EV & ALC, “It’s Coming Down”

Posted in Downloads, Media with tags , , , , , , on Wednesday, April 8, 2009 by Tim Althaus

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This might be the dopest track I’ve heard Evidence & Alchemist collaborate on, and it makes me want to hear their collabo album even more. The backdrop for this track comes from Exile’s album Radio which dropped this year. According to 2Dopeboyz, Evidence is going to be doing his thing over Exile’s beats off Radio and will be calling the project Evidence’s Radio. EV is just keeps giving me more and more shit to look forward to. I can’t keep saying enough that Evidence is taking over the game one project at a time. Do yourself a favor and check this track out. Did I mention that Alchemist completely slaughters this track?

Download: Step Brothers, “It’s Coming Down”

Elzhi Gets Ellmatic With “The Genesis”

Posted in Downloads, Media with tags , , , on Wednesday, April 8, 2009 by Tim Althaus

elzhi3 I was very excited yesterday, I got news about Black Milk and then I found this gem over at 2Dopeboyz. This is a snippet from the track “The Genesis” which will be on Elzhi’s upcoming project Ellmatic. This project will feature El flowing over Nas classics from Illmatic. Let me tell you, from what I hear, this project is going to be ridiculous. Elzhi is one of the best emcees in the game right now, and this just proves it. He is taking the task of recreating a Hip-Hop classic, and if there is anyone in the game right now that can do it, it’s most definitely him.

In the short 42 seconds of this snippet he absolutely demolishes the beat, “…You barely throw jabs with your vocabulary/My punchlines knock niggas the fuck out/Still earn block figgas’, cop triggas’ and duck droughts”. This project is going to be amazing and I can’t wait until he puts it out. This track showcases some of the best rhymes in the game, don’t sleep on it. I’ll make sure I get the full version up when it’s out.

Download: Elzhi, “The Genesis” (Snippet)

Rock The Bells 2009

Posted in Music News with tags , , , , , , , , , , , , , , , , , on Wednesday, April 8, 2009 by Tim Althaus

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Ummm wow. That was my initial reaction when I saw this post at Hip Hop DX. With the initial artist lineup, this looks like (to me) that this is going to be the concert of the year. I know for sure that I am going to be trying like hell to make the Chicago show, because this is something I definitely don’t want to miss. This looks like the most studded Hip-Hop lineup I’ve seen for a show this year, and there are still more to be announced. If you get a chance to get tickets, please do not pass up your chance. Rock The Bells (Guerilla Union) has been putting together some of the finest Hip-Hop shows for the last 5 years and apparently they are looking to follow suit very strongly. To be honest I would probably pay one hundred dollars to see The Roots or Reflection Eternal. That means that even if tickets are one hundred (we don’t know as of yet) that this concert is absolutely killer for price. If you are able to make it to one of these shows, you are going to be catching the best Hip-Hop shows of this year.

Make sure you stay tuned for dates and ticket prices, as well as any updates that have to pertain to this series because we will let you know right away.

Album Review: The Juan MacLean – “The Future Will Come”

Posted in Audio, Music Reviews, News with tags , , , , , , on Tuesday, April 7, 2009 by Erik Burg

thejuanmacleancover2DFA record’s heavy hitters have been on a role for the past couple of years. 2007 brought Sound of Silver, 2008 had Hercules and Love Affair, and this year the Juan MacLean return with their first full length album since under-rated 2005 sensation Less Than Human.

This time around though, the amazing Nancy Whang has been platooned to help transform The Juan’s sound into the more vocally driven and pop (ish) sounding realm. It’s an addition that was welcome by fans salivating at the chance to hear anything new from a guy that released one of the most stearling singles of last year, “Happy House.” That track ended up being the closer to The Future Will Come, making the euphoria at the end of this album more amazing than any other record I’ve heard this year. 

But let’s jump back to the beginning. “The Simple Life” sets the pace for the album, at an almost exhausting eight minute length, Nancy’s presence on the album is made clear from the first verse. She’s been featured on tracks throughout the DFa catalogue, but here she is finally the center of attention, and like I said, it’s a welcome addition as her voice complements the relaxed minimal house that The Juan is so famous for producing. 

But the most interesting aspect of the new album might be Juan MacLean himself actually getting some good time on the mic. On past albums he was simply an afterthought, focussing the music much more on the music. Even when vocals were used in the past, like on the single “Give Me Every Little Thing” they were from outside personas, not himself. So jump to track two, the title track, and thirty seconds in “The Future Will Come” gets a nice break down, filled in by Juan getting nasty on the vocals. I have to say, he’s probably a terrible singer, but his half spoken and omnipotent voice jumps off the record, “The future will come I’ve had a vision, your popularity is a deep revision.” 

