Slaughterhouse have let go of the first single off of their forthcoming Shady Records debut, Welcome to Our House. “Hammer Dance” is a certified banger that features none other than araabMUZIK on the boards. I’ve been waiting to hear this single for quite some time, and without a doubt, I can say I’m impressed. Even though I was a huge fan of araabMUZIK’s solo album Electronic Dream, I’m glad to hear that he’s back behind the boards in the Hip-Hop realm. All four emcees absolutely decimate araab’s incredible instrumental that features a nice little hard rock sample that some of you may be familiar with (*cough* Korn *cough*). Tracks like this are going to make me very irritable while waiting for May 15th to get here.
Author Archive
Slaughterhouse, “Hammer Dance” (Prod. By araabMUZIK)
Posted in Audio, Media with tags araabMUZIK, Hammer Dance, Shady Records, Slaughterhouse on Tuesday, February 28, 2012 by Tim AlthausSlept on Saturdays: Statik Selektah & Termanology, 1982
Posted in Music Reviews, Slept on Saturdays with tags 1982, Freeway, Saigon, Statik Selektah, Termanology on Saturday, February 25, 2012 by Tim Althaus
Ever since I’ve been listening to Hip-Hop, I’ve always been drawn to dj/emcee duos. In the case of albums like Train of Thought by Reflection Eternal and Moment of Truth by Gang Starr, the display of mutual respect and pure chemistry between the two artists (respectively) is amazing; 1982 by Statik Selektah and Termanology is no different. I remember when this album came out back in 2010, and for some reason I just didn’t give it a chance. This may be partially because I had been sleeping on Statik’s beats. At the time, I had known about Term for a while because of his mixtape If Heaven Was a Mile Away that he dedicated to J Dilla. Sleeping on this album was a huge mistake; 1982 is a monster of a record, and it was no doubt one of the best albums in 2010, if not the best. Continue reading
Album Download: M.i, The Coldplay Sessions
Posted in Album Download with tags M.i, Prep Time, The Coldplay Sessions, Tyler Keyes on Thursday, February 23, 2012 by Tim AlthausThat’s right folks, The Coldplay Sessions album is finally here. I was going to hold off on posting this until I did a review, but I’m so blown away by this project that I felt compelled to post it now. GoodMusicAllDay, Ashley Outrageous and DJBooth.net proudly released M.i’s new project on Tuesday. The Austin, Texas native did all of the production on the album (with the exception of the last track which is produced by Tyler Keyes), and he also did all of the mixing and engineering. The production on this album is crisp, and all of the samples are perfectly utilized to make incredible cuts.
I’ve been a fan of M.i’s since I first heard his mixtape Prep Time, and I can honestly tell you that I will keep following this dude as long as he keeps putting out music. In today’s music age, it’s not that common to see a jack-of-all-trades like M.i, and he’s very good at what he does. Ever since it came out on Tuesday, I’ve been spinning The Coldplay Sessions non-stop. As I’ve said many times before, M.i has a laid back flow that makes it so easy to like his style. Now all I can do is impatiently wait on the album that Tyler and M.i have been putting together for the last year since Tyler moved to Texas; good lord is that project going to be bonkers.
You can download The Coldplay Sessions here, and make sure you stay tuned for an album review coming very soon.
