Archive for Tuesday, April 7, 2009

Album Review: The Juan MacLean – “The Future Will Come”

Posted in Audio, Music Reviews, News with tags , , , , , , on Tuesday, April 7, 2009 by Erik Burg

thejuanmacleancover2DFA record’s heavy hitters have been on a role for the past couple of years. 2007 brought Sound of Silver, 2008 had Hercules and Love Affair, and this year the Juan MacLean return with their first full length album since under-rated 2005 sensation Less Than Human.

This time around though, the amazing Nancy Whang has been platooned to help transform The Juan’s sound into the more vocally driven and pop (ish) sounding realm. It’s an addition that was welcome by fans salivating at the chance to hear anything new from a guy that released one of the most stearling singles of last year, “Happy House.” That track ended up being the closer to The Future Will Come, making the euphoria at the end of this album more amazing than any other record I’ve heard this year. 

But let’s jump back to the beginning. “The Simple Life” sets the pace for the album, at an almost exhausting eight minute length, Nancy’s presence on the album is made clear from the first verse. She’s been featured on tracks throughout the DFa catalogue, but here she is finally the center of attention, and like I said, it’s a welcome addition as her voice complements the relaxed minimal house that The Juan is so famous for producing. 

But the most interesting aspect of the new album might be Juan MacLean himself actually getting some good time on the mic. On past albums he was simply an afterthought, focussing the music much more on the music. Even when vocals were used in the past, like on the single “Give Me Every Little Thing” they were from outside personas, not himself. So jump to track two, the title track, and thirty seconds in “The Future Will Come” gets a nice break down, filled in by Juan getting nasty on the vocals. I have to say, he’s probably a terrible singer, but his half spoken and omnipotent voice jumps off the record, “The future will come I’ve had a vision, your popularity is a deep revision.” 

It was like hearing Antony Hegarty or Kim Ann overtop of Andy Butler’s production last year. The vocals slapped me in the face, and the music itself didn’t lose a beat. When it’s all boiled down, the album will be praised for its production and not he lyrics or the vocalization, despite that being the biggest change on the the album. The notable singles off the album, the previously mentioned “Happy House” and Simple Life” along with the ten minute long “Tonight” which falls right in the middle of The Future Will Come, reminding fans of older Juan MacLean material that he can still put together sprawling and layered house music that makes tap your toe and drop your jaw with the same dub pattern. 

The Future Will Come will undoubtedly be remembered for its slight revision in the formula that made the man a legend. Whether it’s for better or worse is yet to be decided, I personally love it though. Die hards might point to songs like “No Time” that last a mere three and a half minutes, pulsating with dancy synths and littered with both Whang and Juan’s vocals. “Just because you body’s human, you don’t have that much to offer. When I’m deep inside of you I feel like there’s not much to do to satisfy your petty yearning” Mr. MacLean opens the track stating. Nancy counters with “tomorrow when then morning comes, I’ll be ready to get home. Thank you for the lovelyup-juan evening, everybody needs some loving.” So the two partners play off each other very well, both in character and in the production. 

Ultimately it all comes back to “Happy House.” The epic, yes epic, twelve and a half minute ramp through classic disco production mixed perfectly with the new vocal contribution is set to get more playing time than it already got last year. The track never loses touch with what it is, maintaining a steady bpm and a perfect rhythm throughout. Nancy jumps in at the three minute mark, with beautiful keyboard rotating in the foreground she captures the listener, “You came to me from my history.” Skip to the eight minute mark, highlighted by an amazing break down that features an awesome bass hook revolving Nancy yelling “Launch me into space!” And the last few minutes do that too, adding much more heavy synth layers to the already funky beat that is carried throughout the entire song. It builds and builds to a euphoric ending, capping what is not only the best track of 2009 next to “My Girls” but what is one of the top albums of ’09 as well. 

If you haven’t heard the Juan MacLean before now might be your chance. The vocals add a fun perspective to the music, now a lot more than just house production and airy synths the Juan offers some of the greatest minimal electro has to offer. Another notch in the belt for DFA The Future Will Come simply can’t be over looked, if not just for “Happy House.”

