The Streets, Computers And Blues

Posted in Album Review, Life Perspectives from T.S. Niebeling, Media with tags , , , , , , , , , , , , , on Friday, June 29, 2012 by TSN

Mike Skinner is one of my favorite artists hands down.  Why?  Basically, because Mike Skinner (The Streets) is unique, original, and you can follow his paper trail to where he is today.  He started at the bottom and worked his way to the top of the food chain.  Incredible.  We can actually see an artist evolve from a garage type setup, to a studio, to a super-studio facilitated album.

Evolution of The Streets is apparent and refreshing.

The Streets have done 5 albums, all of which are different, all of which are excellent, and all of which are incredibly interesting, conceptually, and aesthetically.  I prefer Original Pirate Material, A Grand Don’t Come For Free, and The Hardest Way To Make An Easy Living.

I now agree that Computer and Blues is up there with the best of their albums.

With only 3 days of non-stop listening, I prefer this album to the others.  This album is fresh, relevant and very personal. The Streets’ last album is a sound-system banger and an artistic send off for Skinner.  I feel he wants to end on a good note, and I appreciate the respect for fans and music.  So many bands milk it to the very last drop and fizzle out while pumping out shit.  I respect The Streets and Mike Skinner; however, I hope sometime soon he can pull a reunion tour so I can catch the music live.

Apparently, he wanted to do 5 albums, that’s what his contract was about, and that’s it.  He has stated in interviews that he was satisfied with this decision because he wanted to find more time to spend with his family.

Dan gave me this album, mentioning that at first he did not dig it as much as the other albums.  This seems to be the case with most of The Streets albums for me, there is definitely a first listen and blah.  After a bit of thinking the album is thrown back into the mix and listened to over and over again.  Always a cult classic and a heavy listen.  Since Original Pirate Material I have been a Streets fan.  Most all of their albums to date are inspiring, completely original and massively progressive.

One thing I take away from The Streets is they make music that sounds like The Streets, they are not ripping off, copy-catting to hit the charts up, or going trendy.  The Streets just transpire and it comes out sounding amazing.  I love The Streets and the music they make, and the inspiration they flood the speakers with.

***

For days I have been listening to this album on repeat and I was trying to get a perspective and give you something in detail, but after listening I feel this CD deserves a listen.  Lyrics are spot on, the songwriting is out of this world.  The beats are heavy when needed, also, soft and chill when necessary.  I found my roommates awesome sound set up and took full advantage of it.  This Streets album is worth a buy, and definitely a good listen.  Streets fans won’t regret Computer and Blues and it is on par with, if not better than all his previous albums but Original Pirate Material.  You deserve to listen to this album on a really good sounds system.  The positive message is solid and the beats are innovative.  Mike Skinner did create a sound system banger, and an artsy bon voyage.  Cheers!  This Streets album has me with a smile on my face.

Music Discovery: Dosh

Posted in Music Discovery with tags , , , , , , on Thursday, June 28, 2012 by Eric Gilardi

For how long Dosh has been entangled in the Midwest’s music scene, it is hard to call this a discovery but it was my discovery. The one-man band, who is Dosh, has been flying under my radar for far too long. I had no idea who he was until I attended a Black Moth Super Rainbow show last year in Madison, WI at the Majestic Theater. Like so many other musicians, I discovered Dosh by chance at a live show. This is why for true music fans true discovery happens at the level of attending live shows.

His parents were originally from the Twin Cities and Continue reading

Album Review: M.i, The Coldplay Sessions

Posted in Album Review, Music Reviews with tags , , , , on Wednesday, June 27, 2012 by Tim Althaus

I’m the type of guy that really likes a jack-of-all-trades; if an artist is capable of rhyming and producing their own music, then I’m most definitely going to be a huge fan. Michael Maldonado (aka M.i) is a perfect example of my aforementioned statement because he literally does everything (emceeing, producing, mixing, engineering) himself. The Austin, Texas native has been on his grind for quite some time now, and The Coldplay Sessions is actually the fifth project that he’s released; back in 2010 M.i released The Jack Johnson Sessions (which featured a Jack Johnson sample on every track), and last year he released the superbly stellar album Prep Time (Produced almost entirely by musical genius Tyler Keyes). Continue reading

Happy Anniversary to Jay-Z, Reasonable Doubt

Posted in Album Review with tags , , , , , , on Monday, June 25, 2012 by Tim Althaus

Sixteen long (or short, depending on how you look at it) years ago, one of Hip-Hop’s finest opuses was released. Reasonable Doubt is an album that would transition Jay-Z from an underground aficionado to a rap superstar, and it also changed the Hip-Hop game forever. Jay-z had been a hungry emcee as early as ’89, and he was sick of the way that his label (Payday) had been promoting him; he decided to take things into his own hands, and he started Roc-A-Fella Records. Together with Priority Records, Roc-A-Fella Records released Reasonable Doubt.

