Archive for Lucas Dix

A Crow’s Mile – “Me Too”

Posted in News with tags , , , , , , , , , , , , , , , , , , on Tuesday, September 30, 2014 by Terry Scott Niebeling

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Listen.

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Album Review: Jellyfish Brigade, Diving Lessons

Posted in Album Review, Music Reviews with tags , , , , on Saturday, June 28, 2014 by Tim Althaus

a2597729900_10Aldous Huxley once said, “Experience is not what happens to you; it’s what you do with what happens to you.” I know this statement very well – mainly because it was my senior quote back in 2005. After listening to Jellyfish Brigade‘s new album Diving Lessons in great detail, it’s apparent that Lucas Dix also knows this statement; in fact, based on his lyrical content, it seems as though he’s beginning to master the philosophy. Lucas has been through more in the last two years than most people have in two decades; he lost his best friend and long-time music partner Gavin “Theory” Soens to a battle with terminal cancer, and the love of his life relocated to the opposite side of the country to be closer to her family. Saturated with real-life stories and relatable metaphors, Diving Lessons is one of the most profound and honest records of 2014.

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Coming Soon: “Diving Lessons”, Jellyfish Brigade

Posted in Album Premiere, Art, Media, Video with tags , , , , , , , , , , , , , , , , , , , , on Monday, June 9, 2014 by Terry Scott Niebeling

Jellyfish Brigade’s Diving Lessons is set to be released June 24th, 2014.  Here is a little teaser for the album.  More to come soon.  The video and the site (below) explain it all.  Get ready.

More info on Jellyfish Brigade at http://jellyfishbrigade.com/.

Enjoy.

Timoteo’s 2013 Year in Review

Posted in Year in Review with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on Tuesday, January 7, 2014 by Tim Althaus

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As I give my creaking knuckles calisthenics, I’m reminded of how great 2013 was for music. There were a lot of great releases, and I think that a few of my selections might shock a few people this year, but it’s necessary to give credit where it’s due. Leave your comments in the C-Section below, and let me know how you feel.

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R.I.P. Gavin Theory (January 30, 1985 – April 10th, 2012)

Posted in News with tags , , , , , , on Wednesday, April 10, 2013 by Tim Althaus

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I’ll still never forget the first time I actually met Gavin and had an in-depth musical conversation with him. Gavin was with Lucas Dix, and they were performing a Hip-Hop show at a local bar in my hometown; to be clear, this was well before Lucas & Gavin moved out to Portland.

Having an entire family that is from Kenosha, Wisconsin, I was able to find some sort of common ground with both Lucas and Gavin almost instantly, but (no offense Lucas because you know I love your music) Gavin was the producer, and I was more interested in picking his brain. I remember having an intense discussion where we talked about everyone from J Dilla to El-P, and I was able to take a sneak peek into the mind of a genius. People have always said, “be confident, but never cocky”, and upon meeting Gavin, it’s possible that people (myself included) mistook the extreme confidence that he exuded for cockiness, but in all reality, he is one of the most humble dudes I ever met.

When I listen to Escaping Stasis I’m still blown away by everything that Gavin was able to accomplish on the boards before he started using the MPC; the ethereal quality of his music is incredible – and it always has been. The first time I listened to Edifice I was completely blown away; I couldn’t believe the sounds that I was hearing. It was almost as if Pete Rock and El-P had a love child, and Gavin’s production was the bi-product. Gavin laced Edifice with spacey synths and even more sublime samples – the stuff I love. In his short time with the MPC 2500XL, it seems as though he was able to master the machine that turned regular, ordinary men into legends, and it’s unfortunate knowing that I’ll never be able to see just how far he could have pushed the boundaries of Hip-Hop by punching the pads.

In remembrance of G-Theory’s passing, Lucas Dix let this brilliant gem loose that features Sandpeople crew member IAME. The track – “Po’est Pimpin” – contains one of the last beats that Gavin ever made, and it has his signature sounds succinctly spread all over the soundscape. Me and Lucas were discussing this beat, and although it’s a toned down version of what Gavin was capable of, we both agreed that anything Gavin made was truly exceptional.

Mind Inversion Exclusive: Lucas Dix Weighs in on Hip-Hop in 2012

Posted in Year in Review with tags , , , , , , , , , , , , , , , , , on Thursday, December 27, 2012 by Tim Althaus

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Top 10 Albums (no particular order)
Kendrick Lamar: Good Kid, m.a.a.d. City
“Swimming Pools (Drank)”

Kendrick Lamar has the Outkast factor.  I can listen to his songs, intently focusing on the lyrics while getting lost in the scenes he vividly describes, or I can zone out, not pay attention to what he’s saying and dance to the beat while singing along with the incredibly infectious hooks.  GKMC feels like 3 Stacks and Big Boi rolling through Compton with Caine and O-Dog from Menace II Society.

Standout Tracks:  Money Trees, Bitch Don’t Kill My Vibe, The Art of Peer Pressure, Swimming Pools (Drank), The Recipe Continue reading

Jellyfish Brigade: The Art of Being Pulled Apart 

Posted in Album Update, Media with tags , , , , on Thursday, December 6, 2012 by Tim Althaus

The Art of Being Pulled Apart

Let me tell you, it’s been one hell of a hectic day filled with slightly overwhelming obstacles, but I’ve come out victorious, and now I get to listen to Jellyfish Brigade’s new EP – The Art of Being Pulled Apart. I posted the lead single – “The Character is Me” – last week, and now we’re getting the full three track EP.

Here’s what the guys had to say about The Art of Being Pulled Apart:

“The Art of Being Pulled Apart is a short story about the heart, mind, body and soul drifting in separate directions and how we must inevitably pull our different selves back together. By intertwining tales from the river, love notes from distant cities, and fears of the unknown, we created a project that explores the breakdown process and the beauty in getting a chance to reassemble one’s self after a life changing experience. This collection of songs is influenced as much by campfire folk tunes and early 90’s R&B as it is story telling hip hop and melodic electronic beats. Its setting is somewhere in the Columbia River Gorge on a highway during a Sunday evening sunset. It touches on recognizing each person’s individuality while also realizing our tiny place in the collective. It jovially compares our fate to that of the salmon, who spend the autumn traveling back home to their demise. I guess, in short, we make honest, heartfelt songs about love, life and nature, all of which we enjoy deeply.”

I am completely blown away by all three of the tracks on this project, and it’s making me crave a full-length effort from these guys. As I mentioned in my post about “The Character is Me”, Lucas Dix is showing a great deal of vocal dexterity on Jellyfish Brigade’s new material, and it’s fascinating to watch him grow as he realizes his full potential as an artist. With every release the water becomes a little bit clearer for Jellyfish Brigade; however, something else becomes evident: The smack is growing, and it’s only gaining more momentum.

You can jump over to Jellyfish Brigade’s website and download the EP for free.99 here.