Archive for the Reviews Category

FREE Album Download: Iron Thrones, Visions of Light

Posted in Downloads, Music Reviews with tags , , , , , , on Friday, February 6, 2009 by Ryan Buege

Iron Thrones
Iron Thrones is a band that truly embodies their name in several aspects. Not to be too corny, but the band hails from our own iron-rich state of Minnesota, and (despite their relatively short time playing together) you can easily consider them to be one of several crown jewels that the currently burgeoning and heavily varied Minneapolis metal scene has to offer. This is an epic progressive death metal quartet (though, on the lookout for another guitarist) that could easily find resonance with fans of Opeth, Death, Between the Buried and Me, Converge or even maybe post-rock like Mogwai. That’s not to say that Iron Thrones really follows in any of these bands footsteps though, as they have begun to perfect their own unique focused sound. Even on this debut, Visions of Light, the band achieve a rare and organic balance of naturalistic melodies and brutal shred. The album is the embodiment of yin-and-yang, a dense atmospheric album to one man and a nuanced progressive headbanger to another. Right now, it’s doing wonders for my ears.

Iron Thrones, Visions of LightClearly the band knows how to treat its fans, as well. As such, these guys have posted their entire new album, Visions of Light, online for download. The cool thing is that they’ve gone the Radiohead way of things and made it available for free, “donation” through Amazon, Itunes, etc., or as a hard copy purchase. I’ve never heard how this model has worked out for a local underground metal band (as opposed to juggernauts like RH and Rez), and there’s no word when their $500 quadruple gatefold limited pressing with an optional commentary becomes available, but I really don’t see how it could hurt. There’ll still be many opportunities to support them and purchase hard copies when you’re seeing Iron Thrones in the live setting. They’ve got these area shows lined up, including a performance in Burnsville tomorrow:

Feb 6 @ The Garage w/ Rawhyde in Burnsville, Minnesota
Feb 11 @ The Rafters @ UMD w/ Empires in Duluth, Minnesota
Feb 27 @ Electric Earth in Madison, Wisconsin
Feb 28 @ The Uptown Bar w/ Zebulon Pike in Minneapolis, Minnesota
Apr 3 @ Station 4 w/ The Body Beneath, in St. Paul, Minnesota
May 15 @ TBA w/ The Body Beneath & Rhynoceraptor in Minneapolis, Minnesota
May 16 @ TBA w/ The Body Beneath & Rhynoceraptor in St. Cloud, Minnesota

DIG DEEPER: Download Visions of Light!Official SiteMyspace

New Releases From Asthmatic Kitty

Posted in Audio, Downloads, Music News, Music Reviews with tags , , , , , , , , , on Thursday, February 5, 2009 by Erik Burg

asthmatickittylogoAshtmatic Kitty has been on a role lately. The record label, run by indie-glorified Sufjan Stevens, has been busy with releases in early ’09 and late ’08, and has managed to curate tons of attention with the release of two rising artists. The Welcome Wagon and DM Stith are those two acts, gaining attention at rapidly increasing rates. And for good reason, whether it’s the almost quirky nature of their music, the comfortability that each offer, or the familiarity that oozes from each track. 

Let’s dive into The Welcome Wagon first. The Husband (Thomas) and Wife (Monique) duo deliver multi-instrumental music that is heavenly in more than one sense. Many of the lyrics and ideas expressed in the tracks draw upon biblical references and experiences, while not pushing any values upon the listener. The actual musical production draws upon many of the aspects of arrangement and production that has made Sufjan so popular. From the occasional banjo to the simple piano and back again with the well recognizable horn section. The first single, entitled “Sold! To The Nice Rich Man,” from their debut album Welcome to The Welcome Wagon is their most polished and well rounded cut. It offers the widest variety of the couple’s skills. Encompassing all of the aspects that I just mentioned, the horns drive the chorus, the keys lead into the track, and the vocals fill up the track much a choir in a church. The feel of the entire album is expansive, but like I said, it feels incredibly comfortable at the same time. Deserving of a huge 2009, The Welcome Wagon is one of my favorite new artists and I’d highly encourage any fan of Sufjan’s catalogue or label to check these two out. 