From the moment that Pain In Da Ass opens the album on “Can’t Knock the Hustle”, the gangster mentality takes hold, and Jay-Z displays a lyrical ability that pierces the listener’s brain like a nine millimeter. I don’t think anybody, including Hov himself, knew how much of an impact this album would have on emcees for decades to come.

Continue reading

Can We Expect a Full-length Album from Damian “Jr. Gong” Marley & Skrillex ?

Posted in Music News, News with tags , , , , , on Sunday, June 24, 2012 by Eric Gilardi

Ever since the Dubstep revolution took over last year I have wondered when a collaboration worth talking about would happen between a well-known reggae artist and a worthy electronic artist. The two genres are a perfect match for each other so I tend to wonder why it took so long for it to happen.

A few months ago, while I was on my writing hiatus, it happened. The supposed king of Dubstep, Skrillex and the master lyricist, Damian “Jr. Gong” Marley teamed up on the track “Make it Bun Dem” back in April of this year and ensued to make musical magic. Damian “Jr. Gong” Marley’s ability to lay down a Rasta sounding flow over the top of the hard-hitting electronic music of Skrillex is a marriage that should produce a child. This child being a full length album. They have just planted the seed with this single and hopefully they will not abort before something great can come of this. In the past, Marley has shown the ability to cross into other genres with great success. In 2010, he teamed up with Nas to make one of my favorite hip-hop albums of all-time, Distant Relatives.

We can only hope that the positive vibes around “Make it Bun Dem” will trigger them to collaborate on a full length album.

Vinnie Paz, “Cheese Steaks”

Posted in Video with tags , , , , , on Friday, June 22, 2012 by Tim Althaus

This is what I’m talking about; I don’t think I could ever complain about hearing Vinnie Paz over some Beatnuts production. Vinnie and legendary Beatnuts member Psycho Les teamed up for the first single from Vinnie Paz’s forthcoming solo album God of the Serengeti; the track is called “Cheese Steaks”, and it goes hard on all fronts. Psycho Les lays down a haunting canvas that enables Vinnie to paint a perfect picture that encapsulates his demeanor. This is the type of track that I love to hear Vinnie Paz on; it always brings out the best in his rhyming ability.God of the Serengetiwill be releasing this fall on Enemy Soil Records.

Notable Quotable: “The only time beef is mentioned around me is for steak sauce/I work harder than ya’ll/it’s no days off/the knife work scratch and cut you up like Main Source

Album Review: Miike Snow, Happy to You

Posted in Album Review, Music Reviews, Reviews with tags , , , , , , , , , , , , , , on Thursday, June 21, 2012 by Eric Gilardi

Happy to You starts out in formidable Miike Snow fashion with a relaxing and engaging sound. “Enter the Joker’s Layer” captures you from the start with the groups ability to blend digitally appealing sounds around the harmonious voice of frontman Andrew Wyatt. “The Wave” comes in with a cavalry sounding drumline fit for a king. It is a song that focuses on the overall sound with a strong but softening drumline. This theme is carried out through the entirety of the album. Miike Snow made us wait 3 long years for their sophomore album but I am not surprised by the quality of work that was produced. Now, if I could only pick their complex Swedish minds to interpret Continue reading

Beck and Jack White Collaborate on Third Man Record Blues Single

Posted in Art, Life Perspectives from T.S. Niebeling, Music News, News, Reviews, Song Download on Wednesday, June 20, 2012 by TSN

Again, I am amazed at genre crossing artists like Beck, who chose to collaborate with one of my favorites:  Jack White.  I must say, had I not heard, “I Just Started Hating Some People Today” on 89.3 The Current, with DJ introduction, I would have hardly imagined it was created by Beck.  With its country style guitar and cynical, but realistic message.  I imagine beck as some cool kid making sick dance beats, or songs I can completely use my imagination on.  These are good things, but this new song was also good, in a different way.  I love blues.  I could completely relate to the lyrics.  And it was crisp sounding and very straightforward.  We have all felt like killing someone at some point in our lives, yet this song is more on the Vonnegutesque dark humor, enjoyable, sort of, side of that feeling.  I could almost hear a smile, but Beck’s gritty vocals did not come off with the Beck style I had come to appreciate.  It was a bit different, but not different in a bad way, just different, and solid.  Something I had not expected; unexpectedly sufficed by a random song on the radio.  Beck has come into the realm of blues and he has successfully produced a single.  I am looking forward to hearing more.  These two artists (Beck and Jack White) are made for progressive blues/country rock.

