On an unbearably cold Minnesota night, Blitzen Trapper and Alela Diane warmed the hearts of a near sold out First Avenue Main Room. “I don’t think I’ve ever been anywhere this cold before” Alela Diane said in between one of her songs. The opening act was a nice surprise actually, though at many times overly folk to the point where I would have considered it Country. The singer’s voice was absolutely amazing and soared throughout the venue, exciting the all ages crew on Wednesday. They covered Fleetwood Mac beautifully, what else can a guy ask for really?
Check ‘Em Out: Blitzen Trapper – “Furr” Alela Diane – “White As Diamonds”
Blitzen Trapper delivered an amazing show as well, playing tunes new and old, and even a cover of what the lead singer called “his grandmother’s favorite song.” I was a bit surprised at how excited the crowd got at different points in the set, maybe it was the booze, maybe the anger being taken out at the weather, maybe the actual song, who knows. I digress, “Furr” was far and away the highlight of the night, with it’s harmonica and acoustic wonderment, Blitzen Trapper impressed me beyond what I expected. The lead singer’s work on the acoustic guitar was jaw-dropping at points, and the drummer’s little quips in between songs was a nice treat, at one point even joking that “you should probably cut my mic.” The evening was all-in-all delightful, met some new friends, enjoyed great music, and stayed warm. Can’t beat that. Enjoy some photos below and more HERE
Alela Diane
Blitzen Trapper
As I sit here fully expecting winter to be over, some of the biggest snowflakes of the season start to make their way to the ground. Nothing is better for stifling my mild anger at this occasion and inciting some reflection than some uplifting post-rock. To my luck, there is a new album in my collection that is perfect for the occasion, Over Air by Gregor Samsa. This Virgina-based band has assembled a collection of live radio recordings, alternate mixes of previous songs, and an eerie remix from Labradford that amplify their heavenly, multi-layered brilliance with a warmer organic atmosphere than I’ve heard them record thus far.
When it comes to incredible duos a few come to mind: Batman & Robin, Abbot & Costello, Tom & Jerry & last but not least 
Ancient Crux is the new project of 19 year old California resident Travis Von Sydow (he’s also a member of Rapid Youth). His debut EP entitled Interracial Coupling, out now on Family Time records, is one of the most excited and refreshing pieces of new music I’ve heard in quite some time. From the second the record starts, the twang of the guitar and the stomp of the bass throw the listener into a musical time warp. While I’ve never listened to Roy Orbison myself, every other review or snippet I’ve read about Ancient Crux has compared this EP to him. And it’s kind of what I always imagined Orbison sounding like too. That’s not the point though, what’s important is that Ancient Crux seemingly transcends time, as though Sydow recorded this in 1954 and it was found last week. It’s that twang and stomp, and yet at the same time I don’t know what it is at all. Ancient Crux is just so mysterious, there, maybe that’s what my love affair is all about. The fact that it isn’t front page news on Paste or P4k. It simply feels nice to listen to an album that’s as intimate and warm as Interracial Coupling can be. 
MIND INVERSION 