mp3: The Welcome Wagon – “Sold! To The Nice Rich Man”

DM Stith. With a name like that it’s kind of hard to know what to expect, but with a background filled with musical education and family lineage that bolsters the same thing the hopes were high for this former writer. Stith’s first single, “Just Once,” off of the Curtain Speech EP is a seven minute roller coaster ride through a dream-like landscape of repetitive and revealing lyrics and echoing guitars. “Just once, I could love you just once” Stith sings throughout. The music, is incredible. I know I hype pretty much everything I write about, but this is another one of those tracks that re-invigorates my love for music and makes me simply feeling happy at the end. Best described as a hi-fi version of The Microphones, Stith plays with various guitar chords layered together and eerie sounds running throughout the track, giving it the feel that The Glow pt. 2 gave me the first time I heard it. 

mp3: DM Stith – “Just Once”

So if you’re looking around for some great new music look no further. Fans of past Asthmatic Kitty releases will love and probably already heard these tracks, but those new to the game need to get schooled on these new artists. And fast! 

Dig Deeper: Asthmatic Kitty   DM Stith   The Welcome Wagon

Album Review: Wolves in the Throne Room, Malevolent Grain

Posted in Music Reviews with tags , , , , , , , on Wednesday, February 4, 2009 by Ryan Buege

Besides hearing a song or two on a mix from a friend in the past, I’m really not familiar with much from Wolves in the Throne Room’s previous output and didn’t really know what to expect when I was introduced to this album this week. However, with that said, after hearing this two-song EP a couple of times, I think I’m going to have to go check out their earlier releases.  Malevolent Grain is the Olympia, Washington-based “ambient black metal” band’s second EP, a prelude to their third long-player Black Cascade which is due later this year.

Right off the bat, I want to acknowledge how much I reallllly love the sound on this album. One reason I’ve never gotten into black metal so much in the past was because the production always (for better or worse) sounded so thin and gritty that the musical appeal was totally lost on me. In the last few years, many black metal bands have overcome this trait and have released albums that are much more heavily layered than the cheap recordings of the early years, and I think the current activity in the USBM scene is evidence of this. Wolves in the Throne Room this approach of density and orchestration to another level entirely, Malevolent Grain has a sound that is as thick as ever with ferocity that is unmatched to boot. In fact, in many ways this album reminded me as much as (or possibly even more than) my favorite orchestral post-rock innovators like GY!BE  as it did of the scathing black metal of Mayhem, Gorgoroth, or Burzum.  To be fair though, many of these bands are now dead or dying. Wolves in the Throne Room are now in a league of their own, following their own vision and innovating on the headbanging classics of these greats with some unparalleled epic blackened rockers of their own.

The album is divided in half, with the first song “A Looming Resonance” beginning the vinyl with a natural, folksy, brooding ambience. Eventually the orchestral buildup is aided by vocals from Jamie Meyers, and as her strong vocals resonate with a Celtic tinge, the song segues into a more viscious psychedelic black metal groove. The entire mix feels more removed from black metal than I could have imagined.  By the end of the song, the increasingly intricate dynamics and dense layering have taken this epic a soul-stirring peak that could replicated by few bands in the world (honestly, only GY!BE comes to mind..). “Hate Crystal” begins in much more tradtional black metal fashion with a blasting rhythm section, sinster riff, and wraith-like vox. As majestic as it is brutal, “Hate Crystal” was the perfect cap to my introduction to this band and faded this sinister EP out brilliantly.

(thanks to Bryan for borrowing the album!)