Slept on Saturdays: Shad, TSOL
Posted in Slept on Saturdays with tags canada, EOM, Shad, TSOL on Saturday, February 18, 2012 by Tim Althaus
Why does it seem like people constantly sleep on Hip-Hop music that’s made by our neighbors to the north? Some of my favorite artists are from Canada, and Shad definitely falls underneath that umbrella alongside Classified. My friend Aaron told me to check out Shad a while back, and I downloaded his material, but I never really gave his music the chance that it deserved. I started listening to The Old Prince quite a bit after a while, but for some reason I never gave TSOL any spins; I would later come to find out that I was missing out on one of the best albums in the last 2-3 years. Shad quickly became one of my favorite emcees with just a few spins of TSOL; his skill on the mic is undeniable, and he’s able to skew so many topics in a short amount of time without sacrificing any attention to detail. Continue reading
Video: Pete Rock & Smif-N-Wessun (Feat. Memphis Bleek), “Top of the World”
Posted in Media, Video with tags Bun B, Monumental, Pete Rock, Sean Price, Smif 'n' Wessun on Friday, February 17, 2012 by Tim AlthausIt’s always a good day when music that pertains to Pete Rock comes out. As many of you may recall, The Soul Brother #1 put out the album Monumentalwith Smif-N-Wessun last year; the album was stellar, and it featured array of guest appearances including Styles P, Sean Price, Raekwon, Buckshot and Bun B. “Top of the World” is the third track off of the album to get the visual treatment (I believe), and it features the crafty veteran Memphis Bleek. Pete Rock has some of those beats that just have a very relaxing vibe to them, and “Top of the World” is definitely one of them. It’s interesting to hear Memphis Bleek spit some bars because I had no idea what happened to that guy. Either way, the track and video are both very nice, and you should probably press play. If you haven’t picked upMonumental, I would do so as soon as possible. Check the video for “That’s Hard” (Feat. Sean Price) down below.
Killer Mike, “Big Beast” (Feat. Bun B, T.I. & Trouble) (Prod. By El-P)
Posted in News with tags Bun B, El-P, Killer Mike, R.A.P. Music, Southern Hip-Hop, T.I., Trouble on Thursday, February 16, 2012 by Tim AlthausSomething with El-P on production? Yes, I am down. Killer Mike, Bun B, T.I. & amp; Trouble, have gotten together with one of my favorite producers/rapper of the underground hip-hop scene (El-P) to create some music for the masses. It is truly an interesting day when mainstream artists can collaborate with an underground king-pin such as El-p. This has been done by artists before, but not to this extent in this music setting. I am a fan of heavy beats, catchy samples, and nice word flow, and this song has it all, minus the fluff and hype.
“Hell Yeah” by dead prez is a prime example of collaborations of a different variety of stars from different sub-sets from different music styles. I enjoyed that song when I first heard it; I was sort of surprised by the talent on the track. It is amazing seeing artists reach out to different genres and music classes to create good music. When the mainstream is lacking in talent, it is no surprise that they turn to true artists who still remain underground. The underground scene has an abundance of creativity and a lack of ego, for the most part. When artists like this come together they either come together, or they don’t come together. This collaboration, and variety of artists fits nicely.
El-P is off the hook with his samples, and his jumpy anxious style beats. It may not be traditional, but it is in your face and effective.
This song is the first song released off of Killer Mike and El-P’s R.A.P. music album. They did an album together, Holy Shit! No surprise something interesting from El-p, no surprise a classic formula for good music was utilized to create this raw sound. One can appreciate the classic bumping hip-hop sound, this beat makes you want to get on your feet. I feel like I am listening to N.W.A.’s Straight Outta Compton again for the first time, when considering the beats and cuts within this track I am reminded of how hip-hop started and what it first sounded like.
When El-p is on production you can expect something different banging and original, as a classically trained jazz musician he is super solid on his sound. When you add the grit-grimy sound of the Southern flow, and the mainstream aspect of Killer Mike, Bun B, T.I. you get something extremely out of the ordinary, but also groundbreaking in the respective mainstream. Hearing this makes me wonder what the album will sound like. I am excited to hear more.
If you dig El-p, or want to get into more of his music I would check out Fantastic Damage and I’ll Sleep When You’re Dead. A similar style is reflected upon in this track. El-p’s sound is easily recognizable, and his collaborations are extensive. He is a Beat Vet in my eyes.
All these serious cats together, its enough to make a hip-hop head smile. It is a good day when it sounds smooth like butter and the lines that were are only a blur. I can appreciate a champion putting out solid music to bob our heads to, but a motley crew of sorts and I am pumped.
To better and more diverse collaborations all around. Cheers!
