Archive for the Media Category

Kanye is a “Gay Fish”

Posted in Media, Video with tags , , on Saturday, April 11, 2009 by Tim Althaus

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This video is straight up hilarious. Apparently Matt Stone & Trey Parker thought that Kanye would be the best celebrity to go after next. For all of you who didn’t get the chance to see this, here it is folks the full episode. When I watched this I was pretty much crying I was laughing so hard, “Kanye you like to eat fish dicks!”. What did Ye have to say about the episode? “I GOT A LONG ROAD AHEAD OF ME TO MAKE PEOPLE BELIEVE I’M NOT ACTUALLY A HUGE DOUCHE BUT I’M UP FOR CHALLENGE”. All I have to say is good luck Kanye, I think it’s gonna be harder for me than anyone for you to convince.

Dirty Projectors offer up free MP3!

Posted in Audio, Downloads with tags , , , on Thursday, April 9, 2009 by Erik Burg

Get it now, as this is limited time only. The new Dirty Projectors album is shaping up to be one of the year’s best. They apparently killed it at SXSW and when I saw them perform nearly the entire album live last month at the Walker is was stunning. So yeah, get on the bandwagon early. 

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Enter an E-Mail address and enjoy!

The DIrty Projectors – “Stillness is the Move”

Halloween, Alaska are back in action with Champagne Downtown

Posted in Audio with tags , , , , , , , , , , , on Wednesday, April 8, 2009 by Ryan Buege


As Sound Verite’ reminds us, Halloween, Alaska pretty much disappeared from the scene not too long after the release of their breakthrough album Too Tall Too Hide in 2005. Well, turns out they just took a break from playing shows so that they work on their new album, and it looks like the time away has paid off. Their third full-length album, Champgne Downtown, will be formally released at First Avenue in Downtown Minneapolis on Friday, April 10th at the band’s show with other local favorites Chris Koza and Aby Wolf.

Vocalist James Diers, drummer Dave King (Bad Plus, Happy Apple), and bassist Matt Friesen, and are now joined by guitarist Jacob Hanson, allowing Diers to make the move to keyboards. On the MP3 that SV posts, “The Hollywood Sign”, the band proves to have made the right decision; the lush ambient textures magnify slowly before a dreamy breakdown smacks you upside the head with the literary aid of Diers, and the following come down is just as soothing as it was ascending. Halloween, Aslaska has also posted several songs from the album streaming on their website, and a few things are clear; the band’s avant-poppy sensibilities can still be just as jarring and entrancing as ever, and the songs are even more meticulously constructed to convey some very intense and an intentional emotions and POVs. Just a preliminary guess, but I have some feelings that this one is going to grow on me quite a bit by the end of the year.

MP3: Halloween, Alaska, “The Hollywood Sign” (from Champagne Downtown, available now)
LISTEN: Halloween, Alaska, “Hot Pink” (from Champagne Downtown, available now)
LISTEN: Halloween, Alaska, “In Order” (from Champagne Downtown, available now)
LISTEN: Halloween, Alaska, “Gone With The Wind” (from Champagne Downtown, available now)

In addition to the Champgne Downtown Release Show at First Avenue on Friday, keep reading for all of the band’s upcoming tour dates that have been announced… Continue reading

EV & ALC, “It’s Coming Down”

Posted in Downloads, Media with tags , , , , , , on Wednesday, April 8, 2009 by Tim Althaus

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This might be the dopest track I’ve heard Evidence & Alchemist collaborate on, and it makes me want to hear their collabo album even more. The backdrop for this track comes from Exile’s album Radio which dropped this year. According to 2Dopeboyz, Evidence is going to be doing his thing over Exile’s beats off Radio and will be calling the project Evidence’s Radio. EV is just keeps giving me more and more shit to look forward to. I can’t keep saying enough that Evidence is taking over the game one project at a time. Do yourself a favor and check this track out. Did I mention that Alchemist completely slaughters this track?

Download: Step Brothers, “It’s Coming Down”

Elzhi Gets Ellmatic With “The Genesis”

Posted in Downloads, Media with tags , , , on Wednesday, April 8, 2009 by Tim Althaus

elzhi3 I was very excited yesterday, I got news about Black Milk and then I found this gem over at 2Dopeboyz. This is a snippet from the track “The Genesis” which will be on Elzhi’s upcoming project Ellmatic. This project will feature El flowing over Nas classics from Illmatic. Let me tell you, from what I hear, this project is going to be ridiculous. Elzhi is one of the best emcees in the game right now, and this just proves it. He is taking the task of recreating a Hip-Hop classic, and if there is anyone in the game right now that can do it, it’s most definitely him.