DIG DEEPER: Buy Malevolent Grain online! –  Official WebsiteMySpace

Review: P.O.S., Never Better 

Posted in Music Reviews with tags , , , , , , , , on Monday, February 2, 2009 by Tim Althaus

pos-never-better-cd-cover-album-art I really don’t want to sell this album short because, this album is one more nail in the coffin as a testament to Rhymesayers Entertainment‘s complete solidity in independent Hip-Hop. I first heard about P.O.S. when Audition dropped in 2006, and I listened to the album and immediately fell in love with it. It was the perfect blend of Hip-Hop and punk attitude. I knew that this album was going to be special but I had no idea what to think.

I read an interview over at Culture Bully and the guy said that this album almost had the same fitting comparison as El-P’s masterpiece,  I’ll Sleep When You’re Dead. I honestly had the exact same thought in my mind because this album has different soundscapes all over the album but it shows major cohesiveness even while being so diverse with sound.

The opening track is called “Let It Rattle” and it starts off with Stef saying “Sorry I took so long”. I didn’t know the whole story about his album getting stolen at a show until I watched the interview with Kiwibox. P.O.S. rolls right in with an acapella first verse with no real beat in the background and political jabs and uppercuts. When the beat kicks in it’s a barrage of hard hitting drums and anger.  This might be one of the most politically driven albums you will hear the whole year, and it is pouring with Stef’s heart and soul. “Savion Glover” is one of those tracks that I could easily see playing at a party with a bunch of kids dancing infectiously to. It has some great cuts that had me smiling within the first five seconds of hearing the track. The track “Goodbye” could very well be the highlight of the album next to “Low Light Low Life”. “Goodbye” (produced by Lazer Beak) has an incredible beat with a great vocal sample, loud ear assaulting horns and Stef’s usual blood, sweat and tears pouring out onto the track like his life depended on it. Like I said before “Low Light Low Life” in opinion is probably the highlight of Never Better which features Sims & Dessa (of the Doomtree crew) on a great beat by Paper Tiger.

This is a fantastic album that is a great benchmark in the quality of music that P.O.S. and Rhymesayers are putting out. I hate to say things so early in the year, but this album will probably be one of my favorites this year. It’s great to see such great quality music coming out early in the year. It makes me proud to be from Minnesnota. It also lets me know that we can look forward to great things from P.O.S. and RSE this year.

9/10

Review: Evidence, The Purple Tape Instrumentals

Posted in Music Reviews with tags , , , , on Monday, February 2, 2009 by Tim Althaus

purple-tape You have all been hearing me talk about Evidence non-stop for what seems like the last 6 months. Everything that I have been discussing however has been about his emcee game, not his producing skills. I have to tell you that Evidence is one hell of a producer. I also have to let you know that I absolutely love beat tapes, so this one hits really close to home. I haven’t really listened to the Red or Yellow Tape Instrumentals for awhile, so I didn’t really know what to expect.

The album starts out with a track called “Take U Back”. The beat has a nice little sample flip and some hard hitting drums with your occasional guitar loop. It’s a great way to kick off the beat tape (not to mention the track has an intro almost as if a movie were beginning) and it hooked me right away. “Lost Cause” is one of those totally infectious beats, and it reminds me of a track that s0meone by the likes of Dr. Dre would spit over. This is another track that I could easily see being in a movie score. To be honest to me I kind of felt like I was listening to a movie score from beginning to end. This album is great quality and a great testament to EV’s production skills. I would love to hear emcees spitting over every single one of these beats. The song “Hour Glass” is truly a beautiful beat at the very least, and in my opinion might be the highlight of the beat tape.

The Purple Tape Instrumentals is a great supplement to follow up it’s predecessors (Red Tape & Yellow Tape Instrumentals) with 20 straight bangin’ beats, and I highly suggest that you go out and grab this if you are an Evidence fan because these are some great beats. Some of them are actually very simple beats, but the way they are arranged makes them very enjoyable.