I was subtly surprised with the dark vocals and country twang, but I must admit I was satisfied with the sound and think it progressive.  I would enjoy hearing other new material.

Furthermore, what I thought was just as amazing as the song was the collaboration with Jack White.  I could tell immediately that Jack White was on the track; with guitar slides, moderately heavy and catchy riffs.  The slide guitar solos were a plenty but not excessive, I could listen to any of The White Stripes’ albums for days, specifically because of the guitar solos and garage rock aspect.

I had no idea that Jack White and Beck had collaborated in the past, but with a little research I became learned.  Earlier collaboration on Guero’s ‘Go It Alone’ between Beck and White were drastically apparent by the sound.  Happy to know that real musicians are still making real music.

Unique and relevant artists creating gems together has me in high hopes about the music to come.  Third Man Records seems innovative and growing.  Beck’s new musical sound and approach appeal to me especially with Jack White at the Helm, and because it sounds excellent on the radio.  Jack White is a guitar virtuoso to say the least, and is one of the most innovative artists of our time, the latter goes for Beck as well.  I am satisfied with the exposure of sound while driving around with the station dialed in.

Get yourself a listen.

Details on the release of the special edition single and anything Beck:  Official Beck Site

Buy the New Blues Series Single:  Third Man Records

“Stop The Press”… Brother Ali is Back!

Posted in Audio, Media, News with tags , , , , on Wednesday, June 20, 2012 by Tim Althaus

It appears as though Brother Ali is back folks. You may recall that he dropped a free EP earlier this year called The Bite Marked Heart, and on August 21st, the Good Brother will be releasing his latest full length album Mourning in America and Dreaming in Color. The effort will be produced entirely by Seattle beat smith Jake One; I’ve been a huge fan of everything that these guys have done together, and I can’t wait to hear what they’ve cooked up on this project. This is Ali’s first full length album since Us back in 2009.

“Stop The Press” is the lead single off of Mourning in America and Dreaming in Color, and at first I wasn’t to keen on the track, but it is definitely growing on me after a few listens. Jake’s silky smooth beat provides the perfect canvas for Brother Ali to inform the people about what he’s been up to since his last major release. A lot of fans might be slightly apprehensive because Ant isn’t producing the entirety of the album like he has in the past, but I can assure you that this album is going to be special; Brother Ali and Jake One have a great deal of chemistry, and it’s going to shine through on this album.

Music Discovery: Of Mice & Musicians

Posted in Music Discovery with tags , , on Monday, June 18, 2012 by Tim Althaus

We all know how much I enjoy music from the Murder Mitten, so it’s no surprise that I dig the musical offerings from Of Mice and Musicians. The seven man band from Detroit has been on their grind for a few years now, and their latest album (Bottles & Bones) is an impressive collection of rock infused Hip-Hop. If I could compare the sound of the guys to anything, it would probably be a mix between the instrumentals of Sublime and Citizen Cope mixed with the vocals of Weerd Science and Cage.

One of my favorite lines from Benjamin Miles is on “Sorry My Mom Called”, and it defines what making music should be about: “…Didn’t start it, probably won’t save it/but I appreciate it/I am proud of what we makin’/even if we don’t make it/if I can rock a show on the weekend with my friends, I’ll take it”. Another track that jumped right out at me was “Don’t Hate”; the guitar work and instrumentation is unbelievable, and Miles spits stanzas filled with passion and pain.

It’s always refreshing to hear music that you can relax to, and these guys are definitely the ticket. I know for a fact that Eric would enjoy these guys quite a bit. Detroit has always been what I consider the epicenter of Hip-Hop, and Of Mice and Musicians are carving their own lane with their style of music; that’s something that I can truly appreciate. You can jump over to Of Mice and Musicians’ Bandcamp page and grab  Bottles & Bones for free; how can you argue with a free album full of great music? I know I can’t…