Tim’s Side Note: As Terry said, El-P and Killer Mike are going to be doing a full-length LP together, and I’ve known this for a while, but I had no idea what the outcome would sound like; this just might be my favorite track so far this year. The beat reminds me of a mixture that El-P arrived at from using a formula that combines Fantastic Damage & I’ll Sleep When You’re Dead. I can not wait for this album to hit shelves.
My favorite line and an instant Hip-Hop quotable from Bun B: “When you step out on the Ave, make sure they wanna see ya/cuz being Trill is an onomatopoeia.”
Download: Killer Mike, “Big Beast” (Feat. Bun B, T.I. & Trouble) (Prod. By El-P)
Album Download: Chad Hatcher, Bridges EP
Posted in News with tags Bridges EP, canada, Chad Hatcher, Classified, Nova Scotia, Tunnels and Pathways on Thursday, February 16, 2012 by Tim AlthausI was really glad to see that Chad dropped this the other day. For those of you who don’t know, Chad Hatcher is an amazing singer/songwriter from Nova Scotia; he’s done a lot of work with Classified, and he’s been on his grind for a long time. In 2008, Chad released the stellar solo debut Tunnels and Pathways. This year Chad has been putting in some serious work; he released a cover of the Foster the People song “Pumped Up Kicks”, and he also covered the legendary Pharcyde song “Passin’ Me By”.
The Bridges EP is a great effort from Chad, and it’s great material whether you are a long time fan or a first time listener. For the reasonable price of free99, I think the burden is on the listener to click the button and download the album.
R.I.P. Lamont “Big L” Coleman (May 30th, 1974 – February 15th, 1999)
Posted in News with tags Big L, Lamont Coleman, R.I.P., Rocafella on Wednesday, February 15, 2012 by Tim AlthausFebruary has always been a tough month for the art form of Hip-Hop; not only did J Dilla and Big Pun pass in February, but this month also saw the demise of Big L: one of the greatest emcees of all-time. It seems like the youngest people with the most amount of talent are always the first ones to go, and in Big L’s case, it’s no different. Although he didn’t have a long illustrious career in the rap game, many people still consider him to be one of the greatest emcees to have ever graced the mic. At the time of his death, it was rumored that Big L was in the process of signing to Roc-A-Fella records with Jay-Z and other members as a group called The Wolfpack.
There’s no telling what would have happened if Big L would have never been killed; would Jay-Z still be considered the greatest emcee of all-time? Would I be considering Elzhi the sickest rapper in the game? Who knows… but I can assure you that Mr. Coleman would be amongst the ranks of the most relevant rappers in this or any generation. Big L only released two studio albums while he was alive, and to this day, they both remain classics in the eyes of Hip-Hop heads around the world.
“Everybody keep your L up like that, and it don’t mean lazy motherfucker either”
M.i, “NoThing” (Prod. By M.i)
Posted in Downloads, Media with tags Coldplay Sessions, M.i, NoThing, Tyler Keyes on Tuesday, February 14, 2012 by Tim AlthausVideo: Phonte, “The Good Fight”
Posted in Media, Video with tags 9th Wonder, Charity Starts at Home, Phonte, The Good Fight on Tuesday, February 14, 2012 by Tim AlthausI totally forgot that this video got released last week, and frankly I’m baffled it slipped my mind because I love Phonte. “The Good Fight” is a smooth soulful jam produced by 9th Wonder that was featured on Phonte’s spectacular debut solo album Charity Starts at Home. I’ve been a huge fan of Phontigga ever since the days of Little Brother (sheds a tear), and Charity Starts at Home is exactly what Phonte’s fans had been waiting for: a debut album showcasing Phonte’s ability to seamlessly rhyme and sing at the same top tier level. Charity Starts at Home was arguably one of the best releases of 2011, and every fan of great music should own it. Below you can view the video that Te dropped for the track “Dance in the Reign”, which was also on Charity Starts at Home. Continue reading