It was like hearing Antony Hegarty or Kim Ann overtop of Andy Butler’s production last year. The vocals slapped me in the face, and the music itself didn’t lose a beat. When it’s all boiled down, the album will be praised for its production and not he lyrics or the vocalization, despite that being the biggest change on the the album. The notable singles off the album, the previously mentioned “Happy House” and Simple Life” along with the ten minute long “Tonight” which falls right in the middle of The Future Will Come, reminding fans of older Juan MacLean material that he can still put together sprawling and layered house music that makes tap your toe and drop your jaw with the same dub pattern. 

The Future Will Come will undoubtedly be remembered for its slight revision in the formula that made the man a legend. Whether it’s for better or worse is yet to be decided, I personally love it though. Die hards might point to songs like “No Time” that last a mere three and a half minutes, pulsating with dancy synths and littered with both Whang and Juan’s vocals. “Just because you body’s human, you don’t have that much to offer. When I’m deep inside of you I feel like there’s not much to do to satisfy your petty yearning” Mr. MacLean opens the track stating. Nancy counters with “tomorrow when then morning comes, I’ll be ready to get home. Thank you for the lovelyup-juan evening, everybody needs some loving.” So the two partners play off each other very well, both in character and in the production. 

Ultimately it all comes back to “Happy House.” The epic, yes epic, twelve and a half minute ramp through classic disco production mixed perfectly with the new vocal contribution is set to get more playing time than it already got last year. The track never loses touch with what it is, maintaining a steady bpm and a perfect rhythm throughout. Nancy jumps in at the three minute mark, with beautiful keyboard rotating in the foreground she captures the listener, “You came to me from my history.” Skip to the eight minute mark, highlighted by an amazing break down that features an awesome bass hook revolving Nancy yelling “Launch me into space!” And the last few minutes do that too, adding much more heavy synth layers to the already funky beat that is carried throughout the entire song. It builds and builds to a euphoric ending, capping what is not only the best track of 2009 next to “My Girls” but what is one of the top albums of ’09 as well. 

If you haven’t heard the Juan MacLean before now might be your chance. The vocals add a fun perspective to the music, now a lot more than just house production and airy synths the Juan offers some of the greatest minimal electro has to offer. Another notch in the belt for DFA The Future Will Come simply can’t be over looked, if not just for “Happy House.”

The Juan Maclean – The Future Will Come    9 out of 10

MP3: The Juan MacLean – “No Time”

The Sunday Show Episode 3, “The Beer Tasting”

Posted in Culture, The Sunday Show with tags , , on Tuesday, April 7, 2009 by Tim Althaus

Vodpod videos no longer available.

That’s right folks, it’s that time of the week again for your favorite podcast about nothing in particular The Sunday Show. This week’s episode is brought to you from the Blatz Market and Liquor in downtown Milwaukee. The beginning of this episode has the owner talking about the historic Blatz brewing company and what it has evolved into now. Throughout the episode you will see these guys tasting various beers (which I enjoy very much, I’m a beer snob) and telling you how they feel about them. I am absolutely loving these guys’ episodes because it seems like they are constantly getting better and better (thanks for the Mind Inversion shout out last week). If you consider yourself to be a fan of beer, this one is truly for you.

Make sure you stay tuned to The Sunday Show. You are going to be seeing a lot of collaboration going on between Mind Inversion and The Sunday Show in the future, something for all of you to look forward to.

And You Will Know Us By The Trail of Dead unveil new music video, “Isis Unveiled”

Posted in Video with tags , , , , , on Tuesday, April 7, 2009 by Ryan Buege

Vodpod videos no longer available.

…And You Will Know Us By The Trail of Dead are back at it this month with a new music video from their album called The Century of Self (released in February), and while they’ve left the major label behind for this one, they still clearly haven’t forgotten the breathtaking bombast that made their subtle psychedelics so appealing to the majors in the first place. On their new music video for “Isis Unveiled”, the Texas sextet charges through an epic, noisy prog-rocker as Conrad injects his sneering, the rhymthmic vocal delivery over the majestic orchestration. Aided by the simple and straightforward psychedelic imagery that they are known for, the visuals on this video extremely haunting in their delivery, with Conrad’s cold stare delivering some immediate bone-chilling realism. Not a really return to form, this is moreso a restatement that about the great aspects of the Trail of Dead that never really left. The Trail of Dead are clearly sick of being kicked while their down, and now that they’re back standing on their own feet (aka independet label), I doubt they’re going to be letting anyone knock them back over anytime soon. If my music senses are still working correctly, I’d say that this band still has a few classics on their hands…

MP3: …And You Will Know Us By the Trail of Dead, “Isis Unveiled” (from Century of Self, available now)

Review: DOOM, Born Like This

Posted in Music Reviews, Reviews with tags , , , , , , , on Tuesday, April 7, 2009 by Tim Althaus

born-like-this1 As if MF Doom (sorry DOOM) had to make it any more confusing, he added yet another moniker to the seemingly endless list of names. Born Like This is his first outing under the alias known as DOOM (yes, it has to be ALL CAPS). It’s always been hard for me to put a term on how I feel about MF Doom’s music, it’s great, but I just don’t know where I sit with it. If there’s one thing for sure, he never fails in making me laugh my ass of. DOOM is one of the funniest and quirkiest emcees I’ve ever heard, I love the way that he rhymes and the things he spits about.

