Archive for October, 2008

Love Has Come Around

Posted in Downloads with tags , , , on Friday, October 31, 2008 by Erik Burg

Special Disco Version, otherwise known as James Murphy and Pat Mahoney, have been quite busy as of late. Delivering all night parties in their hometowns of New York and oversees in Europe; What can only be described as a DFA showcase in London a week ago, featuring the likes of James, Pat, The Juan Maclean, Gavin Rossum, Yacht, Morgan Geist, Still Going, and Mock & Toof delivering an all night attack that could cure even the most deadly cases of disco fever. Earlier this year though, May 20th, James and Pat took to the decks once again for Beats in Space radio, hosted by co-DFA founder Tim Sweeney, delivering an amazing and expansive set that travels over two hours time. A must have for any connoisseur of music, Special Disco Version delivers exactly what is claims: PURE DISCO. What could be better you might ask? Well not much, aside from Daft Punk actually playing at your house. This great session can be had for free HERE, along with the entire Beats in Space catalogue (guests include James Murphy, Hercules and Love Affair, Shit Robot, The Juan, Joakim, Altz).                                                                                                                        

 In other DFA related news, James Murphy is apparently spear-heading a classic rock band called Hockey Night that is slatted to release an album within in the coming year. More news to follow on that front as it filters out.                                         

Like many basketball players before me, I also enjoy THIS

Far has reunited

Posted in Music News with tags on Thursday, October 30, 2008 by Ryan Buege

Sacramento’s Far has reunited! No one saw this coming, but we can expect some new music from them, so I’m excited. Right now they’ve even got a UK tour booked and have added a new song to their myspace. Maybe they can hook up a U.S. tour with the Deftones or something so that I can actually make it out to see them.

www.thebandfar.com | www.myspace.com/far

Video: Evidence, “The Layover”

Posted in Video with tags , , , , on Wednesday, October 29, 2008 by Tim Althaus

Evidence (of Dilated Peoples) released his world premier video for his first single off of the LAyover EP “The LAyover”. The video was produced by Jason Goldwatch,who has done work for acts such as Ludacris, Dilated Peoples & Young Jeezy,and is definitely a great representation of LAX. This video does this song great justice and it’s a great way to start the hype for the LAyover EP which is due out on Decon Media on Novemeber 25th. You are going to hear me talk about that date a lot because I am waiting for it with great anticipation.

EV is one of those guys that has been working his ass off and deserves all of the credit that he gets, I honestly think there are only a few people in the game that have been putting in as much work as him. The one thing that I really like about EV is that when he initially came out with the Weatherman LP, he wasn’t trying to use the Dilated fame, he was trying to do everything by himself. Look out for that LAoyver Mixtape to due out real soon, and you know I will have a link up for that when the time comes.

You all should go out and grab Duck Season 3 by DJ Babu while you’re at it, shit is fire (review coming soon)!

Review: Black Milk, Tronic 

Posted in Music Reviews with tags , , , , on Wednesday, October 29, 2008 by Tim Althaus

It seems like this year the show formerly know as Hip-Hop is being stolen away by the state of Michigan (Detroit area specifically). So far this year we have seen new albums from Guilty Simpson, 14KT, Buff1, two incredible albums from Elzhi and now we are privileged enough to receive Tronic with open arms. Last year Black Milk released Popular Demand to critical acclaim as a self producing emcee. I have to admit that it was one of my favorite albums of last year, and Tronic is definitely one of my favorites this year. Black Milk is one of those guys that just drops my jaw every time that I hear something new of his because it’s like nothing I’ve ever heard before, I hate to compare him to Dilla (because there is no comparison) but Milk is taking it to that level very rapidly.