8/10

Album Review: Of Montreal – “Jon Brion Remix EP”

Posted in Music Reviews with tags , , , , , , on Monday, February 2, 2009 by Erik Burg

David Barnes delivers again with the album art

David Barnes delivers again with the album art

Following the release of one of 2008’s best albums Skeletal Lamping, Of Montreal recruit Mr. Everything Jon Brion to mix up some of the albums better tracks. Having worked in the past with Elliott Smith, Kanye West, and Spoon, and also helping produce the soundtrack to Boogie Nights, Eternal Sunshine, and Magnolia Brion certainly has a hand for crafting magnificent tracks. So my hopes were undoubtedly high for those various reasons.

Disappointment from Of Montreal, however; is few and far between. Any band that covers “Day Man” is in good regard for a long time. This EP follows in that pattern pretty well, delivering to fans of the LP some pretty good material that’s a little more ready for the dance floor than the original recordings. The one downfall of this release is that it really doesn’t offer much in the way of anything “new” at all, like I said, the tracks just get a nice shape up for dj’s planning to play their most sexually explicit set of all time.

The reconstruction of “An Eluardian Instance” really doesn’t deviate from the original at all, but what it adds in the repetition and tempo change is welcome. The acoustic version of Eluardian though is quite a treat. The track isn’t stripped down to its absolute bare bones, and I might dispute calling this “acoustic,” but the slow rythm brings out the beautiful voice of Kevin Barnes and more importantly the lyrics become more apparant than ever. And what is Skeletal Lamping worth without the lyrics? Not much.

“Gallery Piece” gets the Brion treatment next, and the last three tracks all play off the same cut. Including the remix and the extended remix is an instrumental of the remix. It’s an exhausting task trying to listen to all three of these front to back, taking away from the feel of this actually being an EP rather than a single or a 12″. The original remix is great though, and it’s definietly the higlight. This cut gets the biggest mix treatment, shortening from the lengthy album version to a more friendly version that plays pretty quickly. The extended cut repeats itself so much that it’s almost annoying to listen to after the five minute mark, but die-hards will still love. (I kind of still did).

If you listened to Skeletal Lamping and loved it, or maybe even just liked it, this EP should definetly be in line for a purchase. The tracks are fun and play fairly fast, catering to the busy lives we all lead. So save some time, practice your dance steps, and come 200 times a day with the Jon Brion remix EP.

7.5 sexual escapades out of 10

mp3: Of Montreal – “An Eluardian Instance” Acoustic Version

Dig Deeper: Jon Brion Wiki Of Montreal Site

Concert Photo Recap: Solid Gold, Military Special @ the Uptown Bar

Posted in Concert Reviews with tags , , , , , , on Monday, February 2, 2009 by Ryan Buege

Solid Gold and Military Special played to another full venue on January 28th, 2009 at the Uptown Bar in Minneapolis. Enjoy these photos:

Solid GoldSolid Gold

Solid Gold

Solid Gold

Solid Gold

Solid Gold

Solid Gold
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Album Review: Merzbow, Camouflage

Posted in Music Reviews with tags , , , , , , , on Friday, January 30, 2009 by Ryan Buege

Noise music is such a very different type of beast to review. The absolute lack of structure and conventional “song” characteristics can make it impossible for some listeners to digest while other listeners may thoroughly enjoy the instrumental experimentations and interesting nuances that are laced throughout most releases of this nature. Do I attempt to review the music of a noise CD as “good” or “bad” in the context of accepted opinions, or should I simply try to describe the nature of the sounds that I heard and let my reader make up their own mind about the value of those sounds? When talking about one of the genre’s legends, Japan’s Merzbow, I think that I’ll choose the latter…