In the short 42 seconds of this snippet he absolutely demolishes the beat, “…You barely throw jabs with your vocabulary/My punchlines knock niggas the fuck out/Still earn block figgas’, cop triggas’ and duck droughts”. This project is going to be amazing and I can’t wait until he puts it out. This track showcases some of the best rhymes in the game, don’t sleep on it. I’ll make sure I get the full version up when it’s out.

Download: Elzhi, “The Genesis” (Snippet)

Album Review: The Juan MacLean – “The Future Will Come”

Posted in Audio, Music Reviews, News with tags , , , , , , on Tuesday, April 7, 2009 by Erik Burg

thejuanmacleancover2DFA record’s heavy hitters have been on a role for the past couple of years. 2007 brought Sound of Silver, 2008 had Hercules and Love Affair, and this year the Juan MacLean return with their first full length album since under-rated 2005 sensation Less Than Human.

This time around though, the amazing Nancy Whang has been platooned to help transform The Juan’s sound into the more vocally driven and pop (ish) sounding realm. It’s an addition that was welcome by fans salivating at the chance to hear anything new from a guy that released one of the most stearling singles of last year, “Happy House.” That track ended up being the closer to The Future Will Come, making the euphoria at the end of this album more amazing than any other record I’ve heard this year. 

But let’s jump back to the beginning. “The Simple Life” sets the pace for the album, at an almost exhausting eight minute length, Nancy’s presence on the album is made clear from the first verse. She’s been featured on tracks throughout the DFa catalogue, but here she is finally the center of attention, and like I said, it’s a welcome addition as her voice complements the relaxed minimal house that The Juan is so famous for producing. 

But the most interesting aspect of the new album might be Juan MacLean himself actually getting some good time on the mic. On past albums he was simply an afterthought, focussing the music much more on the music. Even when vocals were used in the past, like on the single “Give Me Every Little Thing” they were from outside personas, not himself. So jump to track two, the title track, and thirty seconds in “The Future Will Come” gets a nice break down, filled in by Juan getting nasty on the vocals. I have to say, he’s probably a terrible singer, but his half spoken and omnipotent voice jumps off the record, “The future will come I’ve had a vision, your popularity is a deep revision.” 

It was like hearing Antony Hegarty or Kim Ann overtop of Andy Butler’s production last year. The vocals slapped me in the face, and the music itself didn’t lose a beat. When it’s all boiled down, the album will be praised for its production and not he lyrics or the vocalization, despite that being the biggest change on the the album. The notable singles off the album, the previously mentioned “Happy House” and Simple Life” along with the ten minute long “Tonight” which falls right in the middle of The Future Will Come, reminding fans of older Juan MacLean material that he can still put together sprawling and layered house music that makes tap your toe and drop your jaw with the same dub pattern. 

The Future Will Come will undoubtedly be remembered for its slight revision in the formula that made the man a legend. Whether it’s for better or worse is yet to be decided, I personally love it though. Die hards might point to songs like “No Time” that last a mere three and a half minutes, pulsating with dancy synths and littered with both Whang and Juan’s vocals. “Just because you body’s human, you don’t have that much to offer. When I’m deep inside of you I feel like there’s not much to do to satisfy your petty yearning” Mr. MacLean opens the track stating. Nancy counters with “tomorrow when then morning comes, I’ll be ready to get home. Thank you for the lovelyup-juan evening, everybody needs some loving.” So the two partners play off each other very well, both in character and in the production. 

Ultimately it all comes back to “Happy House.” The epic, yes epic, twelve and a half minute ramp through classic disco production mixed perfectly with the new vocal contribution is set to get more playing time than it already got last year. The track never loses touch with what it is, maintaining a steady bpm and a perfect rhythm throughout. Nancy jumps in at the three minute mark, with beautiful keyboard rotating in the foreground she captures the listener, “You came to me from my history.” Skip to the eight minute mark, highlighted by an amazing break down that features an awesome bass hook revolving Nancy yelling “Launch me into space!” And the last few minutes do that too, adding much more heavy synth layers to the already funky beat that is carried throughout the entire song. It builds and builds to a euphoric ending, capping what is not only the best track of 2009 next to “My Girls” but what is one of the top albums of ’09 as well. 

If you haven’t heard the Juan MacLean before now might be your chance. The vocals add a fun perspective to the music, now a lot more than just house production and airy synths the Juan offers some of the greatest minimal electro has to offer. Another notch in the belt for DFA The Future Will Come simply can’t be over looked, if not just for “Happy House.”