I have to say that this album had me from the beginning track “Long Story Short”. I was completely blown away by the elements of this track. It starts out with an almost “futuristic” synthesizer sound and fades to a beautiful piano melody. What comes next is a beat the hit me like a ton of bricks, it was so hard it almost made me cry. The incredible thing about the track is it literally is a long story short, it’s Black’s entire life up to this point in time and he tells his fable like Aesop. “Losing Out”, which is a track that features crafty veteran fire spitting Royce Da 5’9″, is another great track because the beat is lights out (particularly the sample) and Black and Royce exchange some straight butter verses. Black is very good on his verses but Royce holds his own as well and outshines Black a little. The only real conclusion comes out of Royce’s mouth in his last 8 bars: “I’m talking bout how we got it mastered, the fact is whenever me and Black do a track it’s a classic!” Detroit native Fat Ray (who earlier this year released an album with Black Milk titled The Set Up) joins Black on the hook for the track “Hell Yeah” which has a ridiculously hard beat, and some vicious flows from Black: “The whole world’s been patiently waitin’ for my comin’ to strike, patiently waitin’ like the second comin’ of Christ”. The track that most people would call the highlight of Tronic, The Matrix“, which features the legendary DJ Premier, Pharoahe Monch, and Sean Price is a straight classic and Pharoahe Monch absolutely kills this track: “Four finger ring rap sling slang Pharoahe the flows good/You couldn’t hang if you was Ving Rhames in Rosewood” “…Like the pant legs around the ankles of hipsters, I’m tight/Paint a more visual picture than Pixar…”. Black spits a great tongue twisting verse, and Sean Price never made gangs seem so interesting with his word usage: “I’m a kryptonite, but a blood today, Latin King tomorrow…”. The cuts on the album are done by Premier, and he never made it seem so effortless: “You love my style cuz’ I’m not what you used to, caught in the matrix… you’re in my danger field like Rodney”. I think that the track “Reppin’ For You” might be the highlight of the album for me. It has a great head noddin’ beat and Black’s flow to this track is lights out: “Every single line was written explodin’ like bombs droppin’/It’s like I’m Bin Laden when my pen’s jottin/The best to most with extra votes/A flow that’ll shock most like electric volts”.

All in all this is a great album and should be a indication of how great the Hip-Hop scene in Detroit really is. There are a few tracks that drag a little bit, but not enough to give this album anywhere near an average or below average review. Black Milk could hold up the city of Detroit on his shoulders, and chances are he probably will sooner than later with efforts like his last two. Tronic shows you what the definition of a producing/emcee should be.

9/10

Ryan Adams is sworn to the black

Posted in Music News with tags , , , , , , on Tuesday, October 28, 2008 by Ryan Buege

Who would’ve guessed that one of alt-country’s most beloved singer-songwriters held underground black metal in such high esteem? While Ryan Adams isn’t an artist that many metal fans would break out on regular occassion (unless you’re trying too hard to impress a girl), a recent New York Times interview has shown that he has much higher kvlt cred than your average country boy. A favorite excerpt of mine…

..on one-man California black metal band Xasthur

“My listening tastes are absolutely not in tune with the kind of music I make. The music that interests me is a bit weirder. “Defective Epitaph” has really far-out guitars; it’s not really lyrical. When I close my eyes and listen, I think of a heartbroken demon sitting beside these ashes in hell and really missing his girlfriend. It’s like romantic death metal. The aggressiveness of [Malefic’s] guitar riffs can be quite brutal. It’s not for the faint of heart, but it’s really clever.”

I’m willing to bet that that quote would surprise the fuck out of the majority of Adams fanbase; but personally, it’s just great to see that an artist appreciates strong influences from something so different from their own art. In my opinion, being open to this kind of extreme variety can only be healthy for artistic progression, so I say kudos and horns up to Adams. You can continue this interesting read at New York Times website, where Adams justifies his love for everything from stoner, black, and thrash metal to pop and hip hop.

For now, everyone should check out the contrast between Adams performing live and the dark chaos and aura of Xasthur (and for the record, I personally love them both – so Adams must be doing something right)… Continue reading

Iller Than Theirs issue free EP, Wash Rinse EP

Posted in Music News with tags , , , , on Monday, October 27, 2008 by Tim Althaus

I am so glad to hear that Kray and Tone Tank (otherwise known as Iller Than Theirs) are back together making music. Iller Than Theirs was their self-titled debut that came out last year on Embedded Music, and ranked among my top 10 favorite albums of last year. Kray and Tone Tank totally compliment each others style and their flow is as smooth as tap water. Their self-titled release was only eleven tracks long but boy was that way more than enough for me to know that these guys were something special. My favorite track off the album was either a collaboration with one of my favorite emcees of all time Masta Ace called “The Same”, or a the lead track on the album “Razorbumps”. The beats that these guys have behind them totally fit the mood to. The thing I love about these guys rhyming is that we get a good sense of where they grew up as well as their views on life and the way things really are.