The Juan Maclean – The Future Will Come    9 out of 10

MP3: The Juan MacLean – “No Time”

The Sunday Show Episode 3, “The Beer Tasting”

Posted in Culture, The Sunday Show with tags , , on Tuesday, April 7, 2009 by Tim Althaus

Vodpod videos no longer available.

That’s right folks, it’s that time of the week again for your favorite podcast about nothing in particular The Sunday Show. This week’s episode is brought to you from the Blatz Market and Liquor in downtown Milwaukee. The beginning of this episode has the owner talking about the historic Blatz brewing company and what it has evolved into now. Throughout the episode you will see these guys tasting various beers (which I enjoy very much, I’m a beer snob) and telling you how they feel about them. I am absolutely loving these guys’ episodes because it seems like they are constantly getting better and better (thanks for the Mind Inversion shout out last week). If you consider yourself to be a fan of beer, this one is truly for you.

Make sure you stay tuned to The Sunday Show. You are going to be seeing a lot of collaboration going on between Mind Inversion and The Sunday Show in the future, something for all of you to look forward to.

And You Will Know Us By The Trail of Dead unveil new music video, “Isis Unveiled”

Posted in Video with tags , , , , , on Tuesday, April 7, 2009 by Ryan Buege

Vodpod videos no longer available.

…And You Will Know Us By The Trail of Dead are back at it this month with a new music video from their album called The Century of Self (released in February), and while they’ve left the major label behind for this one, they still clearly haven’t forgotten the breathtaking bombast that made their subtle psychedelics so appealing to the majors in the first place. On their new music video for “Isis Unveiled”, the Texas sextet charges through an epic, noisy prog-rocker as Conrad injects his sneering, the rhymthmic vocal delivery over the majestic orchestration. Aided by the simple and straightforward psychedelic imagery that they are known for, the visuals on this video extremely haunting in their delivery, with Conrad’s cold stare delivering some immediate bone-chilling realism. Not a really return to form, this is moreso a restatement that about the great aspects of the Trail of Dead that never really left. The Trail of Dead are clearly sick of being kicked while their down, and now that they’re back standing on their own feet (aka independet label), I doubt they’re going to be letting anyone knock them back over anytime soon. If my music senses are still working correctly, I’d say that this band still has a few classics on their hands…

MP3: …And You Will Know Us By the Trail of Dead, “Isis Unveiled” (from Century of Self, available now)

Review: DOOM, Born Like This

Posted in Music Reviews, Reviews with tags , , , , , , , on Tuesday, April 7, 2009 by Tim Althaus

born-like-this1 As if MF Doom (sorry DOOM) had to make it any more confusing, he added yet another moniker to the seemingly endless list of names. Born Like This is his first outing under the alias known as DOOM (yes, it has to be ALL CAPS). It’s always been hard for me to put a term on how I feel about MF Doom’s music, it’s great, but I just don’t know where I sit with it. If there’s one thing for sure, he never fails in making me laugh my ass of. DOOM is one of the funniest and quirkiest emcees I’ve ever heard, I love the way that he rhymes and the things he spits about.

With the information above being said lets start by saying that the production on this album is nothing short of amazing. With the majority of production being handled by DOOM himself (DOOM has always been a great fucking producer), the rest of the production is handled by Jake One, J Dilla & Thom Yorke (only on the iTunes purchase) . By the names already mentioned, you should have a pretty good idea that the beats on this album are going to be pretty close to off the charts. Continue reading

Black Milk Brings “Mo Power” Than Anyone

Posted in Downloads, Media with tags , on Tuesday, April 7, 2009 by Tim Althaus

up-black_milk To me, Black Milk news never seems to get old. I got this track in an e-mail from Audible Treats today. This track is definitely much different than anything you will hear Black Milk do. He uses a real jazzy beat that most emcees probably wouldn’t even attempt to rhyme over. This makes for a nice challenge for Black, and he handles it quite well if I do say so. The best rhyme comes at the end of the track, “I’m a be honest/You can’t compete, can’t beat Tronic/If you ain’t hear me nigga rewind it, or just be silent”.

This is a great track that shows how truly versatile Black Milk really is. Who knows, we may see a Jazz album from him sometime in the near future, I sure as hell wouldn’t put it past him with his talent.

Download: Black Milk, “Mo Power”