The Juan Maclean – The Future Will Come    9 out of 10

MP3: The Juan MacLean – “No Time”

And You Will Know Us By The Trail of Dead unveil new music video, “Isis Unveiled”

Posted in Video with tags , , , , , on Tuesday, April 7, 2009 by Ryan Buege

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…And You Will Know Us By The Trail of Dead are back at it this month with a new music video from their album called The Century of Self (released in February), and while they’ve left the major label behind for this one, they still clearly haven’t forgotten the breathtaking bombast that made their subtle psychedelics so appealing to the majors in the first place. On their new music video for “Isis Unveiled”, the Texas sextet charges through an epic, noisy prog-rocker as Conrad injects his sneering, the rhymthmic vocal delivery over the majestic orchestration. Aided by the simple and straightforward psychedelic imagery that they are known for, the visuals on this video extremely haunting in their delivery, with Conrad’s cold stare delivering some immediate bone-chilling realism. Not a really return to form, this is moreso a restatement that about the great aspects of the Trail of Dead that never really left. The Trail of Dead are clearly sick of being kicked while their down, and now that they’re back standing on their own feet (aka independet label), I doubt they’re going to be letting anyone knock them back over anytime soon. If my music senses are still working correctly, I’d say that this band still has a few classics on their hands…

MP3: …And You Will Know Us By the Trail of Dead, “Isis Unveiled” (from Century of Self, available now)

Black Milk Brings “Mo Power” Than Anyone

Posted in Downloads, Media with tags , on Tuesday, April 7, 2009 by Tim Althaus

up-black_milk To me, Black Milk news never seems to get old. I got this track in an e-mail from Audible Treats today. This track is definitely much different than anything you will hear Black Milk do. He uses a real jazzy beat that most emcees probably wouldn’t even attempt to rhyme over. This makes for a nice challenge for Black, and he handles it quite well if I do say so. The best rhyme comes at the end of the track, “I’m a be honest/You can’t compete, can’t beat Tronic/If you ain’t hear me nigga rewind it, or just be silent”.

This is a great track that shows how truly versatile Black Milk really is. Who knows, we may see a Jazz album from him sometime in the near future, I sure as hell wouldn’t put it past him with his talent.

Download: Black Milk, “Mo Power”

Concert Review & Video: Wavves and Vampire Hands @ 7th Street Entry

Posted in Concert Reviews, Video with tags , , , , , , , on Monday, April 6, 2009 by Erik Burg

My third concert in as many nights (Friday: Junior Boys, Saturday: Friendly Fires) came down to two bands that I either knew little about, in the case of Vampire Hands, or was slightly pessimistic about after hearing their album, see Wavves. I knew the concert had great potential though, critics have raved about Wavves on and off the record and countless number of acquaintances have told me how great Vampire Hands are live. So hope were yet again high.

After a ridiculous two and a half hour wait for local favorites Vampire Hands to come on, the triumphant and overly (if there is suchwavves-cassette-cover a thing) drunk band played an awesome set of some of their best tracks. “I’m going to jail Mom! Just kidding, my parents are out there tonight” the keyboard/drum/vocal extraordinaire pronounced before the first song. The charismatic front man also had a bit of a malfunction half way through the set, with the legs to his drums falling off, boldly claiming after the song was over that “fuck it, I don’t need them.” A big thanks to everyone who suggested these guys, as their music an antics lived up to any and all hype.

And speaking of hype, has anyone been more highly touted this year than Nathan Williams, otherwise known as Wavves. I’ve been hard pressed to really get into either of his two albums, but his newest effort Wavvves had been growing on me. The San Diego native, and owner of this year’s award for best hair started the set with the awesome “Beach Demon.” One of his more upbeat tracks, the song sprung the crowd off the ground and into the air as Nathan and his buddy on drums rolled through some of the best California garage pop has to offer. He had to tease though, “So we’re gonna play a song that we have never played live” Williams says, only to turn around to find the drummer shaking his head in disapproval. So it never happened, but hey, everything they played I loved. Everything this night promised, delivered. If this guy is playing any festivals this summer or a date in your area be sure to check it out. Enjoy the video and photos as much as I enjoyed the show!

Video: Wavves – “Weed Demon”

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Sunday Metal Minute: Graf Orlock, “Run Over By A Truck”

Posted in Sunday Metalhead Minute with tags , , , , , on Sunday, April 5, 2009 by Ryan Buege

Man, if there were one song title that aptly described how my head feels right now on Sunday morning, it’s this one. But nonetheless, I’ve got a lot of stuff that I have to accomplish today, and Graf Orlock‘s “Run Over By a Truck” (from their new album Destination Time Today) is giving me the proper kick in the ass I need to start my chores.

As a fan of of the heavy, I just can’t help but love a song that sounds so fucking sick and nasty. The heavy riffage on this gem of modern grindcore is caked in dirty, crusty grime and the vocals are spastic and chaotic like no other.  Not more than 3 minutes ago I was grudgingly accepting the fact that I’d be in a hard-headed mood today, but the refreshing  grind of  Gorlock’s “Run Over By A Truck” has helped me thrash the bad vibes out instantly. Thank you, Graf Orlock.

MP3: Graf Orlock, “Run Over By A Truck” (from Destination Time Today, available now)