Archive for Monday, November 17, 2008

Evidence & Alchemist, 6 projects in one year?

Posted in Music News with tags , , , , , , on Monday, November 17, 2008 by Tim Althaus

ev-and-alc

Well as I’ve repeatedly told you before, Evidence is one busy ass mother fucker. It seems as though the same can be said about his HIGH school friend Alchemist. Together they are releasing 6 different projects in the next year. I don’t know about you, but I think that’s mad ridiculous the work that these two are putting in, and I can’t wait to hear the fruits of their labor. Evidence already released the LAyover Mixtape, The LAyover EP is coming in less than 2 weeks (I can’t fucking wait). Alchemist has Alchemist’s Cookbook EP and Better Living Through Chemistry (which he claims he’s remade 5 times) due out in the next year. Alchemist also has a project with one of my favorite producing/emcees Oh No entitled Gangrene which should drop by the end of this year.

All of this work is ultimately leading up to the release of the album for their project Step Brothers next year, as well as Evidence’s follow up to the critically acclaimed Weatherman LP, Cats & Dogs. The song “So Fresh” off of the LAyover EP is the first official Step Brothers single. If you haven’t seen the video check it out below and make sure you get all this material coming out because it’s gonna be fresh.

Vodpod videos no longer available.

Review: Jedi Mind Tricks A History of Violence

Posted in Music Reviews with tags , , , , , , , , on Monday, November 17, 2008 by Tim Althaus

jedimindtricksahov

I have to start this post off by saying that this album is very close to me. This Philadelphia trio changed my entire perspective on music with their sophomore outing Violent By Design. The first time I heard Vinnie Paz, Jus Allah & Stoupe I was instantly hooked and I needed more of their music like a fiend needs rock. I have to say that this album can not and does not stack up to Violent By Design (because in my opinion nothing really can), but next to Servants In Heaven, Kings In Hell it might be their best work since. I do feel however that Jus Allah might have fallen off a little bit since the VBD days. I had heard about Vin and Jus being in the studio again with that same dynamic as VBD and was overcome with joy, I just didn’t get that feeling when I heard Jus this time.

Stoupe’s production on this album is some of the most impeccable work he has done. I also want to mention that Vinnie Paz is on a completely new level when it comes to rhymes. I remember on VBD (Even though I still love Vinnie on that album) it would seem like Vinnie would be rhyming about nonsense, on this album that is not the case. Vinnie’s verses are full of metaphors and similes like you wouldn’t believe.

the first track on the album is “Deathbed Doctrine” and Vinnie comes out right away spitting fire over the impecable cuts of DJ Kwestion and the hard hitting murderous Stoupe beat.  If you listen to the track you will know what I mean about Jus Allah, he still has some good rhymes but his flow has totally changed from the VBD days. “Deadly Melody” is a track where Vinnie really shines when it comes to the metaphor aspect: “I’m your worst nightmare/the reversal of Christ here/the only thing you seein’ is a shadow and knife glare… Y’all are pussy, watered down like a light beer/I don’t run from it I embrace it I like fear/Call me Texas Chainsaw Massacre I invite fear/Call me Leatherface motha fucka’ I’m right here/Call me any other person that’s an evil killa’/Pazienza Pontius Pilate they call me Jesus Killa/Call me Richard Ramirez because he spill venom/I’m Mark David Chapman before he killed Lennon…”. That trend continues for the rest of the album, and although Jus doesn’t sound as “fluid” as before he doesn’t greatly affect the album in a negative manner. The shining jewel of this album is “Trail of Lies“, which in my opinion might be Vinnie & Stoupe’s shining moment as a duo (Jus is not on this track). The beat on this track is mesmerizing and the sample is absolutely beautiful. Vinnie goes off on the current trend of fathers managing their daughters and “pimping them for cash and money” and “what’s gonna happen in like 50 years, when Hannah Montana turnin’ into Britney Spears?”. If there was one reason I wouldn’t watch TV and listen to the media at all it’s because of this song, it’s very on point and very powerful.

This album is very good, like I said before Jus doesn’t really sound the same at all, but it doesn’t throw away the replay value of this album for me. This is definitely an album worth picking up and giving a really good listen to. Vinnie Paz does some of his best rhyming to this date, and Stoupe gives an excellent performance behind the boards.

