, and now it has been announced that P.O.S. will release his fourth studio album – We Don’t Even Live Here – on October 23rd.

According to the press release I read, We Don’t Even Live Here will favor more futuristic beats influenced by the Euro club scene. Even though P.O.S. is going to keep his Hip-Hop roots grounded by collaborating with regular names like Cecil Otter, Lazerbeak, Mike Mictlan and Sims, We Don’t Even Live Here will feature beats from artists like Boyz Noise & Housemeister – DJs who make dance-oriented music. Fans can also expect to hear Justin Vernon (of Bon Iver) lending his vocals to the album.

This will be Stef’s first album since he released the masterpiece Never Better back in 2009; three years is a long wait, so I’m definitely stoked to hear some new solo material is coming out. I’ve been a huge fan of everything he’s done so far, and I think that his strategy to shake things up could pay off big dividends.

Recently, Stef performed a live version of the lead single from We Don’t Even Live Here – “Bumper” – for Pitchfork City of Music, and if it’s any indication of what the album’s going to sound like, then listeners are in for a very interesting and intense ride. I know I can’t wait to buy my ticket.

Brother Ali is “Mourning in America”

Posted in Audio, Media with tags , , , on Wednesday, August 15, 2012 by Tim Althaus

Holy heat rock Batman! Brother Ali & Jake One have dropped an atomic bomb on my ears! A while back, I posted the first single off of Mourning in America and Dreaming in Color – “Stop The Press”. I wasn’t really too keen on the beat that Jake One had cooked up for “Stop The Press”, but “Mourning in America” is a much different story; Mr. Uno builds an emphatic ensemble that allows Brother Ali to vent about his views on war and violence in America, and to be quite frank, Ali’s not afraid to speak out:

“Overseas we can mutilate and mangle /Let me give you an example what our troops are coming back to /Cold cities where the youth are getting strangled /The community in peril and our future looking narrow/Your school already failed you /The boys in blue will nail you they salute you with a barrel /The streets are a certified dead zone /Decorated with chalk lines and headstones”

Every time I hear a new song from this album, it gets better and better; my anticipation for this album is off the charts, so September 18th can’t come soon enough. I – much like many of Ali’s fans – was nervous when I heard that Ant wasn’t going to have any production credits to his name on this album, but I think that this album is going to end up far better than I could have ever anticipated.

You can pre-order the album through Fifth Element.

Album Update: Murs & Fashawn, This Generation

Posted in Album Update, Audio, Media with tags , , , , , , on Tuesday, August 14, 2012 by Tim Althaus

I was on Facebook today, and I randomly scrolled over the album cover because I thought it was just a track; sometimes I don’t know what I would do without Facebook because it seems like I always stumble across new music material via my news feed. I was completely oblivious to this, but apparently Murs & Fashawn are teaming up to release a full-length album produced entirely by Beatnick & K-Salaam. The project will be released on Duck Down Records, and it will hit stores on September 25th.

Whether you realize it or not, Murs is an O.G. and a legend in the West Coast Hip-Hop game; he’s collaborated with the best of them, and he gets mad respect from cats all across the nation. He even teamed up with Guerilla Union to start the Paid Dues concert series – which is a big deal in the Hip-Hop community.

Fashawn is one of the best emcees from the Left Coast, and I’ve been itching to hear a proper release from Fashawn since he dropped Boy Meets World – his classic debut album. He’s dropped a few mixtapes in the interim, but I’m glad to see that he’s dropping another official studio album. I’m hoping – even though it may be a little ambitious – that Fash will drop his Sophomore album The Ecology sometime this year; any time that Fashawn and Exile team up, it’s an instant recipe for greatness.

You can peep the album’s lead single (“Flash Gordan”) and tracklisting down below.

Evacuation: Lollapalooza

Posted in Music News, News, Opinion Editorial with tags , , on Sunday, August 12, 2012 by Eric Gilardi

I have been attending Lollapalooza for the past 4 years now, and I have never been part of an evacuation. For that part, no one has ever been part of a mandatory evacuation at Lollapalooza since it’s inception in 1991. Evacuation is such a scary word and seemed like an extreme measure to take at the time. I am going to tell you why it was the right move and how it all went down from my perspective.

I had watched the weather that morning, and the trustworthy meteorologist said that we would be alright. A possible scatter thunderstorm during the day with the severe weather hitting the Chicago area later that night after Lollapalooza was already over for the day. When the text from a friend came in: “How is the rain?” I simply replied with: “What rain? lol”. At that point, I thought I better check the radar on weather.com as the city skyline was getting draped with a very dark, swirling line of clouds. The radar wouldn’t come up, as my phone was not cooperating at the time, but I did see that there was a severe thunderstorm warning in effect until 4:15 pm. Then the unthinkable happened – Alan Palamo of Neon Indian made an announcement at 3:10 pm that they were to be done playing in 10 minutes and that everyone had to leave Grant Park.

At that point, I do not think the crowd believed they had to leave; I know they didn’t want to leave. My group of friends didn’t want to leave the park either. The security ushered us out like a herd of cows, forcing us out in to the streets of Chicago.
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