THE preeminent noise musician to come from Japan, the insanely prolific and universally respected Merzbow, is back in 2009 with Camouflage, the first in a string of planned forthcoming releases. Over an hour of sprawling laptop-directed electronic madness is divided into three tracks that tie together many common themes throughout their meandering journeys. To an uninitiated listener of electronic music, many of the tonal qualities are reminiscent of artists such as Aphex Twin or Autuchre, but his heavily effected beats often reverberate with an overwhelming sense of distortion that touches into drone and sludge. At times, throughout the mix I’m also hearing sounds reminiscent of the 80s industrial and noise renaissance, and “natural” computer and worldly sound effects form the basis of some of Camouflage‘s most interesting aural treats. Despite the long song lengths (avg. around 20 minutes), they actually don’t seem to drag on, as experimental instrumentation and sparse droney, ambient sections segue into trance and electronica in an ebb-and-flow manner that’s quite meditative. Conventional fans of electronic music and rock fans might be turned off by this release, but I think anyone who’s interested in psychedelic music would be very satisfied by the many brilliant noise experiments and sounds that were created on this release. It’s a very cerebral listen and a very rewarding piece of art for anyone who was worried that the world was running out of sounds manipulate into music.

Dig Deeper: Buy CamouflageOfficialBlogWikipedia

Album Review: Team B – “Team B”

Posted in Music Reviews with tags , , , , , on Tuesday, January 27, 2009 by Erik Burg

teambcoverWhether it’s to fulfill their ego and take over the world, or maybe that they actually do have that much musical creativity. Who knows why musicians jump from group to group trying to juggle three projects at once while disappointing fans who have been waiting for that new album release from one of the three bands. Anyway, it has happened again, this time with some of the lesser known parts of indie rock’s most popular.

Team B is the result of seven different artists, headed by Kelly Pratt of the Arcade Fire, and the contributions of a hand full of other musicians as well. Essentially Beirut without Zach Condon, try and imagine other people from those albums having talent too, Team B is a fun-loving, not-too-serious, music endeavor that should be the model for other groups that take collective parts like this. Their debut album, self-titled, is an eclectic mix of different stylings ranging from the normal pop and lebanese influences of Beirut to the heavier and more guitar driven tracks. 

Featuring contributions by Pat Mahoney (DFA, LCD Soundsystem) on drums, again helping lend a hand to the many different types of genres explored on this album. The biggest contribution might be by the cult favorite Richard Reed Parry of the Arcade Fire on a couple of tracks. From Mahoney’s funky and echoing drums, to Parry’s multi-instrumental background and skill set, Team B offers a little something to all its listeners out there. 

The first single off the album, “On My Mind,” is an immaculate piece of song-writing and pop perfection. Whether it’s the finger-snapping, soft vocals, or sudden guitar solo near the end, “On My Mind” sticks out not only as the highlight of this album, but as the highlight of releases so far in 2009.

Written while on tour with Arcade Fire and LCD Soundsystem, Kelly Pratt and his band of other odds and ends craft one of the finer albums I’ve ran across lately. With the perfect blend of pop and rock, song-writing and vocals, Team B are the model for collabortion bands like this. Look for a follow up effort in 5 years… maybe that’s being optimistic though. 

8 1/2 rusty trombones out of 10

mp3: Team B – “On My Mind”

Dig Deeper: Myspace, Paste article

Movie Review: Gran Torino (Hide the Kids)

Posted in Movie Reviews with tags on Sunday, January 25, 2009 by Eddie

Seriously, get off his lawn.

Seriously, get off his lawn.

Clint Eastwood is and may forever be the epitome of manliness. I mean, can you honestly think of a more complete badass? Eastwood has been incinerating skulls for over half a century, and he does a damn fine job of looking fly while doing it. As he’s aged, he’s not only gained more grit, but also more of a self awareness of what constitutes solid film making. Enter Gran Torino a film centered around a man who’ll remind you of that old guy who’s house you used to knock at 2 am on a weekend before you had a car or a girlfriend. In fact, that just so happens to be what this film is all about: Growing up and learning that there’s more to life than rollin’ with your homies and the nonsensical drug habits. Oh, they also touch on racism… Eastwood’s performance is legendary, and the films climax will have you questioning the legitimacy of some of this year’s academy award nominees. Check it.

(3 1/2 of 4)