With the information above being said lets start by saying that the production on this album is nothing short of amazing. With the majority of production being handled by DOOM himself (DOOM has always been a great fucking producer), the rest of the production is handled by Jake One, J Dilla & Thom Yorke (only on the iTunes purchase) . By the names already mentioned, you should have a pretty good idea that the beats on this album are going to be pretty close to off the charts. Continue reading

Black Milk Brings “Mo Power” Than Anyone

Posted in Downloads, Media with tags , on Tuesday, April 7, 2009 by Tim Althaus

up-black_milk To me, Black Milk news never seems to get old. I got this track in an e-mail from Audible Treats today. This track is definitely much different than anything you will hear Black Milk do. He uses a real jazzy beat that most emcees probably wouldn’t even attempt to rhyme over. This makes for a nice challenge for Black, and he handles it quite well if I do say so. The best rhyme comes at the end of the track, “I’m a be honest/You can’t compete, can’t beat Tronic/If you ain’t hear me nigga rewind it, or just be silent”.

This is a great track that shows how truly versatile Black Milk really is. Who knows, we may see a Jazz album from him sometime in the near future, I sure as hell wouldn’t put it past him with his talent.

Download: Black Milk, “Mo Power”

El Grupo Nuevo De Omar Rodriguez-Lopez hace su primer álbum disponible el próximo mes

Posted in Music News with tags , , , , , , , on Monday, April 6, 2009 by Ryan Buege

El Grupo Nuevo de Omar Rodriguez Lopez, Cryptomenia

If you guessed that I called on my little friend Babelfish for help with that headline, I’m not going to deny it. While I may be an 8th grade Spanish dropout, I know enough to know that, from the title of this band, the Mars Volta/At the Drive-In/solo axeman Omar Rodriguez-Lopez has apparently put together a new group. Joining Omar in El Grupo Nuevo De Omar Rodriguez-Lopez, Zach Hill, Jonathon Hishke, Juan Alderete De La Peña, and Cedric Bixler-Zavala round out his new team and perform the music that he has orchestrated. On May 5, they will be releasing their debut album Cryptomnesia.

Just last week they posted their second trailer for the album (referred to as Cryptomnesia II), and from the sounds of it, this album will be far different from the avant-garde sounds that I recall from his A Manual Dexterity concept release a few years ago. Bixler-Zavala always sounds brilliant over the wailing guitar of ORL, and its clear that it’s probably a much more structured release than either Volta or his older solo works. Word is that Mars Volta might be releasing a new album this summer too, so this is by no means a replacement of Volta, but it’s great to hear some of ORL’s great progressive punk licks in a more restrained form. He’s got a very classic vibe these days! Keep your eyes peeled for a limited edition vinyl release, and I’ll keep you up to date if I hear more about that new Mars Volta album. Enjoy the trailer!

Keep reading for the first trailer, Cyptomenisa I! Continue reading

Concert Review & Video: Wavves and Vampire Hands @ 7th Street Entry

Posted in Concert Reviews, Video with tags , , , , , , , on Monday, April 6, 2009 by Erik Burg

My third concert in as many nights (Friday: Junior Boys, Saturday: Friendly Fires) came down to two bands that I either knew little about, in the case of Vampire Hands, or was slightly pessimistic about after hearing their album, see Wavves. I knew the concert had great potential though, critics have raved about Wavves on and off the record and countless number of acquaintances have told me how great Vampire Hands are live. So hope were yet again high.

After a ridiculous two and a half hour wait for local favorites Vampire Hands to come on, the triumphant and overly (if there is suchwavves-cassette-cover a thing) drunk band played an awesome set of some of their best tracks. “I’m going to jail Mom! Just kidding, my parents are out there tonight” the keyboard/drum/vocal extraordinaire pronounced before the first song. The charismatic front man also had a bit of a malfunction half way through the set, with the legs to his drums falling off, boldly claiming after the song was over that “fuck it, I don’t need them.” A big thanks to everyone who suggested these guys, as their music an antics lived up to any and all hype.

And speaking of hype, has anyone been more highly touted this year than Nathan Williams, otherwise known as Wavves. I’ve been hard pressed to really get into either of his two albums, but his newest effort Wavvves had been growing on me. The San Diego native, and owner of this year’s award for best hair started the set with the awesome “Beach Demon.” One of his more upbeat tracks, the song sprung the crowd off the ground and into the air as Nathan and his buddy on drums rolled through some of the best California garage pop has to offer. He had to tease though, “So we’re gonna play a song that we have never played live” Williams says, only to turn around to find the drummer shaking his head in disapproval. So it never happened, but hey, everything they played I loved. Everything this night promised, delivered. If this guy is playing any festivals this summer or a date in your area be sure to check it out. Enjoy the video and photos as much as I enjoyed the show!

Video: Wavves – “Weed Demon”

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