Go over to www.radiobelly.com and cop the Wash Rinse EP NOW! It’s FREE!

And check out the Video for Razorbumps while you’re at it!

Illa J to drop Yancey Boys November 4th

Posted in Music News with tags , , , , on Monday, October 27, 2008 by Tim Althaus

Well it looks like the apple definitely doesn’t fall too far from the tree. J Dilla’s little brother John “Illa J” Yancey will be putting out an album entitled Yancey Boys on Delicious Vinyl. This album will be comprised completely of Dilla beats from Delicious Vinyl’s vault that were never released. Now keep in mind that these are beats that were from roughly ’95 to ’98 when Dilla was doing remixes for Delicious Vinyl, so they are going to have more of an Ummah Era feel to them. I first found out about Illa J a little over a year ago when his Illa J EP fell into my lap (given to me by one of my friends). I remember hearing the EP and thinking “holy shit” this is straight fire. The EP was just seven short tracks long and totally made me think of Dilla when I heard it, just because Illa’s flow sounds so similar (although it’s better than Dilla’s) and the beats were just ridiculous.

I have to be quite honest, Illa J has some big shoes to fill but I think he is fully capable of holding his own. If he can keep the consistency that he had on his EP he will be an underground heavyweight. The album features guest appearances by: Guilty Simpson, (Detroit Heavyweight and formerly a frequent Dilla collaborator) Affion Crocket (whom you may remember from Nick Cannon’s Wylin Out) and “Frank Nitty” (of Frank N Dank).

Here is the official art work & tracklisting:

1. Timeless (Produced By: J. Dilla)
2. We Here (Produced By: J. Dilla)
3. R U Listenin’? (feat. Guilty Simpson) (Produced By: J. Dilla)
4. Alien Family by Frank Nitty (Produced By: J. Dilla)
5. Strugglin (Produced By: J. Dilla)
6. Showtime (Produced By: J. Dilla)
7. Swagger (Produced By: J. Dilla)
8. Mr. Shakes (Skit) aka Affion Crockett (Produced By: J. Dilla)
9. DFTF (feat. Affion Crockett) (Produced By: J. Dilla)
10. All Good (Produced By: J. Dilla)
11. Sounds Like Love (feat. Debi Nova) (Produced By: J. Dilla)
12. Everytime (Produced By: J. Dilla)
13. Illasoul (Produced By: J. Dilla)
14. Air Signs (Produced By: J. Dilla)

details about Common’s new album Universal Mind Control

Posted in Music News with tags , , on Monday, October 27, 2008 by Tim Althaus

It appears as though Common’s new album will (hopefully and finally) be titled Universal Mind Control. To be honest I am not feeling the cover to this album at all. I really hope that Com makes something that is better than Finding Forever, I mean yeah it was a grammy winner and critics spoke highly of it but I didn’t consider it to be anywhere near the best of Common’s work. It hasn’t been since the album Be that I thought Common was on top of his game, and before that it was Like Water For Chocolate which is easily my favorite Common album. I think a big part of me not really being a huge fan of Common’s recent stuff is because there isn’t a whole lot of Dilla production. J Dilla really was the only producer that I think brought out the best in Common, don’t get me wrong he meshes well with Kanye, but you can’t match the chemistry of say a song like “So Far To Go” or “The Light”.

The album is tentatively dropping on December 9th on Kanye West’s “G.O.O.D.” (Getting Out Our Dreams) Music as well as Geffen Records.

