Here is an update on one of my favorite artists. Father John Misty is back, about to release a new album next year. He recently performed on Letterman, in typical obscure fashion. Per usual, FJM’s live performances are something to witness; his humor is dark, strange, and hilarious. I believe his lyrical cynicism is one not be rivaled. Father John Misty tells it how it is without using easy euphemisms and industry bullshit. I thoroughly enjoy his artistry, his last album (Fear Fun), and the idea that he is putting out new material.
Archive for pitchfork
It’s sad to see some of the summer’s biggest festivals go under in this tail-spin of an economy, but the ones that are hopefully gonna stick around for a long time are getting their first line-up announcements. Lollapalooza, arguably the biggest festival of the entire year, and Pitchfork, both got some big line-up news this week, tempting fans to jump on tickets sales early.
Lollapalooza has only announced a few of the headliners for the event, but it’s a very interesting mix. Jane’s Addiction, The Beastie
Boys, and Depeche Mode are going to anchor the festival this year. Stereogum put it very nicely, “if only it was 1990”. I’m very interested to see how ticket sales go right away, seeing as those acts really aren’t in huge demand. I mean yeah, the Beastie Boys still rock, but Depeche Mode and Jane’s Addiction haven’t exactly stirred my interest lately. I’m a lot more interested to see some of the other acts that will be leaking out throughout the next few months.
Pitchfork, the slightly more budget friendly, yet just as amazing festival has given away a little bit more information about what you’ll be seeing in Union Park this summer. Their friday night line-up, curated by All Tomorrow’s Party called “Don’t Look Back” for it’s theme of older acts playing their most popular albums, has roped in some huge bands again. Yo La Tango, Built To Spill, Tortoise, and The Jesus Lizard will all be playing that first day, but with a little different and completely awesome new spin to it. The entire set lists that the bands will be playing will be voted on by the fans who buy tickets, which go on sale March 13th. A cool idea, an very cool idea. Some of the other acts that will be appearing throughout the rest of the weekend include the extremely popular Grizzly Bear, the National, Vivian Girls, Pharoahe Monche, the Walkmen, and The Pains of Being Pure at Heart. Pitchfork always does an awesome job creating a line-up geared towards all listeners, and this year’s festival is looking to do the same thing. Coupled with the fact that a two day weekend pass is only 60 bucks, I wouldn’t be surprised to see this festival sell out earlier this year, gaining attendance from those music lovers out there who aren’t willing to spend upwards of 200 dollars to get to Lollapalooza.
Check out the links to more information below!
Pitchfork Music Festival, July 17th – 19th 2009.
Lollapalooza, August 7th – 9th 2009.
It looks as though your favorite Cocaine Cowboys and one of the most legendary music makers of our time are “cooking up” some classic material. Clipse & Rick Rubin have been in the studio recording material for Clipse’s new album Til the Casket Drops which is due out sometime in the summer. According to the article that I read on Pitchfork, they have finished one track and they will be recording one or two more tracks together in the studio. I can’t even imagine what the outcome of this collaboration is going to be, both Rubin & Clipse are at the top of their game.
The first single off Til the Casket Drops, “Kinda Like a Big Deal”, will be dropping on March 9th and it features Kanye West and DJ Khalil (who did one of the best beats on the Weatherman LP, “All Said and Done“). Til the Casket Drops, like many other albums, is going to be one of the highlights this year. Make sure you stay tuned to Mind Inversion for updates on the album.
The genius behind the highly influential band Pavement Stephen Malkmus sat down with an interview with Pitchfork Media recently. I can’t tell you how much I absolutely love this man’s music. He is my favorite musician in the Rock world, and this guy is one of the most genius human beings I have ever had a pleasure of listening to. I constantly say that I don’t listen to rock music a great deal; I will always listen to Pavement. Pavement is long and gone though, and now Malkmus is with a new group called the Jicks. They put out and album last year entitled Real Emotional Trash. I thought the album was great and the dynamic is definitely there, not to mention Malkmus’ guitar is the best it’s ever been. Being a huge Pavement fan, I don’t know if anything he does can compare to the Slanted & Enchanted days. Pavement is a stamp in 90’s rock history. It’s shocking to think that 2009 celebrates the 20th anniversary of Pavement’s existence.
In the interview Malkmus did with Pitchfork and to be honest there is a lot of talk about Pavement in the interview. Many of the questions that are asked during the interview pertain to how he approaches music now, as compared to the Pavement days. This is a great fucking article and a lengthy read if you love Malkmus or Pavement. There’s a great deal about the album Brighten the Corners because it was Pavement’s fourth album, the Jicks’ new album was also their fourth. It’s great to hear Malkmus talking about Pavement again, and it’s great to hear some insight from one of the greatest voices of the present.
You can read the original article here.
As some of you might be aware of, Pitchfork Media has their own internet t.v. station called, well, pitchfork.tv. The station runs various live concerts, music videos, interviews and the such as you might expect, but one cool feature of the site is that it streams different movies or documentaries each week. The segment is called “One Week Only” (the creative guys over at p4k don’t seem to be too creative lately) and like I mentioned, it actually shows some pretty cool movies. This week though, One Week Only has hit its peak, premiering the wonderful documentary “Joy Division.” I’ll keep on pace with the whole not creative thing and point out that the title of the movie is exactly what the movie is about. The documentary follows the rise and fall of one of the greatest and most influential bands of all time, Joy Division, and the beyond crazy antics and visions of lead singer Ian Curtis.
This documentary has been critically acclaimed and I certainly found out why when I watched it. There are countless interviews from the members, managers, and everyone seemingly ever involved. There are of course rare live video footage and images that are able to keep the documentary flowing and keep the viewer interested, because let’s face it, documentaries always get a little dry. So yeah, give it a shot and see what this segment and Joy Division are all about. Enjoy!
home page : Pitchfork.tv
One Week Only : Joy Division