Archive for slayer

Metal A/V Roundup: Slayer, Isis, Glorior Belli, Converge and more

Posted in Media with tags , , , , , , , , , , , , , , , on Tuesday, March 31, 2009 by Ryan Buege

Slayer, Psychopathy RedThe thrash legends in Slayer have planned to issue their newest song, “Pyscopathy Red”, as a 7″ vinyl release as part of the annual Record Store Day on April 18th! Only 5,000 of these limited edition blood-red vinyl 7-inch vinyls will be made available, the first sounds that were recorded in a Los Angeles studio last October for Slayer’s forthcoming untitled full-length record of back-to-basics RiB thrash. So don’t forget to get out to support Record Store Day on April 18 and listen to the new “Psychopathy Red” online now while you wait. The list of participating stores is here.

LISTEN: Slayer, “Psychopathy Red” (from Psychopathy Red LE 7″)

Anyone who knows me well, knows that I’m a total Isis nut. I’m following the release of Wavering Radiant closely (and not allowing myself to listen to a leak until its sent to my doorstep), and have been anticipating every minute. The new song “20 Minutes / 40 Years” has me confident that this album tops their most recent ouput, and now they’ve got a new in studio video that making me just itch when I wonder if it’s true. The clip sounds more like House of Low Culture than Isis, but it serves to prove that the band has only further fell in love with their art of heady psychedelics.

French black metallers Glorior Belli just announced the release of their next album, Meet Us of the Southern Sign last week, and now they have graced us with a new track of aural psychosis entitled “In Every Grief – Stricken Blues”. Taking a page from the book of Opeth, they play one of the more alluring adaptations from black metal that I’ve heard recently; a far different approach than much of the very raw BM that has been predominant the last few years. This song is a slow, gorgeous, heavily-layered buildup (with clean vocals!) rather than the blasting chaos you might expect, and could find a welcome audience outside BM in the same way that their fellow Frenchmen in Gojira have found crossover appeal outside of death metal. Give it a listen at MetalKult, and don’t forget to catch them on tour at Station 4 with Absu in June!

LISTEN: Glorior Belli, “In Every Grief – Stricken Blues” (from Meet Us of the Southern Sign, available 6/2)

NEW CONVERGE MUSIC!! FULL SONGS LIVE!! My buddies over at MetalInjection were kind enough to bootleg the recent Converge show in Brooklyn, and were able to record the entire set. Every day they’ll be posting more videos online, and they start with two brand-fucking-new still-untitled songs of brilliant hardcore. Chicago, here I come!

WATCH: Converge live at Club Europa in Brooklyn, NY 03/28/09 (exclusive from MI)

LISTEN: ZAO, “What Will You Find?” (from Awake?, available 5/5)

WATCH: War From A Harlots Mouth, “Crooks at Your Door” (from In Shoals, available 4/28)

WATCH: In Flames, “Delight and Angers” (from A Sense of Purpose)

LISTEN: God Dethroned, “Under a Darkening Sky” (from Passiondale, available 4/24)

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Bassnectar {beys nek ter} : Other Side Tour

Posted in Concert Dates with tags , , , , , , , , , , , , , on Monday, March 23, 2009 by Nicholas Blexrud

Bassnectar, Other Side TourSo, what does Bassnectar mean? According to his website it means, “A freeform project that merges music, art, new media, social involvement, and community values; dedicated to a constantly-evolving ethos of collaborative creation, self-reinvention, and boundary-pushing experimentation.” My personal meaning is, “WOW, this guy FUCKIN’ ROCKS YOUR SOCKS OFF!”(Fist raised and pounding).

I have had the wonderful opportunity to see Bassnectar twice since I have been alive. The first time was at the Southern Comfort Music Festival held in Denver, CO, which featured headlining artists like Blonde Redhead and Gnarles Barkley; in addition to, the outrageous, whomping bass and eclectic visual display of new media broadcasted behind the low-hanging head of Bassnectar himself. The second time was more recently at the Ogden Theatre located on Denver’s renown Colfax Ave located on Capital Hill. I had just walked in when I heard the bass going through my sternum and knocking down the young raver behind me. A triad of lights, video, and sound, (specifically bass), overcame my senses as I jockeyed for a good position to watch the montage. Bassnectar was mixing everything from Slayer, Aphex Twin, MIA, and Lil Wayne, while producing ear-shattering cheers and roars from the crowd.

His diverse style of presenting and processing music, both audibly and visually, lulls eardrums into an ancient, transcendent melody of rhythm and rhyme. His music makes me look past hearing and seeing music at a live show, but rather the mixture of what Bassnectar stands for: A merger of music, art, new media, social involvement, and community values.

Keep reading for all the dates for the Other Side Tour… Continue reading

Global Metal is amazing (and it will be in stores soon)

Posted in Movie Reviews with tags , , , , , , , , on Tuesday, October 21, 2008 by Ryan Buege

After the release of his 2005 documentary Metal: A Headbanger’s Journey, anthropologist (and lifelong metalhead) Sam Dunn became a renowned figure in the international metal community. The film was a poignant and passionate portrayal of the history behind this infamously beloved genre and the working class roots that it embodies. While A Headbanger’s Journey served perfectly as both outsider’s introduction into the depths of the world of metal and an affirmation to fellow metalheads to keep headbanging, Dunn realized that there was a much bigger story to tell.

Soon after the release of A Headbanger’s Journey, Dunn and his coconspirator Scott McFayden set about filming a followup to their ultimate metal documentary. The next chapter is entitled Global Metal, and it is just as brilliant as the first.

In Global Metal, Dunn and McFayden circle the planet to tell the story of how metal has been adopted by like-minded kids in some of the unlikeliest of places. Through this documentary, we are able to see how the culture, dedication and stigma that comes with extreme music is a part of life for people all around the world – from America and Germany to  Brazil, India, China, Japan, and Iran. The most interesting aspect of the film is its documentation of the way is which metal as been molded to become a voice of the people in these third world countries. As Dunn explains, these new fans of metal aren’t just listening to metal, they’re making it something entirely their own. The cultural aspects between the places that are visited in the film are so strikingly different that one can’t help but wonder in what ways the genre can be reinvigorated by being integrated with these cultures in the future. It is a form of expression that has been subverted in many non-Western cultures, but when it is allowed to become a part of their culture it becomes a likely vehicle for social change.

But while Sepultura established Brazil as a remote mecca for metal nearly two full decades ago (and even distinguished metal as music for Brazilians to be proud of), this explicitly western form of music has only recently began to gain popularity in some of the more remote parts of the world. Although the film makes it clear that small pockets troo-metalheads exist in nearly every country, metal is a musical concept that is entirely foreign to most people in these far off destinations – and in many cases they are persecuted for listening to it. Metal has been incorrectly demonized in many of these third-world countries, and without tolerance of their form of expression it is very hard for third-world metal bands to even play their instruments. In the future, it’ll be very interesting to see if metal fans in Jerusalem, Tehran, Beijing, and Mumbai will be allowed the same freedom to bang their heads so that they can make an impact at an international level, as well. As Dunn points out, the feeling that metal provides to its listeners is universal – we all deserve the right to headbang at our own will – we are one global community.

Global Metal premiered in theatres this spring, and on November 4th it will be available for purchase on DVD. It features interviews with members of Metallica, Iron Maiden, Slayer, Sepultura, Sigh, Tang Dynasty and metalheads from every corner of the world. Check out the trailer for the film below: