Video: Pete Rock & Smif-N-Wessun (Feat. Memphis Bleek), “Top of the World”

Posted in Media, Video with tags , , , , on Friday, February 17, 2012 by Tim Althaus

It’s always a good day when music that pertains to Pete Rock comes out. As many of you may recall, The Soul Brother #1 put out the album Monumentalwith Smif-N-Wessun last year; the album was stellar, and it featured array of guest appearances including Styles P, Sean Price, Raekwon, Buckshot and Bun B. “Top of the World” is the third track off of the album to get the visual treatment (I believe), and it features the crafty veteran Memphis Bleek. Pete Rock has some of those beats that just have a very relaxing vibe to them, and “Top of the World” is definitely one of them. It’s interesting to hear Memphis Bleek spit some bars because I had no idea what happened to that guy. Either way, the track and video are both very nice, and you should probably press play. If you haven’t picked upMonumental, I would do so as soon as possible. Check the video for “That’s Hard” (Feat. Sean Price) down below.

Killer Mike, “Big Beast” (Feat. Bun B, T.I. & Trouble) (Prod. By El-P)

Posted in News with tags , , , , , , on Thursday, February 16, 2012 by Tim Althaus

Something with El-P on production?  Yes, I am down.  Killer Mike, Bun B, T.I. & amp; Trouble, have gotten together with one of my favorite producers/rapper of the underground hip-hop scene (El-P) to create some music for the masses.  It is truly an interesting day when mainstream artists can collaborate with an underground king-pin such as El-p.  This has been done by artists before, but not to this extent in this music setting.  I am a fan of heavy beats, catchy samples, and nice word flow, and this song has it all, minus the fluff and hype.

“Hell Yeah” by dead prez is a prime example of collaborations of a different variety of stars from different sub-sets from different music styles.  I enjoyed that song when I first heard it; I was sort of surprised by the talent on the track.  It is amazing seeing artists reach out to different genres and music classes to create good music.  When the mainstream is lacking in talent, it is no surprise that they turn to true artists who still remain underground.  The underground scene has an abundance of creativity and a lack of ego, for the most part.  When artists like this come together they either come together, or they don’t come together.  This collaboration, and variety of artists fits nicely.

El-P is off the hook with his samples, and his jumpy anxious style beats.  It may not be traditional, but it is in your face and effective.

This song is the first song released off of Killer Mike and El-P’s  R.A.P. music album.  They did an album together, Holy Shit!  No surprise something interesting from El-p, no surprise a classic formula for good music was utilized to create this raw sound.  One can appreciate the classic bumping hip-hop sound, this beat makes you want to get on your feet.  I feel like I am listening to N.W.A.’s Straight Outta Compton again for the first time, when considering the beats and cuts within this track I am reminded of how hip-hop started and what it first sounded like.

When El-p is on production you can expect something different banging and original, as a classically trained jazz musician he is super solid on his sound.  When you add the grit-grimy sound of the Southern flow, and the mainstream aspect of Killer Mike, Bun B, T.I. you get something extremely out of the ordinary, but also groundbreaking in the respective mainstream.  Hearing this makes me wonder what the album will sound like.  I am excited to hear more.

If you dig El-p, or want to get into more of his music I would check out Fantastic Damage  and I’ll Sleep When You’re Dead.  A similar style is reflected upon in this track.  El-p’s sound is easily recognizable, and his collaborations are extensive.  He is a Beat Vet in my eyes.

All these serious cats together, its enough to make a hip-hop head smile.  It is a good day when it sounds smooth like butter and the lines that were are only a blur.  I can appreciate a champion putting out solid music to bob our heads to, but a motley crew of sorts and I am pumped.

To better and more diverse collaborations all around.  Cheers!

Tim’s Side Note: As Terry said, El-P and Killer Mike are going to be doing a full-length LP together, and I’ve known this for a while, but I had no idea what the outcome would sound like; this just might be my favorite track so far this year. The beat reminds me of a mixture that El-P arrived at from using a formula that combines Fantastic Damage & I’ll Sleep When You’re Dead. I can not wait for this album to hit shelves.

My favorite line and an instant Hip-Hop quotable from Bun B: “When you step out on the Ave, make sure they wanna see ya/cuz being Trill is an onomatopoeia.”

Download: Killer Mike, “Big Beast” (Feat. Bun B, T.I. & Trouble) (Prod. By El-P)

Album Download: Chad Hatcher, Bridges EP

Posted in News with tags , , , , , on Thursday, February 16, 2012 by Tim Althaus

I was really glad to see that Chad dropped this the other day. For those of you who don’t know, Chad Hatcher is an amazing singer/songwriter from Nova Scotia; he’s done a lot of work with Classified, and he’s been on his grind for a long time. In 2008, Chad released the stellar solo debut Tunnels and Pathways. This year Chad has been putting in some serious work; he released a cover of the Foster the People song “Pumped Up Kicks”, and he also covered the legendary Pharcyde song “Passin’ Me By”.

The Bridges EP is a great effort from Chad, and it’s great material whether you are a long time fan or a first time listener. For the reasonable price of free99, I think the burden is on the listener to click the button and download the album.

R.I.P. Lamont “Big L” Coleman (May 30th, 1974 – February 15th, 1999)

Posted in News with tags , , , on Wednesday, February 15, 2012 by Tim Althaus

February has always been a tough month for the art form of Hip-Hop; not only did J Dilla and Big Pun pass in February, but this month also saw the demise of Big L: one of the greatest emcees of all-time. It seems like the youngest people with the most amount of talent are always the first ones to go, and in Big L’s case, it’s no different. Although he didn’t have a long illustrious career in the rap game, many people still consider him to be one of the greatest emcees to have ever graced the mic. At the time of his death, it was rumored that Big L was in the process of signing to Roc-A-Fella records with Jay-Z and other members as a group called The Wolfpack.

There’s no telling what would have happened if Big L would have never been killed; would Jay-Z still be considered the greatest emcee of all-time? Would I be considering Elzhi the sickest rapper in the game? Who knows… but I can assure you that Mr. Coleman would be amongst the ranks of the most relevant rappers in this or any generation. Big L only released two studio albums while he was alive, and to this day, they both remain classics in the eyes of Hip-Hop heads around the world.

“Everybody keep your L up like that, and it don’t mean lazy motherfucker either”

Artist Interview: Jacob Hemphill of SOJA

Posted in Interviews with tags , , , , , , , , , , , , , , , on Wednesday, February 15, 2012 by Eric Gilardi

So I found myself interviewing Jacob Hemphill the lead singer and guitarist of SOJA on Valentine’s Day. If you would have told me this a month ago, I would have said there is no way but yet there we were sharing a conversation.

Eric from Mind Inversion (E of MI): First off, I would just like to thank you for taking the time to sit down with Mind Inversion do this exclusive interview.

Jacob Hemphill from SOJA (JH of SOJA): Sure, sure.

E of MI: Secondly, I would like to congratulate you on the success of your new album, Strength to Survive. Did you guys expect this much instant success with this album?

JH of SOJA: We really didn’t know what to expect, it’s reggae you know? And it’s not even Jamaican Reggae, its American Reggae. We expected our fans would like it and we hoped people would feel like the things I was talking about were what was on their mind or if it wasn’t on their mind we hoped it would become one of the things they would be thinking about. Those were kind of our two goals and then it jumped to #3 on all of iTunes and we were all like, “Holy crap, what’s going on?”

Continue reading

M.i, “NoThing” (Prod. By M.i)

Posted in Downloads, Media with tags , , , on Tuesday, February 14, 2012 by Tim Althaus

Will February 21st just get here already please? M.i dropped another heat rock off of the Coldplay Sessions that is sure to caress your ear drums in the most pleasant manner. He builds his beautiful beat around serenading strings and perfectly placed drum hits, and the outcome is momentous. M.i is one of those guys that impresses me more and more every time I hear something new from him. Even though he’s cooking up this Coldplay Sessions project by himself, I know he’s been in the lab cooking up some ridiculous material with Tyler Keyes, and I’m dying to hear that stuff as well. Stay tuned, and make sure you keep your eyes peeled because you are going to be hearing a lot more about M.i in the future. You can grab the track download and check the video for “Paradise” (also off of The Coldplay Sessions) after the jump. Continue reading

Video: Phonte, “The Good Fight”

Posted in Media, Video with tags , , , on Tuesday, February 14, 2012 by Tim Althaus

I totally forgot that this video got released last week, and frankly I’m baffled it slipped my mind because I love Phonte. “The Good Fight” is a smooth soulful jam produced by 9th Wonder that was featured on Phonte’s spectacular debut solo album Charity Starts at Home. I’ve been a huge fan of Phontigga ever since the days of Little Brother (sheds a tear), and Charity Starts at Home is exactly what Phonte’s fans had been waiting for: a debut album showcasing Phonte’s ability to seamlessly rhyme and sing at the same top tier level. Charity Starts at Home was arguably one of the best releases of 2011, and every fan of great music should own it. Below you can view the video that Te dropped for the track “Dance in the Reign”, which was also on Charity Starts at Home. Continue reading

Album Download: Brother Ali, The Bite Marked Heart EP

Posted in Album Download with tags , , , , on Monday, February 13, 2012 by Tim Althaus

That’s right, Mr. Ali is back with a free EP for the masses; The Bite Marked Heart is a new 7 track EP of all original material. I’m particularly stoked about this one because Brother Ali does the majority of his work on this project with Jake One; of course, Ali did a couple tracks with ANT as well. If you remember Jake One’s album White Van Music, then you know that he works very well with Ali. Upon seeing the tracklisting, I instantly became fixated on track number three; hearing Brother Ali and Phonte on the same track is like a dream come true.

After my first listen of The Bite Marked Heart, I can definitely say that it’s worth the free download, and it’s an overall great project. Brother Ali doesn’t know what the definition of sub-par is; well, he might, but I’m guessing we will never see evidence of it. Make sure you click that button and grab some of the best (free) quality Hip-Hop you can find, courtesy of Rhymesayers Entertainment.

Download: Brother Ali, The Bite Marked Heart EP

Music Discovery: Brett Orr

Posted in Music Discovery with tags , , , , , , , on Monday, February 13, 2012 by Eric Gilardi

As I first put on Brett Orr I absolutely had no idea what to expect. Sometimes when people get a hold of you to review their music it can take you a little while to actually take the gander over for that first listen. His first song on his Facebook had me turning the volume up to 50 on the old Bose. Once his funky soulful voice hit at the 47-second mark in “Becoming a Man” you know he has what it takes to make it in the music industry.

Reading on about the Australia native you learn that he does it all from playing the drums and piano down to the actual production on his debut album Foundations. This independent Australian artist has a very unique sound for being so full of soul. One way to describe his music would be to call it simply beautiful or you could say it is some funked-out soul with R&B and Electronica elements. You can call it whatever you want to after you take that first listen.

Album Review: Bushwood, Bushwood

Posted in Music Reviews, Reviews with tags , , , , , , , , , , on Monday, February 13, 2012 by Eric Gilardi

First off, my favorite part of Bushwood’s self-titled debut album is the cover art featured above. Now, that doesn’t mean that I did not like what I heard. Bushwood mixes their reggae together with a mellow, chilled out rock sound for the beach of your choice. Whether that be one with an oceanview, a riverview or a beach that you have to travel to when you shut your eyes(this is recommended only if you aren’t driving). For a rock reggae album Bushwood does a great job of not focusing too much on just reggae elements or just rock elements but carefully blends them together to give you that perfect balance.

Bushwood’s debut album is mellow enough for a relaxing listen but it will satisfy the likes of listeners looking for more of a jam band sound. Steven Ross Voronkov is a masterful guitarist and shows us this with how he finishes the track “Summertime” and throughout the instumental jam “Flomanja.” These songs let you know that these guys just aren’t your everyday mellow beach band. Another aspect of “Summertime” that I really enjoy is how it seemlessly rolls right into the next track “Paradise.” These two tracks blend into one another making it seem like the summertime turned into paradise. Which is something a lot of folks can relate to; their summertime is their paradise.

If you enjoy listening to a band like the Long Beach Dub All-Stars then I suggest you check out Bushwood. The rock reggae trio from Fort Lauderdale, Florida is not going to blow your mind with their sound but that is not their goal. Perfectly blending a jam band sound with reggae roots seems to be their goal and they have ultimately accomplished just that with their self-titled debut album.

Album Release Date: April 20, 2011