If you guessed that I called on my little friend Babelfish for help with that headline, I’m not going to deny it. While I may be an 8th grade Spanish dropout, I know enough to know that, from the title of this band, the Mars Volta/At the Drive-In/solo axeman Omar Rodriguez-Lopez has apparently put together a new group. Joining Omar in El Grupo Nuevo De Omar Rodriguez-Lopez, Zach Hill, Jonathon Hishke, Juan Alderete De La Peña, and Cedric Bixler-Zavala round out his new team and perform the music that he has orchestrated. On May 5, they will be releasing their debut album Cryptomnesia.
Just last week they posted their second trailer for the album (referred to as Cryptomnesia II), and from the sounds of it, this album will be far different from the avant-garde sounds that I recall from his A Manual Dexterity concept release a few years ago. Bixler-Zavala always sounds brilliant over the wailing guitar of ORL, and its clear that it’s probably a much more structured release than either Volta or his older solo works. Word is that Mars Volta might be releasing a new album this summer too, so this is by no means a replacement of Volta, but it’s great to hear some of ORL’s great progressive punk licks in a more restrained form. He’s got a very classic vibe these days! Keep your eyes peeled for a limited edition vinyl release, and I’ll keep you up to date if I hear more about that new Mars Volta album. Enjoy the trailer!
Keep reading for the first trailer, Cyptomenisa I! Continue reading
a thing) drunk band played an awesome set of some of their best tracks. “I’m going to jail Mom! Just kidding, my parents are out there tonight” the keyboard/drum/vocal extraordinaire pronounced before the first song. The charismatic front man also had a bit of a malfunction half way through the set, with the legs to his drums falling off, boldly claiming after the song was over that “fuck it, I don’t need them.” A big thanks to everyone who suggested these guys, as their music an antics lived up to any and all hype.
(Wavves)
(Wavves)
(Wavves)
(Wavves)
(Wavves)
(Wavves)
(Wavves)
(Vampire Hands)
(Vampire Hands)
(Vampire Hands)
(Vampire Hands)
Man, if there were one song title that aptly described how my head feels right now on Sunday morning, it’s this one. But nonetheless, I’ve got a lot of stuff that I have to accomplish today, and 
On what turned out to be another snowy April evening, 
(Friendly Fires)
(Friendly Fires)
(Friendly Fires)
(Friendly Fires)
(White Lies)
(White Lies)
(The Soft Pack)
(The Soft Pack)
his overly boyish dance moves, insanely paced tracking, and random plethora of instruments, Max Tundra was just as much the headliner of Friday night as Junior Boys were. Opening with the fresh “Which Song” which I had mentioned a few days back, Tundra got the floor grooving and laughing, the perfect opening act. 
(Junior Boys)
(Junior Boys)
(Junior Boys)
(Max Tundra)
(Max Tundra)
(Max Tundra)
(Max Tundra)
(Lookbook)
(Lookbook)
An article that I read on 
Pete Rock is the guy you look to constantly for the most consistent and great Hip-Hop you will hear. There’s no denying that Pete Rock is one of the greatest producers of all time. There is a whole lot of emcees and producers that will make the same statement. I haven’t heard much about Pete since his album NY’s Finest dropped last year, so it’s a breath of fresh air to see this video over at 
MIND INVERSION 