8.5/10

Intronaut premieres “Australopithecus” music video

Posted in Video with tags , , , , on Monday, November 17, 2008 by Ryan Buege

The imagery is stark and uncompromising, the theme is osbcure and incomprehensible, and the soundtrack is a deadly slash and burn slab of progressive doom metal (think 1 part Neurosis, 2 parts Meshuggah). It’s a new Sera Timms video for Intronaut’s song “Australopithecus” from their new album Prehistoricisms, brought to us exclusively by the guys at the Deciblog.

I’ve been following Intronaut guys since their inception and the release of the Null EP demo, and it’s satisfying to see they finally have some good support behind them. In my opinion, they haven’t misexecuted a single note yet. The sound on this song in particular is huge and adventurous – contrasted nicely but they unfamiliar images Timms is known for. As Deciblog points out, you may remember her directing the eerie “Not In Rivers, But In Drops” video for Isis after they released In the Absence of Truth.

Concert Review: In Flames, Gojira, All That Remains, and 36 Crazyfists, 11/15/08 @ Myth

Posted in Concert Reviews with tags , , , , on Monday, November 17, 2008 by Ryan Buege

In Flames, All That Remains, Gojira, 36 Crazyfists
Wednesday, November 12, 2008
Maplewood, MN at the Myth

The temperatures may have finally taken a dip here in Minnesota, but none of that mattered last Wednesday at the Myth in Maplewood, as In Flames and their touring partners set the venue ablaze to some roaring metal classics. While I have nothing good to say about my experiences with the overly cautious asshole security guards that blanket the Myth, I was highly anticipating seeing some of the bands playing that night, especially Gojira, so my spirits couldn’t be killed.

In Flames live at Myth

In Flames sets off the mosh

It had been nearly 6 years since I had last witnessed a live set from 36 Crazyfists. In April of 2002, I was lucky enough to attend their album release show for their debut Bitterness the Star when they opened for Chimaira, and I saw them again later that year at the Warehouse in La Crosse with Candiria. At that time, I had been really impressed by the dynamic nature of their music, and they really struck me as a band that had limitless potential. Fastforward 6 years, and this is still the same band that I saw in high school. Although they might not have progressed in the ways that I hoped and thought they might, they still play an extremely catchy brand of melody laced metal and punk that has more to do with bands like the Deftones rather than Atreyu (despite what some of their fans might lead you to believe). I only wished that they had played more songs from their older albums because these were the only ones I knew, but sadly I was only familiar with about 1 of their songs that they played.

Gojira live at Myth

Gojira's Duplantier brothers reverse the rotation of the planet with their groove

Gojira came on stage next. These guys have been favorites of mine for quite a while  and they are just coming off the release of their colossal new album The Way of All Flesh so I was really anticipating the show. On Wednesday they brought the massiveness of their new songs to an entirely new level. At the beginning of their set, Gojira sent the crowd into a frenzy that didn’t stop until they left the stage. Their heaviness is something that is almost hard to define until you hear it; while Mario Duplantier’s drumming is mind-boggingly technical and the riffs are devastatingly heavy, a psychedelic, unnerving melody takes underlies the heavy barrage and entrances you. These French masters of progressive death metal easily put on the best performance of the night.  I strongly suggest to any fan of music – especially metal heads – check out these guys on youtube or at their myspace.

All That Remains came out next and gave the worst performance of the night. In all honesty, I don’t see anything redeeming about this band; their singer is a self-indulgent doucebag who didn’t even know what town he was in, and the scrappy band sounds like a trend-hopping bastard version of every popular style of metal from the last 4 years. To me it seemed very amusing that a second rate Gothenburg metal ripoff band was playing direct support to the Swedish death metal innovators of In Flames. Thank God they weren’t headlining or some bullshit.

It was my first time seeing In Flames live, and they certainly made it worth my wait. Their set was surprisingly short, but it was packed tightly with some of their best songs from their catalog – both old and new. While it was most fun to headbang to the likes of “Pinball” and “Behind Space”, newer anthems like “Cloud Connected” and “Take This Life” drew the biggest response from the crowd. Anders and the band were full of energy and were feeding off the crowd and they made it a very interesting and varied performance. All in all, it was great to see In Flames show All That Remains fans how Swedish death metal riffs were supposed to by played.

For a photo album from the night, click on one of the pictures or visit MetalInjection.net.

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