Archive for led zeppelin

Alt-J First Ave Sept 7,2013; An Awesome Wave

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , on Sunday, September 8, 2013 by sir minivan dad

Alt-J, By Terry Scott Niebeling

Alt-J, By Terry Scott Niebeling

Alt-J blew people away at the First Ave venue last night, expectedly.  So what I will tell you is, if you can see them live, and you don’t take the opportunity, you are missing out.  Not to be presumptuous, but it’s factual-sorry.  

And that is about all I can say.  I mean I could tell you it was spiritual, it was enlightening, and it was something of a great act to witness, but you already know that.  I could really, but who is going to believe me?  It was all of those things and more.  They simply put on a great show, there is no doubt in my mind as to the reason why Alt-J sold out the Main Room both nights; not to mention the latter added date of Sept. 8th, it’s because they are truly amazing artists.  They take a simple yet classical sound and make it new, heavy, complex, and refreshing.  Seeing Alt-J makes me think of, if it were somehow possible, seeing Led Zeppelin, or Radiohead, maybe even Pink Floyd, before they became über famous/timeless, and impossible to see live. The crowd at First Ave got a stand up treat from this band on the rise.  Take the time to listen, and check them out in person.  It is something I won’t soon forget.

***

(Take in my words and the mediocre photos my Windows Phone could afford, and enjoy. That’s all you need to know.  There are more amateur camera phone photos and words below about time leading up to the show, thoughts, and lucky people getting in.)

Lord Huron opened to much delight.  Starting slow and eventually garnering enough energy to bring the lion’s share of the crowd into their set, and possibly into their loins.  I tweeted, before LH started getting a bit flashy, the tweet read something along the lines of “opening bands are like commercials while you wait for your favorite show to start.”  I could give a shit less about an opener band, especially at an Alt-J show; however, I was almost eating my words 10 minute later.  Hit me up at on Twitter:  @sirterryscott.  

How I came to love Alt-J:  

The story goes I went to smoke some with a friend after work and she would play An Awesome Wave over and over again.  One night I caught on, I said, “Play that song again.”  She did, then I inquired as to who and what they were.  I was amazed.  She had ripped the song from a torrent and sent me a downloaded copy.  I never actually used what she had sent me, I was occupied with pressing play and repeat play on Youtube, of Breezeblocks.  In turn I had found out the meaning to the song, and I had become entranced by the harmony, wave of sound, and sonic power of Alt-J.  89.3 The Current started playing one, then two, then three of their songs.  Now they play most of the album.  A friend later Facebook messaged me and gave me the scoop on the First Ave show.  Knowing they would sellout the venue I waited til the moment they became available, and then I made my purchase.  I should have bought 6, the limit, but I bought 3 instead.  I could have doubled my money.  I didn’t have enough dough that day though.  A few hours later all of the tickets were gone and I sat in satisfaction at my quick choice.  And that is how I got into the show.

By Terry Scott Niebeling

Putting up the Triangles, By Terry Scott Niebeling

Standing outside in line people came up to me asking for tickets.  The interesting thing was there weren’t really any scalpers, but there were people asking for tickets.  A show so coveted that people bought the tickets for themselves and actually went to see good music.  Wow, some tickets online were as much as $200.  It must have been 5 people walked up and inquired.  By this time I had already bummed two cigarettes and a RedBull from some complete strangers ahead of me in line.  I was feeling great waiting in line at 7:30 pm, plenty of time to take in the hot night.  At home earlier while indulging in homework and horror films I sat on the couch sweating in our AC lacking one bedroom apt.  The fan blew its best, but it didn’t really help.  Sweat beaded and crawled down my face.  I changed my shirt a few times.  I took a shower and brushed my teeth.  I spoke German.  And then I went to wait in line.

????????????????????

With the extra two tickets I felt almost over prepared, which by my standards is almost impossible.  I waited until the day before to start the bidding.  Three people in all contacted me.  The tickets went to the most passionate.  Also, a few people whom I spoke with were too intimidated to bid on them, so I figured they must not have wanted to go really.