Here is the Official Tracklisting:
01. Universal Mind Control
02. Punch Drunk Love (Feat. Kanye West)
03. Make My Day (Feat. Cee-Lo Green)
04. Sex 4 Sugar
05. Announcement (Feat. Pharrell Williams)
06. Gladiator
07. Changes
08. Inhale
09. What a World
10. Everywhere

Notorious: The Movie

Posted in Video with tags , on Monday, October 27, 2008 by Tim Althaus

I am really suprised this is the first time that I’ve actually heard anything about this (big up to Analecia and Carson for pointing me to this video). Apparently Fox Searchlight pictures is going to come out with a movie (Bio) about The Notorious B.I.G. (Aka Biggie Smalls, Big Pappa, Biggie) in 2009. I have to admit that I really don’t listen to a ton of Biggie, but I will at the same time admit that I do think he is one of the top lyricists of all time without question. The way that he rhymed influenced so many cats that go out there and do their thing now, the way he spit was like hearing a muder happen; it was totally vicious and you were never the same after you heard it. Ready to Die is and will always be one of the greatest albums in Hip-Hop history. I personally can not wait to see this movie when it comes out in January of 2009.

Check the trailer for “Notorious” the movie

Foundations of Music

Posted in Music Reviews with tags , , , , , , , on Monday, October 27, 2008 by raeflect

I am, (as are all the contributors to this site of literary exchange) a music lover.  From when I was a small child, to as I am today, music in all it’s various forms has helped shape who I am and how I live my life.  Thinking about ‘Violent by Design,’ spurred on by alteezimo’s article, I began to think of all the albums that have in the last five or six years affected this evolution.  Many of these albums were either given or suggested by friends, who have assuredly also placed most if not all in the ‘never discard’ section of the individual’s music memory.

Personally, had these albums been physical records, I would have over time carved the grooves into canyons.  These eight albums make up a core of my music listening history, and will forever be a part of my music library.

Air – Talkie Walkie


This album introduced me to the genius of Air, and helped forge my love of electronic music.

Boards of Canada – The Campfire Headphase


Being a drummer, I absolutely love stylish, inventive beats, and simple though many of their loops may be,  their creativity in frequency and static distortion definitely makes them stand out from the very large crowd of electronic artists.  It’s a shame they have not released any official material since 2006.

Broken Social Scene – You Forgot It in People

First introduced to me by my friend Shannon, this album absolutely captivated me, being of a sort of rock music that I had never known existed.  My favorite track on this album is ‘Looks just like the Sun’ which sounds like two people sitting with their feet up on a porch railing: the sun setting over a gently flowing lake glittered with sparkling reflections while their docile music tones float around.

Isis – Panopticon

I bought this album only weeks after it’s release, on the recommendation of my friend Ryan, and I’ve never looked back.  Just as ‘Violent by Design’ gave me an introduction to hip-hop, ‘Panopticon’ showed me the way to a now great appreciation of metal.  Hearing many of the songs off this album played live proved to me that we can expect much more great music from this band.

M83 – Before the Dawn Heals Us

In it’s own way, ‘Before the Dawn Heals Us’ is one of the heaviest albums I own.  Although I would associate it more with electronic music than rock, tracks such as ‘Don’t Save Us From the Flames,’ ‘Fields Shorelines and Hunters,’ ‘Asterick,’ and ‘Teen Angst’ are definite head bangers, and from firsthand knowledge: Loud and very intense live.

Pink Floyd – Wish You Were Here

Convinced of their worth by my brother, but lacking knowledge of their catalog, I picked up this album maybe in seventh or eight grade, and since that first listen of ‘Shine on You Crazy Diamond (part I-V)’ my respect for Pink Floyd has never lapsed.

Sigur Ros- Takk

I saw Sigur Ros live in Madison just weeks after buying this album, and I can say that to this day, dozens of great shows later, that was one of my all time favorites.  Their obvious skill for music composition reveals itself in the subtlety and direction of the string quartet section, everpresent on this album.

Super Furry Animals – Phantom Power

I love all of Super Furry’s catalog, but the playful and carefree nature of this album, backed up by it’s strong yet never over-reaching electronics, beautiful harmonies, and wonderfully crafted drum beats marks it as entirely unique in my mind.  The slight background vocal samples, often voiced by Gruff Rhys, add a clever and often humorous touch.  I absolutely love the psych-rock jam that breaks down the end of ‘The Piccolo Snare,’ and ‘Slow Life’ remains one of my favorite electronic tracks.

I mostly wrote this so others would share some of their lasting, if not all-time favorite, albums that will always have a place in the ideal music collection.  Frankly, I’m just curious.