The lucky guests I brought drove two hours to get here on word of a promise to get tickets.  I thought of them as I waited in line.  I asked those who inquired about extra tickets how much they would pay.  They wouldn’t say, I am not sure if they got in.  I was about 15ft from the door when my guests arrived.  They were in disbelief, literally exalted at the idea they would see a band they loved.  Having been burned twice before T. was so happy.  I think as we came closer to actually getting in her spirits piqued.  She handed me the money the moment she arrived.  I enjoyed this.  The sky was pink, the line was long, and the day was cooling off.  Heat became a friend of every nook, cranny, and crevasse throughout the city proper.  The bike ride and the light material of my black button up were comforting.  The sunset stood aglow over the Hennepin Ave Bridge as I crossed 3rd Ave, over the Mississippi, past pedestrians, and aside cars.  A glacier like cloud hung over the sun; a sort of arrowhead array of bright lights contrasting with deep purple clouds shadowing certain parts for quiet a large puppet show etched across the darkening horizon.  A line of clouds, directly above, shown soft and full, as they slipped through the sky.  Planes took off going in two different directions.  I biked South-ish to First Ave. to wait in line.  I watched the ground below slide past; rocks and broken glass reflected on how they had come to where they lie.  They watched all appreciatively as I went by.  

Alt-j set list. Talk to your boy.

 

I was just biking to see a band I had wanted to see since I first heard a song.  

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Ryan B.’s 25 Most Influential Albums (in haiku)

Posted in The Learned Man's Take with tags , , , , , , , , , , , , , , , , , , , , , , , on Monday, March 30, 2009 by Ryan Buege

Ryan's Most Influential Albums

Finally, we are at the end of March, and the time has come for me to put the closing bell on the Mind Inversion tribute to the recently popular Facebook meme on your most influential albums. I’ll have you know that, like most lists I make, the albums for this list were brainstormed rather quickly, and I think that’s a good thing. If an album were actually as influential as I thought, their importance should be fairly easy for me to recall. Truthfully, I’ve never really become too embarrassed about any album that I own; sure, I may have made some questionable choices in my youngest years, but somehow I’ve always seemed to have a remarkably good bullshit detector when it comes to music. What follows is a journey through the albums that had the biggest impact on forming my tastes and such over the years. If you really love the music I post about, read on for a brief reverse-chronological (moreorless) recounting of my most influential albums. For better or worse, I’ve written them out as haikus for your enjoyment!

25. Nachtmystium, Assassins: Black Meddle, Part I

Sick, twisted, subtle
Black metal psychedelia
With soul of Pink Floyd

24. Deerhunter, Cryptograms

Melodies so sweet
And a massive wall of noise!
A new Sonic Youth?

Continue reading

Erik’s Top Ten Albums of All-Time

Posted in The Learned Man's Take with tags , , , , , , , , , , , , , , , on Thursday, March 5, 2009 by Erik Burg

Erik’s Top Ten Albums of All-Time

Pretty obvious, I think you know what you’re getting yourself into here. We here at Mind Inversion want you the reader to better know where all of us writers are coming from, as far as what’s changed our lives musically. So we’ll be running a special once a week for the next month, accompanied by Sound Immersion #2, that will be spotlighting our favorite music. I have the fine pleasure of starting this all off, which is pretty exciting. I’ve always thought about albums as “my favorite” much like I’m sure any person has, but actually having to compile a definitive top ten list seemed daunting. But alas, after many cuts, I finalized a list that I’m extremely happy about.

#1. LCD SOUNDSYSTEM – Lcd Soundsystem.Where would I be today without this album? Well for starters, not on this blog, not listening to music, and quite possibly actually finding lil wayne to be an enjoyable artist. This one album single handedly changed my life… Continue reading

Sonic Youth, John Paul Jones, and Takehisa Kosugi collaborate for dancing

Posted in Music News with tags , , , , , on Thursday, December 4, 2008 by Ryan Buege

A meeting of the minds if there ever was one: Sonic Youth (aka the best band ever) has confirmed an apperance in April 2009 at the Brooklyn Academy of Music that will feature none other than Led Zeppelin’s John Paul Jones! Merce Cunningham At 90 will be the international premiere of a new evening-long dance work and a musical team-up between Sonic Youth, John Paul Jones and Takehisa Kosugi. The group will be performing in a work composed by Kosugi for New York’s Merce Cunningham Dance Company. The event will honor the 90th birthday of the choreographer, Merce Cunningham, “whose radical approaches to space, time, and technology continue to redefine the way we experience dance,” according to Guardian.co.uk.

While I’m personally not big on interpretive dance and choreography and the like, Sonic Youth working with anyone is interesting news, especially when its the man who layed the rhythm down in some of the greatest rock ‘n roll songs of all time. And to me, this sounds like a far cooler post-Led Zeppelin experiment than the rumoured Robert Plant-less Zep tour that’s apparently in the works (as is Plant’s duet with Allison Krauss) . I know I won’t be able to attend, but hopefully a pro will be there to tape this experiment with the great Sonic Youth. Merce Cunningham At 90 takes place April 16-19 at the Brooklyn Academy of Music, tickets start at $25.